When it comes to Janet Jackson’s pair of groundbreaking, late 80s smash albums “Control” and “Rhythm Nation 1814,” there really aren’t many deep cuts from either. The former had only two non-singles, and the latter had only three. So, let’s dig in, shall we?
“He Doesn’t Know I’m Alive” from Control (1986)
When most people think of Jackson’s “Control” album, they probably think of sass and feminism. Well, not on this little-known album cut, “He Doesn’t Know I’m Alive.” It’s the worst song on the album, but it’s still a cute showcase of Ms. Jackson’s more vulnerable side. Her high notes are to be appreciated, too. —Vincent Anthony
“Funny How Time Flies (When You’re Having Fun)” from Control (1986)
Janet’s voice exudes a sexiness here that may seem at odds with the message of the previous track “Let’s Wait Awhile,” but if anything it reinforces that song’s message. Time running away makes her want to see her lover again, not rush into things. —Reece Davis
“Lonely” from Rhythm Nation 1814 (1989)
The echoing thunderstorm opening and the Spanish lines “Todos necesitamos / Un amigo en la soledad” set the mood immediately for this anthem about the importance of friendship to battle solitude and isolation. —Mario M.
“Living in A World (They Didn’t Make)” from Rhythm Nation 1814 (1989)
The only disappointing aspect of Janet Jackson’s Rhythm Nation 1814, is the fact that the social themes used on that album are still so painfully relevant. On this track, placed towards the end of the album, Janet mournfully lists all of the present-day issues of the world; all while pointing out that the people most impacted, and influenced by its evils, are the children. A trope we sadly still see today with all of the black and brown children felled in the era of #BlackLivesMatter. —Jordan Listenbee
“Someday Is Tonight” from Rhythm Nation 1814 (1989)
The wicked sister of “Let’s Wait Awhile” from “Control,” “Someday is Tonight” is effectively the answer to that song. Echoing the sensuality only previously shown on “Funny How Time Flies,” Ms. Janet turns it up a notch for this quiet storm serenade. It’s quite an effective transition to the “janet.” era that followed. If you listen to the albums back-to-back (skipping the outro), “Someday is Tonight” would be followed by Jackson proclaiming, “We had the kind of night where morning comes too soon.” —Vincent Anthony