In celebration of summer, the staff at THE 97 has compiled a playlist containing some of our favorite summer songs, from then and now. Each day we will reveal one song, rotating daily between past and present with pairings from 1998 and 2023, for a total of 97 days/songs. Since we love nostalgia, we’re celebrating summer songs from 1998 as they turn 25, alongside new songs that we feel deserve some shine. Pairings could be thematic, sonic, or based connections between the artists.

We’ve provided our summer songs playlist on Apple Music, Spotify, and Tidal for your listening pleasure, and will be updating this main post daily as we add songs to the list. Songs are not ranked in any particular order; we love them all!

THE SUMMER 97 (1998 x 2023)

1. “My All/Stay Awhile” by Mariah Carey (1998)
2. “CUFF IT (WETTER REMIX)” by Beyoncé (2023)

Summertime is for sun, sand, and a So So Def remix. In the 90s, Mariah Carey and Jermaine Dupri never failed to deliver on the latter, and the “My All/Stay Awhile” remix, is no exception. A sexy summery mash-up of Mariah’s 13th #1 and the R&B classic “Stay a Little While, Child,” the track features Lord Tariq and Peter Gunz, a then up-and-coming rap duo from the Bronx, as Carey effortlessly glides between verses from both songs atop the Loose Ends sampled beat. While Carey’s now-classic Latin-inspired ballad was already steamy, this club-ready mix really made it swelter. —Vincent Anthony

Watch the “My All/Stay Awhile” video, stream it, or buy Mariah’s “Butterfly” or “The Remixes” album.

When the heat becomes too hot to handle, the only way to cool off is to get wet. Beyoncé understood the assignment on the “CUFF IT (WETTER REMIX),” taking a page out of Mariah Carey’s 90s remix handbook to craft a mash-up of her 2022 hit and a two-decade-old hip-hop classic, Twista’s “Wetter.” This quiet-storm-ready version will make things drip where the once-funky original made ’em drop. Sliding atop the throbbing beat, Yoncé serves #BigVersEnergy by delivering both soulful vocal runs and slick-mouthed rap bars that masterfully bring this intercourse between R&B and Hip-Hop to an intense climax. —V.A.

Stream the “CUFF IT (WETTER REMIX)” here, order Beyoncé’s “RENAISSANCE” vinyl, or get those RENAISSANCE World Tour tickets.

3. “The Boy is Mine” by Brandy & Monica (1998)
4. “Cheat” by Mahalia feat. JoJo (2023)

It’s hard to imagine a classic like “The Boy Is Mine” turning 25 because when you listen to it today, it’s still just as fresh. When it was released, Brandy and Monica were both teen idols on the rise and Rodney Jerkins crafted this song in hopes of putting the rumors about their alleged rivalry to rest. The song was a huge, undeniable hit and remains a staple in R&B and Pop playlists. Brandy and Monica convincingly played dueling divas for this song, serving amazing vocals, plenty of attitude… and igniting a fictional feud that made Summer 1998 sizzle. —Mario M.

Watch the video, stream “The Boy is Mine,” or order Brandy’s “Never Say Never” on vinyl.

Taking sonic inspiration from late 90s and early 00s R&B musically and visually (its music video features a bedazzled RAZR flip phone and MySpace), “Cheat” by Mahalia feat. JoJo I’d essentially “The Boy Is Mine” (Female Empowerment Version). JoJo’s signature sass and seasoned soulfulness add weight to this vibey anthem, but never attempts to overshadow Mahalia’s shine. Effortless in their harmony of voice and message, the pairing is perfectly complementary. Just as the Brandy & Monica classic was an anthem in summer 1998, if the people of today have any sense, it’ll prove true for “Cheat” in 2023 as well.—V.A.

Watch the video or stream “Cheat” by Mahalia feat. JoJo

5. “You’re Still the One” by Shania Twain (1998)
6. “Giddy Up!” by Shania Twain (2023)

Is there anything better than a summertime romance? In 1998, country legend Shania Twain gave us the perfect theme song for such, with her pop-crossover hit “You’re Still The One.” A sultry spoken word intro sets the mood so right that it almost seems rude to have the lights on when you’re listening to it. But the song’s warm transition and tenderhearted lyrics about never falling out of love, despite the naysayers, sound so cool you can practically taste the summer air in between each line. After all this time, this song still gives us all the feels. —John Antonucci

Watch the music video, stream “You’re Still the One” or order Shania Twain’s “Come On Over” CD!

Thirty years into her career, Shania Twain is still looking for a good time. In fact, she’s looking to get “litty in the cup” on her song, “Giddy Up!” Taken from her latest LP “Queen of Me,” this song will have you packing up your bags for a weekend getaway with your friends before even booking it. Everyone knows that summertime is the best time for getting in the car, cranking up the volume, and taking in a new view. So this summer, do as Shania says – “giddy up” and hit the road! You won’t regret it. —J.A.

Watch the music video, stream “Giddy Up!” or order Shania Twain’s “Queen of Me” on vinyl!

7. “Fly Away” by Lenny Kravitz (1998)
8. “Sure Thing” by Miguel (2023)

Few things evoke freedom better than flight; whether literal or metaphorical, to fly is to be free. Lenny Kravitz ascended to #12 on the Billboard Hot 100 in late 1998 with his hit single, “Fly Away,” but really should’ve been a summer single. This funky rock-n-roll ode to escapism is the perfect anthem for flying out of the country, or even just flying down the highway. Kravitz’s unmistakable voice soars atop electric guitar riffs and a groovy bassline, all combining to exude the essence of freedom. Spin “Fly Away,” and you’ll end up booking that summer trip you’ve been debating. —V.A.

Watch the music video, stream “Fly Away” or grab Lenny Kravitz’s “Greatest Hits” on vinyl

Sometimes a song is so good it has to hit twice. Entering summer 2023 as the #1 song on pop radio, Miguel’s 2010 hit “Sure Thing” has outperformed its original chart run thanks to becoming a viral sensation on TikTok. The metaphor-laden, guitar-driven R&B track sounds as fresh today as it did in 2010 with its chopped and screwed hook, guitar riffs, and the endearingly sweet melody sung by a passionate, then-25-year-old Miguel. “Sure Thing” created the formula for later, bigger hits like “Adorn,” and “#Beautiful” with Mariah Carey. This summer, one thing is sure: Miguel’s career is hotter than ever.—V.A.

Watch the music video, stream “Sure Thing” or grab some Miguel vinyl

9. “Inevitable” by Shakira (1998)
10. “chemistry” by Kelly Clarkson (2023)

Certain songs are just perfect for a summer bonfire. Shakira’s fiery 1998 classic “Inevitable” is just that. This quintessential Latin rock ballad was the perfect bridge between Shakira’s acoustic beginnings and her more impassioned pivot to moody rock chick. The track starts off acoustic, but quickly builds in intensity as the guitar and drums layer up, and Shakira’s signature voice amplifies it from a ballad to an anthem. While her first foray into English-language music was never officially released (and is way better in Spanish), like the love she sings about, Shakira becoming a global superstar was inevitable. —V.A. 

Leer en español.

Watch the music video, stream “Inevitable” or grab some Shakira vinyl

The beauty and warmth a summertime magic hour sunset is hard to put into words; even harder to put into sound. Kelly Clarkson’s “chemistry,” the title track off her 10th studio album that dropped on June 23rd, is a successful feat of sonic imagery that conjures the magic of that moment, and of falling in love. The acoustic guitar, lush production, and romantic lyrics alongside Clarkson’s soulful, sensual vocal are the formula for pop perfection. Clocking in at just two-and-a-half minutes, “chemistry” will have you begging for more, and longing for whatever love potion she’s brewed up.—V.A. 

Listen to “chemistry,” stream the full album or grab the vinyl.

11. “So Into You” by Tamia (1998)
12. “missin u” by Tori Kelly (2023)

Before we had social media and apps like TikTok to make old songs go viral years after their release… all we had were samples. Tamia’s 1998 R&B classic “So Into You” was a modest hit upon its original release, peaking at #30 on the Hot 100 and #7 on the Hot R&B/Hip-Hop Songs chart. Five years later, Fabolous sampled it for his smash hit “Into You,” with Ashanti Tamia, who rerecorded her vocals for what would become the biggest hit of both their careers. This literally timeless classic was a smash in not one, but two summers and it’s still fire.—V.A. 

Watch the “So Into You” (or “Into You”) video, stream it or buy Tamia’s debut album.

Something about the summertime and nostalgia goes hand-in-hand. On Tori Kelly’s aptly titled “missin u,” she throws us back in time to that irresistible late 90s/early 00s R&B sound. There are notes of influence from turn-of-the-century R&B by acts like Aaliyah, JoJo, Usher, and Mariah Carey. Your nostalgia radar will go off non-stop, but you’ll never quite place it. Kelly makes the sound her own by showcasing her ability to switch seamlessly from quick-tongued verses to a sing-along-ready hook and soaring bridge. Unfortunately, the track failed to make an impact on the charts; perhaps it’s too nostalgic.—V.A. 

Watch the “missin u” video, stream it or get some Tori Kelly vinyl.

13. “Go Deep (Missy/Timbaland Remix)” by Janet Jackson (1998)
14. “Float” by Janelle Monáe feat. Seun Kuti & Egypt 80 (2023)

If there was ever a golden age of the remix, it was the 1990s. There were house, hip-hop, and R&B mixes galore — and they were all on point! When Janet Jackson enlisted Timbaland and Missy Elliott to remix the fourth single from “The Velvet Rope,” she flipped it from funky bop to hip-hop groove. While Missy’s take on the hook lacks the catchiness of the poppier original, it definitely makes the song slap with a sly, sexy edge atop the Timbaland beat. Whichever variation you choose, Janet’s “Go Deep” will have you partying late into the night.—V.A. 

Watch the “Go Deep” video, stream the remix, or get “The Velvet Rope” on vinyl.

When you’re a free-ass-muthafucker, you don’t walk… you float. That’s the essence of “Float,” the lead single from Janelle Monáe’s latest album, “The Age of Pleasure.” Featuring music by Seun Kuti & Egypt 80, Monáe glides through self-realization, announcing that she’s changed and doesn’t care what the haters have to say about it. In light of recent criticisms for her showing off her nipples at the Essence Music Festival (and the video for second single “Lipstick Lover”), the message of “Float” is all the more relevant. However, in her age of pleasure, Janelle Monáe will continue to float — unbothered.—V.A. 

Watch the “Float” visualizer, stream the song, or order “The Age of Pleasure” on vinyl.

15. “Ghetto Supastar” by Pras, Mya & Ol’ Dirty Bastard (1998)
16. “AMERICA HAS A PROBLEM” by Beyoncé & Kendrick Lamar (2023)

Twenty years before Lil Nas X trotted his horse down “Old Town Road” and gagged the Nashville girlies by fusing Hip-Hop and Country, a trio of Hip-Hop and R&B stars collaborated to sample two Country legends, Kenny Rogers and Dolly Parton. In 1998, Fugees member Pras, R&B newcomer Mya, and Wu-Tang Clan’s Ol’ Dirty Bastard joined forces to release the now-classic “Ghetto Supastar (That is What You Are).” The track flips the Rogers/Parton sample into a chaotically charismatic anthem that perfectly encapsulates the inescapable collision of R&B and Hip-Hop throughout the late 90s. Shout out to Mariah Carey.—V.A. 

Watch the video, or stream “Ghetto Supastar”

Beyoncé reunites with her #2 musical husband Kendrick Lamar for another surprise remix. For the pair’s third collaboration and third “RENAISSANCE” remix, Beyoncé takes another page from the 90s playbook by tacking a rap verse on the infectious “AMERICA HAS A PROBLEM.” Lamar rides the beat immaculately, bringing us back to 2023 to dish out some strong words for A.I. and embrace his second-place ranking behind Beyoncé’s actual husband on Billboard’s Best Rappers list (“rightfully so,” he says). Though he knows his place in that relationship, he should reconsider crowning himself “an honorary Beyhive” given the Hive’s polarized reaction.—V.A. 

Stream “AMERICA HAS A PROBLEM” here, order Beyoncé’s “RENAISSANCE” vinyl, or get those RENAISSANCE World Tour tickets.

17. “Nice & Slow” by Usher (1998)
18. “GLU” by Usher (2023)

Ever-enduring R&B legend, Usher, has undergone a retrospective renaissance thanks to his massively successful Las Vegas residency and the re-release of his iconic breakthrough album, “My Way.” On its second single, “Nice & Slow,” released in 1998, Usher vividly depicts teenage lust and desire, memorably summed up with the line, “I got plans to put my hands in places you’ve never seen, girl you know what I mean.” It’s a song that is truly of its time, yet still sounds current within today’s R&B landscape — a testament to the strength of his catalog, and the impact of his legacy.—Jordan Listenbee

Watch the “Nice & Slow” video, stream it here, or order “My Way” on CD.

In his latest single, “GLU,” the growth of Usher’s vocal delivery and overall lyrical content when compared to his 90s discography is apparent. With Lil Jon serving as producer, this Prince-inspired slow jam puts Usher’s signature falsetto on full display. While the song may not have the same hit potential as his more commercial classics, it is a welcome addition to Usher’s expansive catalog. If 1998’s “Nice & Slow” was the amuse-bouche, “GLU” is its NSFW entrée. Preference aside, both show that the man’s words ring true: “You either evolve or dissolve.” Legendary behavior, if you ask me.—J.L.

Watch the “GLU” live video, stream it here, or grab some Usher vinyl.

19. “Too Close” by Next (1998)
20. “Fly Girl” by FLO feat. Missy Elliott (2023)

In the 90s, R&B was filled with thinly-veiled double entendre. “Too Close” by R&B trio Next is a prime example, with the not-so-subtly suggestive lyrics that made it the year’s hottest song. Opening with lead singer R.L. posing the question, “I wonder if she could tell that I’m hard right now?” it’s amazing that the rest of the song’s lyrics seemingly managed to go over most people’s, and radio programmer’s, heads. What did they really think they meant by “a poke comin’ through,” and “You’re making it hard for me?” Ultimately, it’s… hard to stop a hit.—V.A.

Watch the “Too Close” video, stream it, or buy Next’s debut album

Once songs from your adolescence become the go-to source of samples, you’re officially grown. And, if you’re Missy Elliott, well… that’s just another reminder that you’re that bitch. Up-and-coming British girl group FLO sampled Elliott’s 2001 classic “Work It” on their single “Fly Girl,” and even managed to snag a co-sign from the legendary Misdemeanor. The track leans heavily on nostalgia in sound and lyrics, referencing another 2001 classic by Jagged Edge as they confidently sing, “I don’t need a man to tell me where the party is.” Like the hits they’ve sampled, expect these fly girls to stick.—V.A.

Watch the “Fly Girl” video, stream it here, or check out their latest EP.

21. “Spice Up Your Life” by The Spice Girls (1998)
22. “Dance the Night” by Dua Lipa (2023)

While the ’90s saw the emergence of popular boy bands, like the Backstreet Boys and *NSYNC, it was the decade’s girl groups who came to heat – or spice, rather – things up. The Spice Girls were not just the biggest British singing group to conquer the world since The Beatles, they soon ranked among the best-selling girl groups of all time. With their salsa-inspired hit, “Spice Up Your Life,” these five ladies gave us the absolute perfect anthem for a summertime fiesta. Feeling “sad and low” these days? Well, the Spice Girls have just the cure for that.—J.A.

Watch the “Spice Up Your Life” video, stream it here, or buy the “Spiceworld 25” deluxe edition.

We Enter Disco Barbie. After ushering in a disco revival for the pop girlies and “Levitating” the soundtrack to everyone’s pandemic parties in 2020, Lipa has returned to bring some disco to the Barbie film soundtrack. “Dance the Night” sounds like it would’ve been right at home on “Future Nostalgia,” but as the inaugural release off the “Barbie: The Album,” it’s a welcomed kickoff to what’s become the summer’s hottest ticket in film and music. While the song didn’t blaze its way to the top of the charts, it’s certain to heat up any club it encounters this summer.—V.A.

Watch the “Dance the Night” video, stream it, or buy “Barbie: The Album.”

23. “Outside” by George Michael (1998)
24. “Rush” by Troye Sivan (2023)

Masterful songwriters turn their experiences into relatable songs, and true superstars know how to turn scandal into success. When George Michael’s career was marred in controversy following his arrest for allegedly soliciting public sex, forcing him to publicly come out, he spat in the face of entrapment by relishing in sexual liberation. Released months after the 1998 incident, “Outside” celebrates public sex, calling it human nature; a return to form. This sexy disco number and its accompanying video made good trouble out of the bad. George Michael is a gay icon, and “Outside” was his first true anthem.—V.A.

Watch the “Outside” video, stream it, or buy some George Michael vinyl.

Sometimes, an artist is able to epitomize the concept of “understanding the assignment.” On “Rush,” Troye Sivan earns an undeniable A+ in the category of thot boy summer. Atop a thumping House/Pop amalgamation, Sivan glides effortlessly, evoking the sounds and sensations of a very hot, very sweaty, and very gay night at the club. Ever fearless and never desperate, Sivan’s music has always embraced and celebrated his sexuality, and “Rush” is the sonic embodiment of Pride. With the lead single from his first album in 5 years, the 28-year-old singer is making it clear he’s all grown up.—V.A.

Watch the “Rush” video, stream it, or preorder the album, “Something To Give Each Other.”

25. “Crush (Dance Mix)” by Jennifer Paige (1998)
26. “I Can See You” by Taylor Swift (2023)

They don’t call ’em one-hit wonders for nothing. “Crush,” one such wonder from 1998, was the first and only pop hit by Jennifer Paige. Her debut single managed to become a runaway success thanks to its irresistibly infectious chorus that became an anthem for anyone with a crush, innocent or otherwise. The perfect sonic snapshot of nondescript 90s pop, “Crush” is perfectly unforgettable yet unremarkable. It’ll transport you back to a simpler time: of cassette mixtapes, CD Walkmans, and secret crushes. If you’re too young to remember it firsthand, you’ll just have to take my word for it.—V.A.

Watch the video, stream the dance mix, or purchase a piece of 90s history.

Many words describe pop music’s reigning “Mastermind,” and “calculating” is certainly one of them. On the latest (Taylor’s Version) (From the Vault), Taylor Swift reminds her prospective beau: “I Can See You.” Endearingly creepy, it evokes 90s pop in its questionably yet catchy, almost-too-honest expressions of love lust. In a rare show of seduction, Swift strings us along on a guitar-driven journey through her secret, 20-year-old desires, that, like this song (until now) were locked away in a vault. Its Taylor-studded music video only adds to the mystery, making for a surprisingly sexy summer single from Swift.—V.A.

Watch the video, stream it, or order Speak Now (Taylor’s Version) on vinyl.

27. “Kiss the Rain” by Billie Myers (1998)
28. “River” by Miley Cyrus (2023)

If you’re trying to fight the summer heatwave, this is the blast from the past you’ll need. British singer Billie Myers’ “Kiss the Rain” is the perfect song to play after the arrival of a summer thunderstorm — to cool off the air, and the mind. The song became popular after being used in an episode of the popular teen drama “Dawson’s Creek,” and began ascending the charts. Written as a reflection on the ups and downs of relationships, the Alt/Pop sound of “Kiss the Rain” fit right in amidst the eclectic music scene of the late 90s.—M.M.

Watch the “Kiss the Rain” video, stream it, or buy Billie Myers’ debut album.

If sexual energy were a river, Miley Cyrus is here to ensure it never runs dry. On the energetic dance-pop track “River,” she recalls the ‘80s sound and melody of Flo Rida and Kesha’s 2009 hit single “Right Round,” and emulates its not-so-subtle double entendre. Though Cyrus’ is not so blatant, like the assumed metaphor of Mariah Carey’s “Honey,” it’s there if you look for it. It’s not a cover of the Joni Mitchell sometimes-Christmas standard, that’s for sure, but it seems to take inspiration from the Queen of Christmas. Is she sure she’s never been a fan?—V.A.

Watch the “River” video, stream it, or grab “Endless Summer Vacation” on vinyl.

29. “Nothing Really Matters” by Madonna (1998)
30. “I’m Not Here to Make Friends” by Sam Smith (2023)

Momentous life events often yield creative breakthroughs for an artist. On her 1998 opus “Ray of Light,” Madonna combined her newfound appreciation for mystics and electronica to revitalize her sound and image with the most effective and profound reinvention of her chameleonic career. “Nothing Really Matters,” the album’s final single, is a reflective, zen anthem that grapples with karma and maturation. Atop the bouncy, House-inspired EDM track, Madonna muses meditative mantras of motivation with a vocal delivery that is at times om-like. As the track progresses, its tempo and layers build with one goal: liberation via levitation.—V.A.

Watch the “Nothing Really Matters” video, stream it, or purchase “Ray of Light” on vinyl.

Honesty is a key element on any journey to personal liberation. For Sam Smith, their newfound unrestricted persona has an anthem in the disco-inspired single “I’m Not Here to Make Friends.” While its very queer, very sexualized music video received plenty of flack, some for reasons warranted (hideous fashions) and unwarranted (body and slut shaming), the song itself is an undeniable good time. Honest in the celebration of their queer identity, and honest in the song’s straightforward message (the title pretty much sums that up), on Smith’s most fun track to date, the truth sets them free.—V.A.

Watch the “I’m Not Here to Make Friends” video, stream it, or order the “Gloria” album on vinyl.

31. “The First Night” by Monica (1998)
32. “Talk to Me Nice” by Tinashe (2023)

One hallmark of the marriage between R&B and Hip-Hop in the mid ’90s was when R&B women started flipping samples of classics on top of hard, Hip-Hop beats, lacing them with unmatched vocals and unforgettable melodies. Case in point, Monica’s “The First Night,” the second single from her sophomore album. Built on a sample of “Love Hangover” by Diana Ross, “The First Night” is the antithesis to The Boss’ submissive classic. Monica, instead, dominates in a man’s world — she’s found the cure. The remedy is her ability to set boundaries and own her sexuality. Monica doesn’t run.—V.A.

Watch “The First Night” video, stream it, or purchase the single.

In a musical landscape littered with relentless singles that are barely two minutes long, it’s the artists who take their time that serve up the best time. On her new single “Talk to Me Nice,” the ever-versatile Tinashe continues to impress by keeping things fresh. The fact that the song clocks in at nearly 4 minutes sets it apart, but also the sensual, slickly produced mid-tempo love song is not just a mood, it’s many. Bouncin’ from chorus to verse to bridge like movements of a symphony, Tinashe reminds us she can ride any vibe. She’s always nice.—V.A.

Watch the “Talk to Me Nice” video, stream it, or get something from Tinashe’s discography.

33. “Hit Em Wit da Hee” by Missy Elliott, Lil’ Kim & Mocha (1998)
34. “Seven” by Jung Kook & Latto (2023)

In Hip-Hop, the come-up is cyclical; good karma yields great success. In the case of Missy Elliott, she’s essentially Hip-Hop’s Buddha with all the good karma she’s put into the genre… but even she started somewhere. The reputation she cultivated as a songwriter, producer, and force of female empowerment manifested via several high-profile features on her debut. On its final single “Hit Em Wit da Hee,” she managed to secure features from not one but two fellow female rap stars: Lil’ Kim and Mocha. The result is a fierce, hard-hitting romp that’s all bite, yet no fight.—V.A.

Watch the “Hit Em Wit da Hee” music video, stream it, or buy “Supa Dupa Fly.”

Ambitious rising stars in pop often collide to combine their star power, yielding #BigEnergy. Newly solo seventh of K-pop’s biggest band BTS, Jung Kook, and one of the hottest new women in Hip-Hop, Latto, join forces on “Seven,” a sizzling, summer sex romp that is anything but subtle. In true boy-bander-gone-solo fashion, BTS’ youngest proves he’s all grown-up, putting all interested parties on notice: “Night after night, I’ll be fucking you right.” Latto, understanding the assignment, matches his vibe: “Come here baby, let me swallow your pride.” As addictive as, apparently, you-know-what… “Seven” is tailor-made to repeat.—V.A.

Watch the “Seven” music video, stream it, or grab some Jung Kook merch!

35. “Everybody (Backstreet’s Back)” by Backstreet Boys (1998)
36. “on the street” by j-hope & J. Cole (2023)

For some acts, it’s a slow burn to superstardom; for others, it’s overnight. By the time the Backstreet Boys released their fourth single stateside, they were huge — and it was clear that they weren’t going anywhere. Just in case, they served up a reminder with “Everybody (Backstreet’s Back),” an infectious party anthem with a “Thriller”-inspired music video. The quintet who prided themselves on their vocals managed to keep the harmonies tight, while still letting loose. With built-in instrumental dance breaks and chanting crowds, “Everybody” succeeds in its main mission, you’re bound to “rock your body right.” Alright?!—V.A.

Watch the “Everybody” video, stream it, or order the single on vinyl.

Once upon a time, Hip-Hop went Pop. When its biggest stars began to collaborate with pop stars, the genre transitioned, for better or worse, to the mainstream. Now, the same is happening with K-Pop, emblematic by its most successful group BTS aligning with artists across genres. For his latest solo single “on the street,” BTS member j-hope taps his favorite rapper and “muse,” J. Cole, to bridge the gap. For Cole, it’s an unexpected feature that proves his versatility. Roles have reversed as Cole, once the newbie seeking his idol’s approval, welcomes j-hope to the Cole World.—V.A.

Watch the “on the street” video, stream it, or grab some j-hope vinyl!

37. “Can I Get A…” by JAY-Z, Amil & Ja Rule (1998)
38. “Passport Bros” by Bas & J. Cole (2023)

After decades in the public consciousness, some songs you just know somehow, perhaps due to sheer ubiquity, or sampling. JAY-Z’s “Can I Get A…” featuring Amil and Ja Rule is one of those tracks. J. Cole fans will recognize, “Can I hit it in the morning?” … Janet Jackson fans will recognize its “bounce.” However, in the summer of 1998, “Can I Get A…” was a big hit in its own right, helping inch JAY-Z closer to crossing over and establishing new acts Amil and Ja Rule. The infectious, Irv Gotti-produced bop lights up any club — then, and now.—V.A.

Watch the “Can I Get A…” video, stream it, or purchase the album on vinyl.

Time to get your passport stamped! With production reminiscent of Pharrell’s “In My Mind” era, the hilariously yet trendy titled “Passport Bros” by Bas and J. Cole easily mixes Afrobeat and Bossa Nova with a jazzy string section that serves up a beachside bop perfect for the summertime. Bas’ laid-back, rhythmic flow, along with some cleverly used product placement, lends itself well to the song’s intercontinental instrumentation. Comparatively, Cole’s signature staccato aligns with his masterful wordplay to make the track’s two halves fuse together perfectly to create a referential, yet original track. Let me drive the boat!—J.L.

Watch the “Passport Bros” video, stream it, or purchase some J. Cole or Bas on vinyl

39. “Top of the World,” by Brandy & Ma$e (1998)
40. “Attention” by Doja Cat (2023)

Aptly titled, this Darkchild penned hit saw the iconic Brandy and legendary rapper Ma$e at their commercial peaks. The second single off of her second album, “Never Say Never,” “Top of the World” finds Brandy and Ma$e lyrically reveling in their success, while reminding the listener that it doesn’t come easy, or make for a simpler life. It marks the beginning of a more mature sound thematically for Brandy, and foreshadowed the woman the world has come to know. The song is fun, emoting a joy that is seldom used and severely lacking in today’s musical landscape.—J.L.

Watch the “Top of the World” video, stream it, or buy the “Never Say Never” vinyl.

There are plenty of creative ways to express the essence of the infamous phrase “suck my dick,” rather than saying it flat out. Doja Cat delivers a rousing reminder of her rap talent on her most Hip-Hop single in ages, “Attention.” Sparse in production but with no shortage of bars, Doja Cat puts everyone on notice with the sexiest rendition of Lil Kim’s “Suck My Dick” to date. No, it’s not a sample or a cover, Doja Cat never says “dick,” the attention instead is on her— though, she never says that word either… she ain’t pussy.—V.A.

Watch the “Attention” video, stream it, or get Doja’s last album on vinyl.

41. “What’s It Gonna Be?!” by Busta Rhymes & Janet Jackson (1998)
42. “Water Slide” by Janelle Monáe (2023)

The sizzling classic “What’s It Gonna Be?!” sees the pairing of Rap titan Busta Rhymes and Empress of Pop Janet Jackson in an eclectic blend of Hip-Hop, Funk, and R&B. Lyrically, the track’s focus is driven by raw sexuality, a topic that Jackson’s pioneering influence helped normalize for women in pop music. Rhymes blends superbly well with Jackson’s sex kitten vocals, due to his frenetic energy and overall reputation as a stellar, intricate MC. The track, along with its world record-setting visual, became one of the most successful rap-sung collaborations in the latter half of the 1990s.—J.L.

Watch the legendary “What’s It Gonna Be?!” video, stream it, or grab some Busta Rhymes or Janet Jackson vinyl.

Who can resist a good, nasty metaphor? Janelle Monáe takes a plunge into the sea of allegory on “Water Slide,” the very unserious, very unsubtle third single from “The Age of Pleasure.” With lemons on her areoles and bare ass cheeks abound, Monáe’s “Age of Pleasure” is a water park in the very metaphorical sense: it’s very hot, very wet, and very fun. Opening with the line, “If I could fuck me right here right now, I would do that,” the song is a tantalizing tease and, with its Island-inspired beat, is beach and pool party perfection.—V.A.

Watch the unmissable “Water Slide” video, stream it, or buy “The Age of Pleasure.”

43. “Trippin'” by Total (1998)
44. “Cut” by Tori Kelly (2023)

Having too many cooks in the kitchen is often discouraged. In the case of ’90s girl group Total’s classic hit “Trippin'” the phrase simply does not apply. Released via Puff Daddy’s Bad Boy label, this jam had several multi-platinum hands involved. Missy Elliott, Timbaland, Mario Winans, Darryl Pearson, and of course, Puffy himself, contributed to writing and producing the LL Cool J-sampling track, with DMX dropping a verse on its remix. It’s no wonder the song peaked at #7 on the Hot 100. “Trippin'” might’ve been their last hit, but unlike the group, their biggest hit has stuck around.—V.A.

Watch the “Trippin'” video, stream it, or pre-order the “Kim, Keisha & Pam” vinyl reissue.

There’s a certain confidence that culminates within someone once they’ve finally realized their true potential. On “cut,” Tori Kelly struts into newfound swag, flanked by a crew of creatives with whom success is the only option. The Y2K R&B-inspired track not only takes inspiration from the era, it taps in, too. Kelly and Jon Bellion’s team enlisted additional input from both Timbaland and Rodney “Darkchild” Jerkins to ensure the nostalgic knocker is as authentic as can be. Kelly flourishes atop the immaculately produced “cut,” effortlessly showcasing her vocal prowess with enough skill to make her influences proud.—V.A.

Listen to Tori Kelly’s new EP, “tori,” or buy some Tori Kelly vinyl here.

45. “Are You That Somebody” by Aaliyah (1998)
46. “Terms and Conditions” by Mahalia (2023)

Who would’ve thought the theme song to a family-friendly film about a doctor that can talk to animals would be so damn sexy? Due to time constraints set by Blackground Records, late songwriter Static Major cut the “Are You That Somebody” demo alongside producer Timbaland in just 10 hours, between 1-11 am. Set to the backdrop of Timbaland’s signature, Middle Eastern-derived sound, it was inspired by the allegedly burgeoning romance between Major and Aaliyah. With her ever-maturing image, voice, and iconic visuals, Aaliyah gave a sensual yet tasteful glimpse of what was to come in her tragically short career.—J.L.

Watch the “Are You That Somebody” video, stream it (finally), or grab all Aaliyah’s hits on vinyl.

Reading is fundamental. Online, we often skip reading the “terms and conditions” before using apps and websites. However, IRL they’re a must, just like on the lead single from Mahalia’s sophomore album “IRL.” On the aptly-titled anthem, “Terms and Conditions,” she serves up a manifesto on how she expects to be treated by any potential man. Like her duet with JoJo, it harkens back to early aughts R&B, managing to sound invitingly familiar yet not reductive. On this mid-tempo groove, Mahalia channels the era both lyrically and sonically, delivering an empowering message with an authentic, soulful sound.—V.A.

Watch the “Terms and Conditions” video, stream it, or order the “IRL” vinyl.

47. “With Me (Part I)” by Destiny’s Child (1998)
48. “Body Do” by Chlöe (2023)

Record labels sure loved to have teen stars sing songs they were probably not old enough to be singing in the 1990s. “With Me,” the second single from Destiny’s Child’s debut album, is a fine example of that. Recorded when the girls were just 16 years old and produced by go-to hitmaker Jermaine Dupri, it’s essentially a side chick anthem. Problematic as it may be, it’s a bop in all four of its iterations. Perfect evidence that Beyoncé and Kelly were vocally talented beyond their years, nobody would guess that the young girls singing it weren’t grown-ass women.—V.A.

Watch the “With Me” video, stream it, or grab some Destiny’s Child vinyl.

Presenting the 2023 valedictorian of the Janet Jackson School of Spoken Word Intros and Interludes: Chlöe Bailey. The ever-fearless, never-fucks-given Ms. Bailey opens what should’ve been her lead single, “Body Do,” with a loaded, messy question: “Do you ever wonder.. who else is FUCKIN’ your man?” As if this, infectious 2-minute-long bop doesn’t gag the girls enough as is, that opener really seals the deal. The frenetic yet impeccably produced banger plays with the question at hand. Chloe’s answer? “I can trust you as far as I can throw you, but I’ma trust what that body do.” Period.—V.A.

Watch the visualizer, stream it, or grab some Chloe x Halle vinyl.

49. “Boy’s a liar, Pt. 2” by PinkPantheress & Ice Spice (2023)
50. “It’s Not Right But It’s Okay” by Whitney Houston (1998)

Pop-stars crossing the pond, male-bashing anthems, pop girls uniting in the name of girl power… is the 1990s or the 2020s? Make no mistake, it’s the era of TikTok-friendly 2-minute songs with lax choreography and verses that are somehow infectious as hell. Without ever raising their voices, English pop singer PinkPantheress and Bronx-born rapper Ice Spice manage to inspire girls to twerk and boys to be big mad on “Boy’s a liar, Pt. 2.” Peaking at #3 on the Hot 100, this fun fusion of Pantheress’ bubblegum pop with Spice’s gruff rap raised both artists’ profiles in a big way.—V.A.

Watch the “Boy’s a liar, Pt. 2” video, stream it, or buy Ice Spice’s EP on vinyl.

Now, a xylophone might sound a bit elementary, but baby, it was simple. Whitney broke things down real easy just to be SURE the math was mathing! “It’s Not Right But It’s Okay” was an iconic moment in Houston’s career. Her 1998 album “My Love Is Your Love” marked a stylistic shift, proving she could still fit within evolving trends in pop. She also showcased a bit more of her magnetic personality. The R&B anthem, produced by Rodney “Darkchild” Jerkins, was equally empowering, and a huge hit — especially in gay clubs thanks to its iconic Thunderpuss dance remix.—V.A.

Watch the “It’s Not Right But It’s Okay” video, stream the album version, Thunderpuss club mix, or get the “My Love Is Your Love” anniversary vinyl.

51. “Flowers” by Miley Cyrus (2023)
52. “Ray of Light” by Madonna (1998)

In 2023, summer came early. Twelve days into the New Year, Miley Cyrus dropped “Flowers,” a bittersweet, disco-pop bop that perfectly leverages Miley’s unique voice and empowering image. With a captivating visual and song, Cyrus broke streaming records to debut at #1 on the Hot 100, spending 8 weeks at the pole position. As the lead single from “Endless Summer Vacation,” “Flowers” is a great representation of the album as a whole, which delves heavily into her post-divorce emotional reckonings. Strutting in her strength, Cyrus’ aura of cool remains unbreakable. She gave herself “Flowers” via the biggest hit of her career.—V.A.

Watch the “Flowers” video, stream it, or get “Endless Summer Vacation” on vinyl.

Traditionally, imagery is the use of words to evoke the senses; but certain sounds can have the same effect. On “Ray of Light,” Madonna provides the soundtrack to one of the most iconic visual images: the sun. A euphoric journey through liberation, the electronic, dance-inspired pop anthem marked a moment of personal and professional rebirth for Madonna. Best known as the boundary-pushing “Material Girl,” the legendary diva came down to earth bit, if only for a short time, during her spiritually awakened “Ray of Light” era. The album’s title track perfectly encapsulates the moment —  a comeback anthem.—V.A.

Watch the “Ray of Light” video, stream it, or grab the album on vinyl.

53. “Padam Padam” by Kylie Minogue (2023)
54. “Heaven’s What I Feel” by Gloria Estefan (1998)

Adding a phrase to the pop culture lexicon is a telltale sign of impact. With “Padam Padam,” Kylie Minogue gives “heartbeat” a new name and reminds us why she’s been a pop music mainstay for decades. The 55-year-old icon proves that with the right song, a true diva will flourish regardless. The infectious dance track immediately claimed its place in the zeitgeist upon release, with its fiercely red music video and undeniably catchy hook featuring perfectly relatable lyrics for her target audience: the gays — arriving just in time for Pride month, “Padam” has become an inescapable anthem.—V.A.

Watch the “Padam Padam” video, stream it, or pre-order the album, “Tension.”

It’s almost become a rite of passage for a diva to delve into dance-pop at some point in her career. With “Heaven’s What I Feel,” the lead single from her mononymous album “gloria!” (1998), pioneering Latin pop icon Gloria Estefan fully committed to crafting dancefloor anthems. “Heaven’s What I Feel,” with its Spanish, French, and club mixes, became a decent hit for a then-40-year-old Estefan. Boasting soaring vocals, a glossily produced pop take on the House genre, and some fittingly dramatic lyrics of forbidden love, “Heaven’s What I Feel” is prime gay club material from a beloved diva.—V.A.

Watch the “Heaven’s What I Feel” video, stream it in English or Spanish, or buy the “gloria!” album.

55. “PROVENZA (REMIX)” by KAROL G & Tiësto (2023)
56. “The Cup of Life (La Copa de la Vida” by Ricky Martin (1998)

There’s something magical that happens when a pop princess finds her dance DJ prince. Just ask Kelly Rowland. The collaboration between KAROL G and Tiësto, “Don’t Be Shy,” was a worldwide hit for the Colombian superstar singer and Dutch DJ, so it’s a no-brainer that the pair hooked up once again. The newly-released “PROVENZA” remix is a dancefloor-ready mix of one of her more laid-back tracks, transforming its vibe from beach day to night club. KAROL G’s signature slinky, tongue-twisting style of rap singing is abundant in rhymes and criminally catchy — even if you don’t speak Spanish.—V.A.

Watch the “PROVENZA (REMIX)” live, stream it, or pre-order the BICHOTA SEASON vinyl.

While the Super Bowl is the biggest sporting event in the United States, virtually everywhere else in the world, it’s the other football’s World Cup dominates. Though it doesn’t have a musical performance equivalent to the Super Bowl Half-Time show, it does have official songs and anthems. Ricky Martin’s official song for the 1998 World Cup, “The Cup of Life (La Copa de la Vida)” elevated the tradition, and Martin’s career, to the next level. The infectious, GRAMMY Award-winning track is a collision of Samba, Latin, and Dance sounds that helped fuel the late 90s Latin Pop explosion.—V.A.

Watch the video: “La Copa de la Vida” or “The Cup of Life”, stream it, or check out Ricky Martin’s memoir.

57. “K-POP” by Travis Scott, Bad Bunny & The Weeknd (2023)
58. “Miami” by Will Smith (1998)

If Charlie had angels and demons, surely the latter would be a trio of men. Serving up a multi-genre, multi-cultural combination, the trio of Travis Scott, Bad Bunny, and The Weeknd provide the perfect demon-time soundtrack via “K-POP.” Laced with plenty of star power, this party anthem is tailor-made for the club, and no doubt inspired by its namesake’s effects. As the track progresses, each star shines via his signature sound: Scott sets the mood with a trippy rap, Bad Bunny ups the energy with bombastic bars, and Weeknd cools things down, atmospherically floating atop the beat.—V.A.

Watch the “K-POP” video, stream it, or get some Travis Scott vinyl.

It can be hard to reclaim the vibe and energy of a massive, career-defining hit without sounding reductive. On his 1998 smash hit “Miami,” Will Smith successfully channels his 1991 hit “Summertime” by celebrating a city where it’s always summer. With some questionable lyrics and ad-libs from an unidentified “hot mami” that are equally corny but somehow stomach-able coming from the beloved Fresh Prince in the prime of his career. An undeniable party anthem, “Miami” was a big hit, helping his debut solo album become a monster success, certified 9x Platinum as of July 2000, it’s surely close to Diamond status.—V.A.

Watch the “Miami” video, stream it, or check out Will Smith’s memoir.

59. “Whine” by Mýa & Bounty Killer (2023)
60. “Who Am I” by Beenie Man (1998)

Twenty-five years into her career, Mýa has mastered the art of being booked, busy, and in control. After founding her own label Planet 9 in 2008, she’s continued to perform around the world and has released several albums and singles independently. Her latest, “Whine,” is a throwback in virtue of both its sound and its feature from dancehall king Bounty Killer. Mýa sounds and looks better than ever — sexy, yet ever classy. Whether via new releases or the recent celebrations of her classic Y2K albums, Mýa continues to remind us why she’s one of R&B’s most underrated icons.—V.A.

Watch the “Whine” video, stream it, or complete your Mýa music collection.

Any time an artist can take their own hit song and use it as the blueprint for even better music, the result is iconic. Such was the journey for this 1998 banger from legendary reggae artist Beenie Man. Recently finding new life with Millennial-aged teachers and their Gen Z students on TikTok, “Who Am I” peaked at number 40 on the Billboard Hot 100 chart, only slightly besting the artist’s 2000 duet with Mya, “Girls Dem Sugar (Sim Simma).” The incomparable Pharrell retooled the original “Who Am I” to make it a newer and fresher track with a broader crossover appeal.—J.L.

Watch the “Who Am I” video, stream it, or get the Best of Beenie Man!

61. “Players (DJ Saige Remix)” by Coi Leray & Busta Rhymes (2023)
62. “Gimme Some More” by Busta Rhymes (1998)

It’s fitting that during the 50th anniversary of Hip Hop, such a catchy and modern tune uses such historical samples as its structure. Similar to the original version, which uses a sample from “The Message” by Grandmaster Flash, Coi Leray’s “Players” remix sounds fresh without getting lost in the enormous legacy of the sampled track. On the Busta Rhymes-assisted remix, which uses his 1997 single “Put Your Hands Where My Eyes Can See” as its foundation, Rhymes crafts an updated verse that showcases his dynamic rhythmical flow. Overall, his inclusion makes for a fresh yet nostalgic listening experience.—J.L.

Watch the “Players” visualizer, stream it, or pre-order Coi Leray’s album “COI” on vinyl!

Busta Rhymes may not have had the massive commercial success of some of his more crossover-friendly peers, but without question, his impact on Hip-Hop is substantial. With his signature, rapid-fire rap style and pioneering music videos, Rhymes brought profound innovations to Hip-Hop. The 1998 hit single “Gimme Some More” is a prime example of both Rhymes’ unmatched flow and his unforgettable imagery. Sampling the “Psycho” film theme, both the track and its accompanying video are hybrids of horror and Hip-Hop. With its disarmingly slick-tongued delivery and thrilling video, the song’s title perfectly describes the insatiating effect it has.—V.A.

Watch the “Gimme Some More” video, stream it, or grab some Busta Rhymes vinyl.

63. “JEALOUSY” by Offset & Cardi B (2023)
64. “Bananas (Who You Gonna Call?)” by Queen Latifah ft. Apache (1998)

It’s often said that there’s “no such thing as bad publicity.”  In response to rumors about Offset being unfaithful, he teamed up with his  wife Cardi B to craft a response, the aptly titled “JEALOUSY.” The spotlight-ready spouses split the shine to take swipes at the media, haters, and naysayers, dropping biting bars and, as per usual, not holding back. Forgoing the antiquated notion of “ladies first,” Offset instead saves the best for last, letting Cardi have the last verse and the last word. Eating up whoever said otherwise, Cardi spits fire in defense of their six-year-long relationship.—V.A.

Watch the “JEALOUSY” video, stream it, or get some Cardi B vinyl.

It’s wild to witness how slang, and artists, evolve. Queen Latifah led 1998’s “Order in the Court,” her last studio album prior to a decade-long Hip-Hop hiatus, with the ferocious yet ridiculously titled, “Bananas (Who You Gonna Call?).” Don’t let the references to every kid’s favorite fruit and every kid’s favorite ghost movie mislead you though, there’s a reason Queen La’s crown is enflamed on the album cover: she breathes fire on “Bananas” alongside the late Flava Unit M.C. Apache. Latifah’s bars are an unrestrained reminder of her elite status as one of Hip-Hop’s most anointed Queens.—V.A.

Watch the “Bananas” video, stream it, or get some Queen Latifah vinyl!

65. “Paint the Town Red” by Doja Cat (2023)
66. “Lost Ones” by Lauryn Hill (1998)

Seeing red? Mission accomplished. Doja Cat has been inciting flames of fury amongst her fans, some former, with recent comments and criticisms she’s made about stan culture. Truth be told, this instance is hardly the first or worst controversy to surround the hitmaker; being problematic is essentially part of her brand at this point. Nonsense aside, the first two singles from Doja Cat’s fourth studio album “Scarlet” see her leaning hard into Hip-Hop, shedding the glossy pop sound behind her biggest hits. While “Attention” didn’t create too much buzz, “Paint the Town Red” has ignited quite the stir. As its insanely catchy chorus goes, “Bitch, I said what I said; I’d rather be famous instead.” Her no-fucks-given attitude has translated into the music, and it’s clear that while it may make her unlikeable, it’s made her music undeniable.—V.A.

Watch the “Paint the Town Red” video, stream it, or get some Doja Cat vinyl.

The best Hip-Hop tracks are comprised of perfectly executed uses of the genre’s main components: impressive lyrics, an infectious beat, and an impeccable flow. Lauryn Hill opened her 1998 album The Miseducation of Lauryn Hill with a song that bodies in every category: “Lost Ones.” The hard-hitting track finds Hill spittin’ in her signature style, atop a slick, bass-heavy beat. Then best known as being the Fugees frontwoman, Hill’s first and only album cemented her status as a solo superstar. Every track on the classic album is well-known and highly praised, but “Lost Ones” is a fierce standout.—V.A.

Watch “Lose Ones” live, stream it, or get “The Miseducation of Lauryn Hill” on vinyl

67. “Phenomenal” by Janelle Monáe & Doechii (2023)
68. “It’s All About Me” by Mýa & Sisqó (1998)

Coming into one’s own requires a commanding level of self-confidence. Janelle Monáe’s embodiment of “free ass muthafucker” over the last several years reached new heights with the release of her latest, summer-ready album “The Age of Pleasure.” On the album cut “Phenomenal,” Monáe taps newbie Doechii to join them in a celebration of both phenomenal face and “phenomenal puss.” Opening the track, Monáe proclaims: “I’m looking at 1,000 versions of myself and they’re all fine. as. fuck. Say it to my face… bitch.” The question is asked (“How you feel?”) and answered (“Phenomenal!”); it’s not up for debate.—V.A

Listen to “Phenomenal,” or purchase “The Age of Pleasure” on vinyl.

An artist’s first single is their first impression, their first chance to introduce the world to its newest star. When Mýa dropped her first single in February 1998, she made one thing very clear: she was confident, sexy, and in control. The aptly-titled “It’s All About Me,” featuring Dru Hill frontman Sisqó, grabbed onto the growing girl-power movement and set herself in the dominant position, rendering Sisqó (and any man) submissive. A bold move not only as a woman in the 90s but also as a newcomer, Mýa not only declared her arrival but rendered herself highly desirable.

Watch the “It’s All About Me” video, stream it, or purchase Mýa’s self-titled debut.

69. “JEANS” by Jessie Reyez & Miguel (2023)
70. “I Get Lonely (TNT Remix)” by Janet Jackson & BLACKstreet (1998)

An R&B duet is a dish best served hot — with the right ingredients, a pair of crooners can combine to create cosmic chemistry. On “JEANS,” budding star Jessie Reyez and burgeoning icon Miguel join forces to secure their very much-deserved places in R&B. The scintillatingly slow jam is anything but shy with its grind-inducing guitar licks and blush-inducing explicit lyrics. Reyez’s gruff and gritty vocals are perfectly complimented by Miguel’s guttural groans. The track may be titled after an article of clothing, but the pair surely has every intention of inspiring their removal. It’s a sure thing.—V.A.

Watch the “JEANS” video, stream it, or get some records by Miguel or Jessie Reyez.

When Ms. Jackson calls, you answer. In the case of the “I Get Lonely (TNT Remix)” from her 1997’s “The Velvet Rope,” Janet Jackson tapped a handful of talented collaborators to add to an already phenomenal track that, frankly, didn’t even need it. With additional production by Teddy Riley and Timbaland, Jackson is joined by BLACKstreet to turn “Lonely” into a duet (well, quintet). In its solo form, the track is classic Janet: emotive, deep, sexy, and timeless. With BLACKstreet, it transforms into a prime piece of 90s R&B with its big vocal runs and flashy production.—V.A.

Watch the “I Get Lonely (TNT Remix)” video, stream it, or grab “The Velvet Rope” on vinyl.

71. “Low Key” by Ciara (2023)
72. “Gone Be Fine” by Monica ft. OutKast (1998)

It’s hard to believe that it’s been nearly 20 years since R&B staple Ciara released her debut album “Goodies.” While the quality of her output has varied over time, in “Low Key,” this DJ Luke-sampling tune is a vast improvement from some of her more recent projects. Lyrically, the singer highlights how hard she works professionally and personally while still carving out enough of herself to indulge in the pleasures of love and marriage (Hey Russell!). The track lends itself perfectly to its accompanying EP “CiCi” and stands out amongst a solid, slightly too brief, but well-rounded project.—J.L.

Watch the “Low Key” lyric video, stream it, or grab some music by Ciara.

73. “Good Good” by Usher, Summer Walker & 21 Savage (2023)
74. “Rosa Parks” by OutKast (1998)

75. “Snooze” by SZA (2023)
76. “Get On the Bus” by Destiny’s Child (1998)

Before they were dismissing a “Bug a Boo” for not paying the “Bills, Bills, Bills,” declaring their independence, or quoting Biggie to dish out reminders that “UPS is hiring,” Destiny’s Child made it clear they did not have the time for mess junk. On “Get on the Bus,” the budding divas slide atop a slinky Timbaland-produced, Missy Elliot-penned track that foreshadowed the best that was yet to come. With Beyoncé and Kelly taking turns to deliver some sass-filled verses, Timbaland’s whiny boyfriend character never stood a chance. Here, it became very clear: somebody could send your luggage.

Watch the “Get on the Bus” video, stream it, or get a coveted vinyl single.

77. “Control Freak” by FLO (2023)
78. “Sweetheart” by Jermaine Dupri & Mariah Carey (1998)

Throughout the early 90s, Jermaine Dupri established a name for himself as an R&B and Hip-Hop super-producer. In 1998, Dupri pivoted to become a rap artist himself and released his debut studio album, “Life in 1472.” By then, he and Mariah Carey had also developed a strong personal and professional relationship as good friends and musical collaborators. An ever-loyal friend, Carey appeared on the album’s third single, “Sweetheart” (a cover of the 1986 hit by Rainy Davis). Like on many of their mash-up style remixes, the pair transformed the very 80s track, elevating it with a fresh, sexy Hip-Hop spin.

Watch the “Sweetheart” video, stream it, or get “Life in 1472” on CD.

Stream our summer songs playlist, “THE SUMMER 97”
Available on Apple Music, Spotify, and Tidal

The post Playlist: THE SUMMER 97 (1998 x 2023) appeared first on THE 97.

Janet Jackson: The Deep Cuts

Each staff writer (and Janet Jackson fan) selected a handful of deep cuts to be included in our playlist. For each cut, they explain why you should check the song out. From there, our editor Vincent Anthony compiled the songs into a playlist and worked out the most optimal sequencing for you to experience these must-hear Janet tracks.

John’s Picks

• “Enjoy” from 20 Y.O. (2006) – This feel good track about appreciating the simple things in life is like that big, warm hug you need when you’re looking for just the right pick-me-up. And, who can’t use a good pick-me-up these days?
• “Feels So Right” from All For You (2001) – As Janet’s lighthearted vocals glide over a frothy beat, it’s almost impossible to not beam from ear to ear when listening to the superstar revel in the joys of her love.
• “Broken Hearts Heal” from Unbreakable (2015) – Inspired by the death of her brother Michael, this Unbreakable number will have you dancing along to her most sacred memories instead of crying over them.
• “Love Scene (Ooh Baby)” from All For You (2001) – Only Janet Jackson can make a sex song sound so zen that it could be played at your local spa. No doubt, “Love Scene” remains one of her most serene yet erotically inviting baby-making anthems.
• “Thinkin’ Bout My Ex” from Damita Jo (2004) – We’ve all been there, and Janet is no exception. That’s what makes her vulnerability and honesty for having feelings for someone you probably shouldn’t, but more than likely have at one point or another, all the more relatable.
• “Take Care” from 20 Y.O. (2006) – Another bedroom banger that further proves Janet Jackson is the ultimate sex songstress, only now she’s crooning about pleasuring her own self until her partner comes home to assist.
• “Truth” from All For You (2001) – Presumably inspired by the divorce from her second husband, “Truth” is a confessional track about realizing one’s own self-worth. Janet Jackson didn’t earn her legacy from anybody’s work but her own – and that is the truth.

Reece’s Picks

• “When We Ooo” from All For You (2001) – The first of many sensual sounds on All For You, “When We Ooo” is as sexy as the title implies. It sets the tone for the second quarter of the album as the tempo starts to slow, creating a sonic journey that is hot to follow.
• “Empty” from The Velvet Rope (1997) – The way that the beat builds as this song progresses is beautiful. That matched with Janet’s stacked harmonies perfectly encapsulate how exciting, and then ultimately frustrating, it can be maintaining a relationship using technology
• “Come On Get Up” from All For You (2001) – The song “All For You” is such an upbeat bop, but “Come On Get Up” somehow manages to up the ante. The drums make the song a perfect party anthem, and the chorus is amazing in how simple yet fun it is.
• “Funny How Time Flies (When You’re Having Fun)” from Control (1986) – Janet’s voice exudes a sexiness here that may seem at odds with the message of previous track Let’s Wait Awhile, but I think if anything it reinforces that songs message. Time running away makes her want to see her lover again, not rush into things.
• “LUV” from Discipline (2008) – Darkchild’s signature sound is here and Janet glides and jumps through the beat in a way that makes Luv sound as fun as its shorthand title implies. The electropop sound isn’t forced and Janet isn’t trend-hopping in the way many of her peers were doing around the time of this songs release.
• “Rope Burn” from The Velvet Rope (1997) – From the opening “Mm..my lips hurts” you know exactly what you’re in for with Rope Burn. Sequenced very late on The Velvet Rope, Rope Burn isn’t Janet’s first foray into kink on her records, but its enough to make you want to explore what she’s singing out.

Andrew’s Picks

• “Daybreak” from 20 Y.O. (2006) – Janet’s “sneaking out to play tonight” on this Janet-Jimmy-Terry record on the JD-heavy 20 Y.O. With an irresistible hook and ambiance from the bells, it’s memorable.
• “Damita Jo” from Damita Jo (2004) – The beat hits heavy in contrast to Janet’s soft-coos as she tells a prospective suitor about herself on the album’s opening, and title track.
• “Spending Time With You” from Damita Jo (2004) – The epitome of laid-back and chill.
• “China Love” from All For You (2001) – I avoided this record for years, only to find that it’s a sonic playground that the verses have some melodic similarities to Mary J. Blige’s own Jam & Lewis produced record, 1997’s “Everything.”
• “Night” from Unbreakable (2015) – It grooves, it thumps, it evokes 90’s dance in the keyboards. While some records on Unbreakable were contemporary, this one was steeped in vintage elements
• “So Much Betta” from Discipline (2008) – This is one of the more sonically adventurous things Janet has done, featuring heavy percussion heavy and a half-reversed hook. The magic strikes at the bridge as the beat drops out aside from a modest clap track and when a chorus of Janets (giving some serious Michael vibes in their collective tone), harmonize.
• “Every Time (Jam & Lewis Disco Remix)” from The Velvet Rope: Deluxe Edition (1998) – Only added to Spotify in the last few years, Jam & Lewis funk up their beautiful ballad with muddy bass, beats that marry disco and 90’s dance. Their reworks leave Janet’s delicate vocal room to shine and resonate properly, but make it club ready.

Mario’s Picks

• “Lonely” from Rhythm Nation 1814 (1989) – the echoing thunderstorm opening and the Spanish lines “Todos necesitamos / Un amigo en la soledad” set the mood immediately for this anthem about the importance of friendship to battle solitude and isolation.
• “Slo Love” from Damita Jo (2004) – Damita Jo was a great mix of different genres. “Slo Love” explores the fun and carefree side of Janet’s output with a Dance beat and a banging attitude. A cosmic bop!
• “Island Life” from Damita Jo (2004) – Sexy without being overtly sexual “Island Life” is an explosion of tropical vibes. From the thumping beat, to the sleek synths to Janet’s rich vocals on the chorus, it’s a total mood.
• “Do It 2 Me” from 20 Y.O. (2006) – The Brenda Russell sample from “If Only for One Night” works very well with Jermaine Dupri’s hard hitting beat. This has always been one of the catchiest tracks on 20 Y.O. and definitely a stand out.
• “What About” from The Velvet Rope (1997) – Narrating a story of domestic abuse isn’t an easy task, but Janet chose to tackle this subject in a way that’s poignant, detailed and extremely emotional. Sadness, vulnerability, anger and frustration are real and tangible in this track.
• “Take Me Away” from Unbreakable (2015) – The Electro-Rock arrangement of “Take Me Away” recalls in part the sound of the All for You album. Here Janet looks for an escape in love with a soaring chorus that captures you instantly.

Vincent’s Picks

• “The Great Forever” from Unbreakable (2015) – Likely written about her then-marriage to Wissam Al Mana, “The Great Forever” is a powerful and inspiring anthem for anyone who might need to tell someone, “leave us the fuck alone” – particularly, Janet’s LGBTQ+ fans.
• “This Time” from janet. (1993) – Featuring opera singer Kathleen Battle, “This Time” is a 7 minute long journey that is unique and unlike any other in Janet’s catalog.
• “Together Again (Jimmy Jam Deeper Radio Edit)” from The Velvet Rope era (1997) – While the album version is one of Janet’s most successful singles, this remix is a gorgeous reimagining that not everyone knows about, but should.
• “Better Days” from All For You (2001) – A personal favorite of mine from All For You, “Better Days” is an emotional rollercoaster, but one that ends on a positive note. It’s quite representative of Janet’s music overall in that way.
• “R&B Junkie” from Damita Jo (2004) – This throwback track was an instant fan-favorite from Janet’s underrated Damita Jo album, it’s just so damn fun.
• “Shoulda Known Better” from Unbreakable (2015) – I love the introspection Janet does on this track, its anthemic, yet personal, and a standout on Unbreakable.

Jordan’s Picks

• “Anything” from The Velvet Rope (1997) — In an album chock-full of overt sexual expression, it’s this deep cut’s more sensual, and laid back approach that make it a stand out. Woven with meticulously placed vocals, and the backdrop of immaculate production by Jam and Lewis, this is a track I’d absolutely LOVE to see live. It’s a subtle track, that shines based off of the production value alone. Come through, Strawberry!
• “Love and My Best Friend” from Janet Jackson (1982) — While it is well known that Janet had very little artistic input in her first couple of musical outings, this track is a small highlight in a decent, albeit unfulfilling album. This song has a beautiful vocal delivery, and the lyrics and arrangement are very reminiscent of Michael’s 1972 single, “Ben”. It has an air of young innocence that I find endearing, to this very day, and you can’t help be see a spark of a fully realized Janet, that was to come to us in just a few short years.
• “Where Are You Now?” from Janet. (1993) — I’ve always thought of this song as a musical precursor to 1997’s “Got Til It’s Gone”. The lyrics, which paint the portrait of a woman who longs for her lost love; a subject that Janet has visited often. However, this particular song stands out for the stellar production, and overall quality of the song. I literally almost passed out when she opted to add this track to the first leg of her 2017 State of The World Tour.
• “Living in A World (They Didn’t Make)” from Rhythm Nation 1814 (1989) — The only disappointing aspect of Janet Jackson’s Rhythm Nation 1814, is the fact that the social themes used on that album are still so painfully relevant. On this track, placed towards the end of the album, Janet mournfully lists all of the present day issues of the world; all while pointing out that the people most impacted, and influenced from it’s evils, are the children. A trope we sadly still see today with all of the black and brown children felled in the era of #BlackLivesMatter.
• “The Body That Loves You” from Janet. (1993)— Janet’s love of Brazilian music has come up in interviews throughout the course of career. This track, which borrows the conventions of the Bossa Nova genre of Brazilian Music, is more of a transitional song, that introduces us to the peak of sensuality of the “janet.” album. While it may not have the same impact as later songs like “Anytime, Anyplace”, it serves as a nice musical departure for Janet, with a nice ode to her own innate influences, and I hope that people get a better glimpse of her artistry on this one. Elevator music, but make it sexy!
• “2Nite” from Discipline (2008)— While this album isn’t admittedly my favorite, I absolutely ADORE this song. It could have very well fit into Damita Jo’s more eclectic track listing, and is the epitome of, “classic Janet, with a modern twist.” A song truly before it’s time. P.S.: This song could have very easily been the opening for 2008’s RockWitchu Tour. I’m still bitter that it wasn’t. 
• “Special/Can’t Be Stopped” from The Velvet Rope (1997)— There is nothing like having the world’s biggest Pop star being transparent with her own mental health, then reminding the girls that we were born with the blood of Kings and Queens. Strength and resilience are Black folks’ birthrights, and Janet made sure we knew it. Nuff Said.
• “Lessons Learned” from Unbreakable (2015) — There was always something about this song that I connected to, especially upon it’s 2015 release. This song visits themes featuring physical and emotional abuse, (none which had been tapped into since 1997’s “What About”) and after viewing Janet’s new documentary, I can’t help but wonder if the calls were coming from inside of the house on this one. Bless this woman. And protect her at all costs.

Listen to Janet: The Deep Cuts

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Listen to 97 Tracks: Sounds of Christmas

97 Minutes of Christmas Playlists

Volume 1, curated by John

Volume 2, curated by Vincent:

Volume 3, curated by Jordan

Volume 4, curated by Mario

Volume 5, curated Andrew

The post 97 Tracks: Sounds of Christmas Playlist appeared first on THE 97.

You’ll find abbreviated write-ups about each song below, with full-length articles for each song linked in the headlines. Enjoy, and Merry Christmas II You!

All of Mariah Carey’s Christmas Originals, Ranked.

10. “Lil Snowman” (2017)

In 2017, Mariah Carey’s holiday anthem “All I Want For Christmas Is You” was brought to life by Universal Pictures in an animated film of the same name. The film was based on a book by the songstress about a little girl and her desired puppy. Its soundtrack produced one new track, “Lil Snowman,” a rock-and-roll number that samples Chuck Berry’s classic “Run Rudolph Run.” Although it might not be as snappy (or memorable) as the other hits in the Queen of Christmas’s garlanded vault, “Lil Snowman” still has just the right amount of cheer for all ages. –John A.

9. “Jesus Born on This Day” (1994)

One of the three original songs on Merry Christmas is “Jesus Born on This Day.” Mariah wrote the song with Walter Afanasieff keeping in mind the traditional hymns about the birth of Christ. The opening chords immediately set the atmosphere and the lyrics tell us the story of salvation brought upon earth on Christmas Day. This song is definitely overlooked because it doesn’t pack the same punch as the joyful and uptempo “All I Want for Christmas Is You,” but its simplicity is what makes it special. “Jesus Born on This Day” is worth the listen, if only to appreciate a different nuance of Mariah Carey’s abilities in writing Christmas music. –Mario M.

8. “Fall In Love At Christmas” (2021)

Mariah Carey wrote her first Christmas song in 1994, and it went on to become the most successful Holiday song of all-time. So, no pressure, right? Adding yet another original song to her Christmas canon is surely not a responsibility that the reigning Queen of Christmas takes lightly. “Fall In Love at Christmas” is the eleventh, and proof that Mariah is Queen for a reason. Carey has not lost her touch. Akin yet unlike any of her previous originals, the duet packs a variety of Christmas-favorites; it’s got all the bells and whistles — literally, and figuratively; musically, and vocally. Khalid joins Mariah for the fireside, Latin-tinged groove that makes up the bulk of the song, before Kirk Franklin brings in the choir for a moment of “grace upon grace.” The song serves a lot in its five minutes, and is the perfect chill counterpart to the frenetically festive behemoth by which all other Mariah Carey Christmas originals are inherently overshadowed. In time, we can only hope that this and her other originals receive their fair share of the shine. —Vincent A.

7. “One Child” (2010)

The religious aspect of Christmas was covered on “One Child,” Mariah’s first collaboration with the famous score composer and producer Marc Shaiman. Mariah wrote the song from the point of view of a storyteller narrating the story of Jesus from conception to birth. “One Child” is an epic moment on the album. The music is meticulously crafted to give shine to the story and making Christmas all about Jesus and the story of salvation for mankind. Among the bells and whistles and festiveness it is nice to remember what the true spirit of Christmas is, and Mariah was able to make it simple and real with this beautiful song. –Mario M.

6. “Where Are You Christmas?” (2000)

Little-known fact: “Where Are You Christmas?” was co-written by the Queen of Christmas herself, Miss Mariah Carey. Why isn’t she singing it, you ask? That’s a great question. Read the entire story in our full length article. “Where Are You Christmas?” perfectly encapsulates the story of the Grinch with emotional power and an irresistible melody. It had all the makings of a holiday smash. Be mindful: At this time 1994’s “All I Want For Christmas Is You” was far from the ubiquitous holiday staple it is today. “Where Are You Christmas?” could have been Mariah’s first holiday smash. –Andrew M.

5. “The Star” (2017)

In 2017 Mariah Carey was called upon to write and sing the theme song for the animated movie The Star. The Queen of Christmas re-united with Marc Shaiman for this task and the two came up with an epic ballad bearing the same title as the movie. The song, just like the movie, is clearly aimed at its core audience, children. However, there’s always something magical about the pairing of Mariah and Christmas that captures listeners of all ages. –Mario M.

4. “Oh Santa!” (2010/2020)

“Oh Santa!” is a sort of frantically festive bop that works perfectly as a Christmas song; it’s high-energy with no shortage of cheer. Literally, the chorus is supported by a “Hey Mickey” inspired cheer for Santa to “make him mine this Christmas.” On the verses, Mariah’s quick-tongued, layered vocal acrobatics are best described as Destiny’s Child meets The Supremes. Fittingly, Ariana Grande and Jennifer Hudson lended their superstar pipes to the soundtrack, joining Mariah to create a trio-version of “Oh Santa!” that took the vocal acrobatics to the next level. In fact, dare I say, the 2020 version is actually an improvement upon the original. Don’t get me wrong, the 2010 version is an entire bop all on its own, but the “girl group” arrangement of the 2020 version gives freshens up the song with vocal variety, and added acrobatics. –Vincent A.

3. “Christmas Time is in the Air Again” (2010)

First released on her second Christmas album, 2010’s Merry Christmas II You, “Christmas Time is in the Air Again” is simply perfection. Composed by a pair who are independently legendary, together, Mariah Carey and Marc Shaiman literally crafted up magic. The exquisitely orchestrated ballad is has that classic, timeless feel that one would expect to hear from a vintage Christmas song. Lyrically, Mariah expertly weaves ornaments of Christmas into a relatable love story. Melodically and vocally, Mariah delivers on both fronts with a melody that sticks and vocals that warms the soul. There is no reason this song should not be perched among the most beloved Christmas songs of all time. –Vincent A.

2. “When Christmas Comes” (2010)

Taken from the hitmaker’s second holiday album, 2010’s Merry Christmas II You, “When Christmas Comes” was written and produced by Carey and James Poyser. The R&B track features Carey’s unmissable, velvet-coated voice, layered over a heavy dose of soul, trumpets, and live instrumentation. Unlike many, many modern-day Christmas songs, “When Christmas Comes” takes you right back in time to days of holidays past, thanks to its classical, big band ensemble. Though, a voice like Mariah Carey’s needs no assistance, singer-songwriter John Legend skated his way onto the track’s single release version. With two of the biggest voices in R&B coming together to spread some holiday cheer, it’s almost impossible to think of a better way to get into the Christmas spirit – especially after their short but sweet “Jingle Bells” addition right before the song’s climactic ending. –John A.

1. “Miss You Most (At Christmas Time)” (1994)

Despite not joining the ranks of becoming yet another holiday classic, Mariah Carey fans have continuously shown “Miss You Most” some much needed love with each passing Christmas. And, even though we’ve never gotten a full live performance of the song by the chanteuse herself (except for a tiny excerpt in 2018), the Christmas ballad has begun to trickle into musical memory in recent years, having been covered by singer-songwriter JoJo and even comedian Billy Eichner on “The Late Late Show” last year. But this isn’t enough for Carey’s army of #lambs, who await and pray that each coming holiday season will be the year that “Miss You Most” earns a spot in any of the star’s seasonal projects. Now, that would really make all of our wishes come true. –John A.

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To nobody’s surprise, there is already Best Original Song buzz surrounding the track; could this be the song to land Beyoncé her long-coveted Academy Award? Written and produced by Beyoncé and Darius “DIXSON” Scott, “Be Alive” looks like it could be her surest shot since Dreamgirls. Read our staff’s first thoughts below.

Beyoncé, “Be Alive” Staff Reactions

It’s always a pleasure to hear Beyoncé’s crisp, clean vocals telling the story of Black excellence and perseverance. The track, with its thumping marching beat and the organic production, is very simplistic, but it is effective in making the vocals and message shine. The harmonies and the backing vocals provide an echoing choir to complete the scene. This is definitely Beyoncé’s most melodic song in a while, catchy and to the point. If there is Oscar buzz, it’s well deserved. —Mario M.

From the clip in the film trailer, I was expecting a bombastic anthem filled with dramatic, theatrical orchestration and a showcase of Beyoncé’s vocal prowess. “Be Alive” only delivers on half of that. The version released today is stripped of the orchestral score found in the film trailer, leaving behind a beat that’s bare, but filled with bravado. Beyoncé’s vocals here are perhaps more authentically emotive than ever before. She sings from her gut, letting her soul and electrifying vocals carry the track. Lyrically, it boasts a moving message of empowerment that’s on-brand and as inspiring as ever. Still, the song feels like an impassioned march toward a finale that never comes. Perhaps there is a “film version” on the way to really bring the song to life. Time will tell. —Vincent Anthony

Listen to Beyoncé’s “Be Alive”

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The wait is over, because when the Queen of Christmas says it’s time to get festive, that means it’s time to get festive. At midnight on November 1, she let us know “IT’S TIME!”. Time to start the countdown to Christmas, time to let the holiday spirit move us again and time to fall in love. On November 5, Mariah Carey unleashed her latest self-penned Christmas original: “Fall In Love at Christmas.” Watch the video, then read our staff’s reactions below:

Staff Reactions

“Fall In Love at Christmas” is a lush, beautiful ballad that borrows the melancholic sentiment of “Miss You Most,” mixes it with a gorgeous guitar-laced melody and completes it with a baby making R&B beat (remember when Mariah made “Born Is the King” into a sexy interlude on Merry Christmas II You?). The apparent sadness of the track is, however, mitigated by the gentle touch of Mariah’s beautiful tone blending with Khalid’s lower register and the hopeful lyrics about finding love in the holiday cheer. As if all of this weren’t enough, Kirk Franklin leads the outro into a Gospel frenzy: Mariah harmonizes with the choir, the piano chords get thumping and the whole crew catches the Holy Ghost. —Mario M.

Featuring R&B’s Khalid and Gospel’s very own Kirk Franklin, the new single combines Mariah and Khalid’s plush vocals together, as they magically glide over frost-covered chimes and jingles, with a surprising Spanish guitar tuning in the outskirts. The centerpiece, though, of the five-minute-long track (which is a practical eternity by today’s standards) is the choir-assisted outro. As Franklin conducts each voice in perfect harmony, Carey’s high notes soar to the stars, making it almost impossible for listeners to handle both the Holy Ghost that’s being summoned and Carey’s still perfect pitch. A song for either a cozy night in by the fire, or a meeting under the mistletoe, “Fall In Love At Christmas” proves that nobody can do Christmas quite like Mariah Carey can. Complaints? Not one. —John Antonucci

Mariah Carey wrote her first Christmas song in 1994, and it went on to become the most successful Holiday song of all-time. So, no pressure, right? Adding yet another original song to her Christmas canon is surely not a responsibility that the reigning Queen of Christmas takes lightly. “Fall In Love at Christmas” is the eleventh, and proof that Mariah is Queen for a reason. Carey has not lost her touch. Akin yet unlike any of her previous originals, the duet packs a variety of Christmas-favorites; it’s got all the bells and whistles — literally, and figuratively; musically, and vocally. Khalid joins Mariah for the fireside, Latin-tinged groove that makes up the bulk of the song, before Kirk Franklin brings in the choir for a moment of “grace upon grace.” The song serves a lot in its five minutes, and is the perfect chill counterpart to the frenetically festive behemoth by which all of Carey’s Christmas originals are inherently overshadowed. In time, we can only hope that this and her other originals receive their fair share of the shine. —Vincent Anthony

Stream Mariah Carey’s “Fall In Love at Christmas”

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Deliberated on by our team of writers, we’ve ranked the top albums of 2018 that we loved. If you’re familiar with the way we review songs/albums, then you know that “97” is our top score. We love every album on this list, ranked them according to how much, and weighed in with a few thoughts about each. Please feel free to comment with your thoughts, as well! We’d love to hear from you and engage in any discussion. Now, without any further ado…

19. Joyride, Tinashe

To say this album was anticipated would be an understatement. After three years of teasing, false starts, shelved first singles and “coming soon” we finally received Tinashe’s Joyride. Mostly gone were the poppier elements teased with tracks like “Player” and “Flame,” in favor of a more alternative R&B sound. The 13 track set had some Tinashe’s greatest work, from the brazen first single “No Drama” (featuring Offset) to the sultry and moody “Salt” at the tail-end of the album. It’s when Tinashe lets loose that her greatness shines, “No Drama” still stands as one of the years best hype tracks and the summer anthem “Me So Bad” (featuring Ty Dolla $ign & French Montana) is reminiscent of the Fifth Harmony sound. Joyride goes a long way in showing Tinashe’s versatility, let’s just hope she can get the recognition she deserves. –Reece

Highlights: “No Drama,” “Salt,” “Ain’t Good For Ya”

18. beerbongs & bentleys, Post Malone

Becoming a pivotal year in his career with his now Platinum-certified sophomore album, beerbongs & bentleys clenched a total of three Top 5 hits on the Billboard Hot 100. Two of which peaked at number 1 and gave fellow collaborators their first number 1 hit singles too (2017’s “Rockstar” with 21 Savage, this year “Psycho” with Ty Dolla $ign). With four GRAMMY nominations, including the coveted Album and Record of the Year categories, it’s clear Post avoided the dreaded sophomore slump. –Keenan

17. Life After Love Pt. 1 & 2, Victoria Monét

You may not have heard of Victoria Monét but she actually has the #1 song in the U.S. right now. A frequent collaborator of Ariana Grande, Monet co-wrote “thank u, next” as well as a slew of other hits for Fifth Harmony, Travis Scott and Chris Brown. This year she released her two part EP Life After Love, chronicling her break up and rediscovery of love and self love. It’s a story we know all too well but Monét makes the material fresh. From the absolutely heartbreaking and brutal “Water Fall Out of Love” (“you should cry until you make a river deep enough to motherf*cking drown in”) to the masturbatory anthem “Ten New Friends,” Monét is as strong at the forefront as she is behind the scenes. Here’s hoping to more great music from her. –Reece

Highlights: “Freak,” “Love You Better,” “Ready”
Click here for Life After Love, Pt. 2.

16. Ella Mai,Ella Mai

With the success of her breakout hit single “Boo’d Up” transforming her into a star and becoming her first Billboard Hot 100 Top 5 hit, Ella Mai made it known that R&B is still a contender for the pop charts and radio.

On her debut self titled album, Ella Mai manages to create classic R&B records while remaining relevant, youthful and true to the genre’s core: being real, emotive and relatable. Cuts like “Good Bad” and “Sauce” help showcase fun modern vibes while Mai gets her grown and sexy classic R&B on with “Everything” alongside John Legend, and “Naked.” Altogether easily making the set one of the most solid debuts from an R&B act in quite some time. Ella was even nominated for two GRAMMY Awards! –Keenan

15. MIH-TY, Jeremih & Ty Dolla $ign

From Ty crooning the opening line (“let’s have sex…” on “The Light,” you know what you’re in for with MIH-TY. The Hitmaka produced collaborative album sees Ty & Jeremih trade off on some of the best baby-making anthems of the year. The year has been a controversial one for both stars but you couldn’t tell listening to MIH-TY. Vocally, Ty continues to showcase his pipes with riffs and runs that easily make him a contender for the King of R&B title lessers are so quick to claim. After the stellar Beach House 3 it’s great to see that Ty has no intention of slowing down his work output, especially if the material is this good. Together, both Ty & Jeremih create R&B magic and this project easily stands as a genre highlight. –Reece

Highlights: FYT, These Days, Perfect Timing

14. Palo Santo, Years and Years

There’s something about Years & Years: musically, they know how to hit all the right spots. Their mix of synth-pop, disco, electronic, and soul is impeccable. On songs like “Sanctify” they talk about sex- with closeted men, while others tackle deteriorating relationships and love. It’s a solid record end to end. –Andrew

13. Love Yourself: Answer, BTS

In 2018, K-Pop officially infiltrated American pop culture via the domination of BTS and their latest album, Love Yourself: Answer. The culmination of a three part series, Answer follows two EPs (Tear and Her) and combines songs from those sets with more new music. Debuting at #1 on the Billboard 200, BTS became the first K-Pop act to achieve such a feat twice in 2018 with Tear and Answer. Meanwhile, Answer has become the first K-Pop album to be certified Gold by the RIAA. Success aside, BTS is a stellar act with catchy, quality K-Pop jams. It’s only a matter of time before they (or at least Rap Monster) attempt domination fully in English with a K-Pop sound. Look out. –-Vincent

Highlights: “Airplanes, Pt. 2,” “Singularity,” “Fake Love”

12. Scorpion, Drake

A relentless Drake returned to form with Scorpion, his first true album in 2 years after a series of mixtapes and side projects (that were full blown albums nonetheless). The samples are the shining points of this album, from Mariah Carey to Lauryn Hill to Aaliyah and even a posthumous Michael Jackson collaboration, but as always the tracks wouldn’t be the same without Aubrey’s smooth flow and the lyrics that set him apart. —Mario

Highlights: “Emotionless,” “That’s How You Feel,” “After Dark”

11. Voicenotes, Charlie Puth

For some reason, Charlie Puth is not getting the respect he deserves on most lists. His sophomore LP Voicenotes is exceptional, to say the least. Song after song, his perfect pitch allows him to craft these tracks that are catchy and clever. His album goes from soft-rock anthems written with Hall & Oates, to gorgeous synth-pop, all the way to strange yet brilliant deviations like an acapella track with Boyz-II-Men and a call for change with James Taylor. —Andrew

10. A Star is Born, Lady Gaga & Bradley Cooper

Lady Gaga took 2018 as the year when she would prove ALL of her haters wrong. She put her heart and soul into her first acting performance, but she also delivered some of her best work on the soundtrack. The epic ballads are the true gems of this album, something that Gaga had not exactly focused on early in her career. As well, Bradley Cooper’s performance as a singer is truly an unexpected, but very pleasant, surprise. —Mario

Highlights: “Shallow,” “Heal Me,” “Always Remember Us This Way”

9. Golden, Kylie Minogue

30 years into her music career, Kylie Minogue is still embarking on new ground. On her latest, Golden, she gives you pop, with a country twist. While it’s a far cry from “Can’t Get You Out Of My Head”, there’s something about this musical deviation that works. Her voice suits the records, and still sounds magnificent as she crosses beyond 50. –Andrew

8. Sex & Cigarettes, Toni Braxton

A bit disappointing that she only gave us eight new songs, but the album is tight and nice. Toni’s voice has held up amazingly over the years and it still retain the buttery sultriness we fell in love with in the early 90s. Toni definitely knows how to give us that sexy yearning, but also the scorned woman emotions. Definitely one of the best R&B releases of the year. —Mario

Highlights: “Deadwood,” “Long As I Live,” “Sorry”

7. KOD, J. Cole

KOD will always hold a special place in my heart because of having been one of the first 500 people to hear it at Cole’s surprise release event in New York City, but regardless of that, it is a phenomenal album. Thought-provoking and hard-hitting at the same time, KOD only further cements J. Cole’s status as a hip-hop legend in the making who makes his own rules. Indifferent to having hits or doing big numbers, Cole is more concerned with making music that can affect his listeners. Dealing with the themes of vices, addiction and mental health, KOD is an album for life, not for a moment. –Vincent

Highlights: “KOD,” “Photograph,” “BRACKETS”

6. Phoenix, Rita Ora

Like a true Phoenix, Rita Ora rose from the ashes of drama to release a beautiful Pop album filled with passion, hard work and catchy tunes. The songs range from the typical 2018 Pop productions to some experiments with retro vibes and harder EDM, focusing on Rita’s vocal ability which can’t and shouldn’t be overlooked. —Mario

Highlights: “Only Want You,” “Cashmere,” “Anywhere”

5. EVERYTHING IS LOVE, The Carters

On The Run II reignited rumors (did they ever really die) of a joint Beyoncé and Jay-Z album. Although what we got was short, it was still a nice addition to each’s discography. “APESHIT” is a perfect example of the power of The Carters. Though quintessentially a Migos track, the energy brought to the track by both Bey & Jay elevate it to that superstar level, the implied double entendre of “can’t believe we made it” and Bey’s rapid fire flow during the song’s middle 8 are sure to make it a staple on fans’ hype playlists. The album is more interesting on the introspective tracks like “Friends,” where the pair seem more subdued yet as fascinating as ever. Finally, let us not forget Beyoncé dragging Jay on “LOVEHAPPY” by “keeping it real with these people.” —Reece

Highlights: “LOVEHAPPY,” “Summer,” “APESHIT”

4. Boy in Jeans, Ryan Beatty

After years in limbo and developing himself and his sound, Ryan Beatty unleashed one of the best albums of the year in the form of Boy In Jeans. A far cry from the Cali surf-pop and Bieber-esque image he emerged with as a teen, Ryan Beatty in his twenties is someone with a clear sense of his musical aspirations. With hooks like “god is real, he was sleeping in my bed last night, we were naked with the radio on, I played him my favorite song”, he’s hitting his stride. —Andrew

3. Dirty Computer, Janelle Monáe

Janelle Monáe has been in the game for over ten years, but in 2018 she finally got her due shine. Before even garnering the coveted Album of the Year GRAMMY nomination, Dirty Computer changed the game for Janelle. In the five years since her last album Electric Lady, Monáe furthered her brand by acting in Academy Award nominated films, Moonlight and Hidden Figures. This steady rise in notoriety gave a lot of attention to Dirty Computer and its “Emotion Picture”. More blatantly personal than any of her previous work, on Computer Janelle Monáe celebrates her Blackness, her sexuality, and her womanhood. Whether on the “highly melanated” rap track “Django Jane,” the sexual and suggestive “Pynk” or the defiant “Americans,” Dirty Computer is the album that American needed in 2018. —Vincent

Highlight: “Americans,” “Make Me Feel,” “Django Jane”

2. Invasion of Privacy, Cardi B

It’s the story no one expected from the most unlikely of circumstances. From stripper, to social media star, to reality television star, to worldwide superstar… who else could we be talking about but Cardi B? And, she did it all on the basis good music, indifferent to scandals and publicity ploys. We’ve heard many a story from an upcoming female rapper that labels have tried to pit them against Nicki Minaj. Although a beef with Minaj would eventually become a part of the narrative, Invasion of Privacy stands on its own two feet as the best rap album of 2018.

Braggado, sensitivity and enough mainstream appeal without seeming like it’s pandering allowed Privacy to flourish on the charts, housing two Billboard Hot 100 #1 singles with “Bodak Yellow” and “I Like It” (not everybody has that). The mixing of trap, R&B and Latin music create Cardi’s own brand of musical magic that allow her to experiment without stretching herself too thin. Invasion of Privacy showcases her versatility and potential for longevity in this business. Not only is Cardi smart and savvy, but she’s actually likable too. In an age where a flash in the pan is literally a viral moment for a week, it’s great to see Cardi and her music still flourishing almost a year after being released. –Reece & Vincent

Highlights: “Get Up 10,” “I Like It,” “Be Careful”

1. Caution, Mariah Carey

THE album of 2018. No one except for Mariah can make this kind of fresh and sleek album 28 years into her career with such nonchalance. Truly effortless. –Mario

The ten track all-killer-no-filler affair may have been one of the last releases of the year but it’s still one of the strongest. Mariah doesn’t sound like she’s chasing a modern sound, nor does she sound dated. Caution stands as the perfect blend of Mariah Carey and 2018; beautifully crafted R&B where there is more than meets the eye. –Reece

It’s almost as if the warning that we must heed with Caution is that Mariah Carey will no longer accept being underrated and disrespected; she has returned to claim the notoriety and respect that she had been denied for so long. She has done so by releasing an album that will stand the test of time as one of her best albums because it is both timely and timeless. Mariah has long held a reputation of being fashionably late, in “Diva” fashion, but Caution proves she is just in time, and ever present. —Vincent

Highlights: “Caution,” “Giving Me Life,” “8th Grade,” “The Distance”

The post The 19 “97” Albums of 2018 appeared first on THE 97.

Mariah Carey has HAD IT, and she’s making it crystal clear before even one listen to her fifteenth studio album, aptly titled, Caution. Returning to a tradition of early albums, Caution clocks in at just 10 tracks, but what it lacks in length it makes up for in width. It’s, interestingly, one of the most cohesive bodies of work from Mariah Carey in recent memory despite the revolving door of collaborators throughout. The variety of collaborators speaks to Mariah Carey’s ability as an artist and executive producer, to unleash an album with so many collaborators that all fit together so well.

Lyrically, her pen is as sharp as ever and she has laced those words through some fantastic melodies. Her voice sounds confident yet comfortably in its sweet spot; her tone is as rich and warm as ever. For the most part, the vocals are a lot tamer than the usual Mariah album, allowing the listener to focus on the lyrics and vocal production which often get overlooked. An album as much for the Lambily as it is for the casual listener, Caution answers why the Queen of Christmas doesn’t just sit back and collect royalty checks every December: she still has so much more to give.

After having spent a week with the album, a few members of our staff (Mario, Reece, Andrew and Vincent) collaborated to walk you through each of the album’s tracks.

Without further ado, let’s proceed with Caution:

The Kick-Off

The album kicks off with an unconventional, post “Hotline Bling” production (from the same producer) that was certainly not an expectation for Mariah Carey in 2018. The moody and meme-able music video for “GTFO” made it clear that Mariah wasn’t the legacy pop act that some tried to write her off as. Yet this uncensored, sparse kiss-off is oh so Mariah. Over a decade after she was censoring “fuck” on “Clown,” she’s ready to be Mariah: Uncensored, to a point. “GTFO” was well suited as the opener for the album, and the era. Caution, indeed. Mariah did not come to play, and she is not having the games. Don’t like it? #GTFO.

Next is “With You,” the album’s incredibly understated first single. It gives off the perception of being another album cut at first listen, but melodically it is incredibly sticky. With an allusion to her classic “Breakdown” in tow, it’s a brilliant Mariah moment. From the casual use of “trepidation” to the self referential pre-chorus, “With You” is the Mariah ballad that 2018 didn’t know it needed. Only she can weave such complex lyrics together over such a beautiful melody.

Not to mention, not many artists can so effortlessly refer back to the wealth of their own self-penned catalogue to elevate the meaning of a lyric in the way that her “Breakdown” allusion does. Fittingly, the song has become a slow burning success at AC radio. Not only that, but it’s a raw and honest depiction of where she is in her love life.

The Title Track

One might assume that “Caution,” the album’s title track, would be a sassy showcase of braggadocio, but in fact it is an introspective, self-aware love song with an ominous ambiance. With a seductive yet haunting beat and pristine vocals, it immediately engages the listener. The song has clear tropical influences allowing it to sound current without overdoing it to sound trendy, a line Mariah has always been able to tread well.

Her buttery vocals effortlessly slide atop the slick and cutting No I.D. produced beat. Its chorus might just be the best on the album, it just sticks. “Caution” is fresh, yet reminiscent of late 90s and early 2000s R&B such as Brandy’s Never Say Never (1998) and Aaliyah’s self-titled final album (2001), which is also probably why it sounds like something Drake would cook up. Without any specific promotion, the song has managed to become one of the album’s most streamed tracks, speaking volumes to its sheer greatness.

Single-Worthy Bops

“A No No” is the BOP of the album that is only bound to be elevated to the next level if the rumors of a Cardi B + Lil’ Kim remix are true. The sample is perfect and timeless, Mariah’s lyrics are as genius as they are scathing and showcase that fun (and shady) side of her that everyone loves. Only Mariah can make an obviously pointed diss track sound as if it’s just another love song about an imaginary man. She’s not fooling us, though – she’s happily paired with Bryan. We know she’s dragging She-Who-Must-Not-Be-Named. And is there anything more Mariah than her saying “no” in a few different languages during the song’s outro?

Mariah is in full romance mode on “The Distance,” tackling the naysayers who doubted her relationship with her lover, not dissimilar to how the media portrayed her current relationship with Bryan Tanaka. On the Skrillex production Mariah somehow manages to sound youthful yet mature, weaving current hip-hop sensibilities atop an 80s beat inspired beat. It almost sounds like something Solange would’ve put on her True EP.

The song achieves certified bop status with the help of a guest verse by Ty Dolla $ign who reiterates the loved up, us against the world vibe of the song, “we kissing in public, you like it I love it, You lit it I’m with it, we going the distance.” We love the honest yet relatable “in your face” lyrics about her and Bryan. The message is simple: they’re here to stay. “The Distance” proves that Mariah and her pen are here to stay, too. As per usual, she has crafted a beautiful pop song with a diverse cast of collaborators. It’s no surprise this one is shaping up to potentially be the next single.

https://www.youtube.com/watch?v=0fxY_mu4OtE

Life Received

Shout out to Jay-Z, head of Mariah’s new management home Roc Nation, for bringing Mariah and Dev Hynes together. The pairing was a surprise, but at the same time, is everything we didn’t know we needed. But we should have known. Just take a listen to Dev’s catalog as Blood Orange, or his work producing for Solange (a self-professed lamb) and you’d realize he is perfect for Queen. The aptly titled “Giving Me Life” does just that; issa mood.

Mariah is known for her impressive upper register and vocal acrobatics so it’s great to hear her use her lower register to create this haunting groove. It’s nearly seven minutes of blissful Mariah slow jam goodness. Some may hear a “The Roof” moment on this one, but it’s more like Lauryn Hill meets the early 2000s with the full drum and the electric guitar. Then of course, there’s the fact that it features hip-hop legend Slick Rick, which is great to hear after sampling “La Di Da” on The Elusive Chanteuse. “I mean, come on,” as Mariah would say. What more could we ask for?

Sex and Melancholy

“One Mo’ Gen” is like the raunchy sister of “Make It Look Good” with a splash of “Ribbon” in the production, which conjures up a feeling of a hip hop sample, yet it’s completely original. A slow-jam with frantic hi-hats in the background, #OMG is playful and seductive, yet edgy. In fact, it’s striking. “Did you like when I put my lips there?” should be on a shirt immediately. We love a nasty moment, and it’s been years since Mariah has been this suggestive in her lyrics. Not only are its lyrics sexy, but it just feels sexy, too. From the vocals to the production, she is really serving sex appeal – without it seeming forced at all.

Miss Eternally 12 takes us back to the year when she turned from 12 to… 12 again on “8th Grade.” A self-described melancholic moment about “falling in love” in your teenage years and wondering if it’s really true, “8th Grade” is uniquely Mariah. She rebukes the typical, hyperbolic exclamations of teenage love “I’m not your world, no, I’m not your life, tell me what that means to you.” Mariah, who “grew up too soon” was wise beyond her years even then. She even recants the fact that she began songwriting at that age, singing, “Maybe the lyrics are too heavy, in my song.” Simple minds, exit stage right.

There’s a little bit of “Candy Bling” mixed with the hard percussion of “One and Only” here. Timbaland’s production lays under Mariah’s voice impeccably. Most notably, the breakdown where Mariah reaches into her whistle register while Timbaland encourages her is a moment that recalls “Bliss” vocally and “Babydoll” musically.

More Bops

With its strange, grammatically confusing title, unique production, and feature from newcomer Gunna, “Stay Long Love You” definitely makes an impression. After the brief yet beautiful detour that is “8th Grade,” this playful bop has Mariah on the prowl again, telling her lover she wants to “uh uh, yeah.” Somewhat jarring at first, the Stereotypes produced track becomes infectious with its earworm of a hook that is sure to stick in your head. Reminiscent of the more experimental moments of the Mimi album, it feels simultaneously futuristic, nostalgic and current.

The Japanese version of Caution has a bonus track entitled “Runway,” that would have served as an excellent bridge between “Stay Long Love You” and the album closer to follow. This uplifting uptempo actually samples her own classic “Butterfly,” which Mariah explained came about because her collaborator Skrillex had a special connection to the song. The song is inspirational in nature, with an emanating essence of empowerment. After 28 years in the spotlight and several celebrations of being “Eternally 12,” the Songbird Supreme has canonized her experiences into a motivational anthem for all. “To fly,” she says, you’ve “gotta have no fear.”

The Closer

In the tradition of so many Mariah Carey albums, Caution ends with an incredibly raw and open ballad. “Portrait” doesn’t just visualize where Mariah Carey the person is in 2018, but also vocally defines her changing instrument. She pushes at a few moments, but there’s weathering and control unlike in previous songs like this. Its gorgeous, subdued melody grabs you and makes for the perfect album closer.

Compared to Mariah’s previous introspective moments, which are usually darker, “Portrait” is more hopeful in its message. The verses are very somber, but then the chorus alludes to looking at the future with a positive attitude despite retaining one’s secret sadness inside. In that sense, it’s like listening to “Petals” combined with the more inspirational “Rainbow Interlude” to help sort things out. After the last few years Mariah has had, it’s nice to see her in such a playful mood on Caution but also acknowledge that she is just human and she hurts too. 

Written with her new musical director and pianist Daniel Moore, “Portrait” proves that no matter who her writing partner is for her piano ballad moments, her unique signature sound will remain intact. However, with Moore it feels more genuine than it has ever been. It’s an endearing listen, and a welcome closer to a stellar album.

Quintessentially Mariah

Twenty eight years into her career, Mariah Carey has crafted an album that manages to seat itself amongst her best work. Caution is further proof that she is an undeniable musical genius. In the face of all the negativity that has surrounded her career in recent years, she arrived in a positive headspace, focused and ready to deliver this phenomenal album. Somehow, Caution manages to sound current yet still quintessentially Mariah; expert lyricism and background giggles included. She worked with an (almost) entirely new cast of producers, yet the output has her unmistakable stamp. True to form, the album is cohesive despite its diverse mix of collaborators, something that has always been essential to her greatest albums.

At this stage in her career, some may call Mariah Carey a “legacy” artist. Typically, that means an artist that is past their prime, struggles to sell albums, but sustains reliant upon the laurels of their back catalogue, legendary status, and lucrative tours. However, for Mariah, Caution cements her status as a “legacy” artist for a different reason. In this era, her team has managed to ensure she gets the respect she has deserved for so long. Caution has become her most critically-acclaimed album, ever.

Give Her What She Deserves

It’s true, Mariah Carey had never been a critical darling despite releasing such a profound body of work. For years, the fact that she is first and foremost a songwriter and producer had been overlooked. Mariah has written 17 #1 singles and plenty more hits, yet she has just five GRAMMY awards. Her often imitated, yet often denied impact on modern pop music by melding Hip-Hop, Pop and R&B into one had long gone overlooked. If you search for influential Hip-Hop artists, or Pop’s greatest songwriters, you’d be hard-pressed to find Mariah’s name. The list of injustices goes on and on, and for a while there was no end in sight.

Somehow, with Caution, it has all come to light. It’s almost as if the warning that we must heed with Caution is that Mariah Carey will no longer accept being underrated and disrespected; she has returned to claim the notoriety and respect that she had been denied for so long. She has done so by releasing an album that, despite whatever it ends up selling, will stand the test of time as one of her best albums because it is both timely and timeless. Mariah has long held a reputation of being fashionably late, in “Diva” fashion, but Caution proves she is just in time, and ever present.

Grade:

90/97

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When Beyoncé released “Dangerously In Love,” her debut solo album, there was a lot on the table. As the lead vocalist of the biggest girl group in pop music, she had a lot of pressure to succeed. We won’t go into the album’s resume, because it’s long and can be easily found on Wikipedia. However, what is perhaps most important and significant about the album is that it laid the blueprint for her long, iconic career. Each of the album’s fourteen tracks helped lay the groundwork for further innovations in her catalogue. So, to celebrate the album, Vincent and Mario walk through each song and discuss just how she has matured from each since then.

The Smash Singles

When the horns of “Crazy In Love” dropped for the first time, it was most definitely a pivotal moment in music: Beyoncé had ARRIVED. The hard beat, the union between soul and modern with the sample, the infectious hook and Jay’s rap verse, were the recipe for a smash hit. The most acclaimed single of 2003, today “Crazy In Love” is still lauded as one of the most recognizable R&B/Pop numbers of that decade and of Beyoncé’s’s career. Its energetic and performance-ready nature also made it a blueprint for future Beyoncé uptempos, designed to re-create the magic. Much of “B’Day” follows the template set by this iconic track and other R&B starlets have tried to forge their own hommages to it. Still, Beyoncé incorporates live horns into her music and continues to amplify the fierceness that began with this track.

On “Naughty Girl,” Beyoncé flipped her script. On the prior Destiny’s Child album “Survivor,” the trio sang “Nasty Girl,” about a “nasty, trashy, classless girl,” so naturally criticism came when Beyoncé dropped a song called “Naughty Girl.” Nevertheless, however naughty she’s gotten since, she’s never been a “Nasty Girl.” The Scott Storch production has Arabic influences and boasts a Donna Summer interpolation, and of all the album’s singles, felt the most Destiny’s Child-like in nature/sound. Still, it established that Beyoncé could and would own her sexuality. It also inspired further experiments with Arabic sounding songs, like “Beautiful Liar” with Shakira.

“Baby Boy,” the second single from “Dangerously In Love,” was an even bigger chart success than the lead single. This island bop produced by Scott Storch features Sean Paul and mixes Bey’s creole background with Sean Paul’s Caribbean origins. Steamy and passionate, the song was accompanied with a hot music video that captured the essence of Beyoncé as a performer. Unfortunately, Bey hasn’t really explored this sounds much further on her later albums, although the Caribbean groove “Standing on the Sun,” used for her 2013 H&M campaign, came very close to matching it. “Hold Up” from “LEMONADE” also boasts a Caribbean flare, and gives hope that she will continue to delve into those sounds.

Two Sides, One Songstress

On “Hip-Hop Star,” Beyoncé came with more urban edge than ever before. Alongside Outkast’s Big Boi, she rode a hard-hitting hip-hop beat, rapping, singing and delivering some (then-) shocking lines. It was out of character for Beyoncé to make a song like this at the time, but since then, she has gone on to create a number of similar songs that are heavily hip-hop. In fact, her joint album with Jay is essentially a rap album, as are many of the songs on “The Gift.”

“Be With You” samples two soul jams, “Strawberry Letter 23” by Shuggie Otis, and “I’d Rather Be With You” by Bootsy Collins. Brilliantly woven together, “Be With You” is a highlight on the album. It showcased that Beyoncé wanted to go beyond the pop-crossover R&B that she did with Destiny’s Child, and into a more soulful arena. The raw soul of “Be With You” is repeatedly reflected on “4,” with songs like “1 +1” and “Rather Die Young.”

Independent Woman

Beyoncé has always been one to advocate for female empowerment since the early Destiny’s Child days. “Me, Myself and I” fits that bill. On her first solo album, she delivered this Jazz-ish smooth R&B number, talking about finding herself as a woman and being her “own best friend” after a bad relationship. The topic would be a recurring one in her solo discography, starting with her #1 hit “Irreplaceable” on “B’Day” which bears a similar empowering message, or even the biting “Best Thing I Never Had,” from “4.”.

On “Yes,” Beyoncé showed us how she could put her pristine, beautiful vocals over a bass driven mid-tempo. While the bass knocks, she effortlessly glides atop the beat to deliver a slow read of a man who could not take “no” for an answer. While the songs themes of female empowerment have no doubt been emulated throughout her career, so has the style of this song. Tracks like “Love Drought” and “No Angel” achieve the same effect. Meanwhile, on “Signs” a trend of Missy/Beyoncé collaborations continued, though her presence on a Beyoncé album since the debut has been sorely missed.

Dangerously In Love

“Speechless” is the baby making jam of the album, and is just straight up fire. From the bluesy electric production to the sensual vocals, this is one of the best Beyonce deep cuts. Its sexual nature is also the prelude to more to come later in her output: on the Prince-esque “Dance For You” from “4,” she declares to be charge of the bedroom duties with her man, while in her iconic self-titled set, Beyoncé explores her sexuality and newfound sexual awakening after her pregnancy. “Rocket” is the prime example of this, one that shares sonic similarities with “Speechless” as well.

“Crazy In Love” and “That’s How You Like It” co-existing on the “Dangerously In Love” album initiated the tradition of Bey & Jay collabos that would bring us  to their first joint album in 2018 (even though they already had an EP worth of material just from past album tracks). “That’s How You Like It” is a cute light bop that samples DeBarge’s “I Like It.” It’s one of the most likable album tracks, although not as famous as others and a valid addition to the track-listing.

Classic Balladry

Already an icon in the making, Bey collaborated with the legendary Luther Vandross on a cover of the 70s Roberta Flack/Donny Hathaway classic, “The Closer I Get to You.” This soulful and sweet remake stays true to the spirit of the original, with a classic sounding production and Luther’s buttery tone complimenting Beyoncé’s softest vocals perfectly. a worthy hommage to a quintessential old school record. Before it was clear that she was the force she now is, Beyoncé was already getting praise and respect from legends like Luther Vandross. She has since gone on to collaborate with other R&B greats, such as Prince, Stevie Wonder and Tina Turner, among others.

“Dangerously In Love” was actually born on the Survivor album, but was remixed with a more bass-heavy version to become the title track of her debut. A saccharine love ballad, the song was clearly Beyoncé’s favorite ballad of hers for years. She dedicated at least 7-8 minutes in all of her shows to the song, from 2002’s world tour with DC, up until she finally removed it from her setlist with 2009’s “I Am… World Tour.” If anything, we have this song to thank for Beyoncé experimenting with her voice and live covers further. If “Dangerously In Love” has a younger sibling, it’s certainly “All Night” from “LEMONADE.”

Gift From Virgo

On “Gift From Virgo” Beyoncé showed once again a penchant for Shuggie Otis’ jazzy soul, and also for recreating a song she loved. “Gift From Virgo” was actually written atop an Otis instrumental that she loved and decided to make into her own song. Obviously an ode to her then-new-boyfriend Jay-Z, it was the most honest track on the album, lyrically. Beyoncé later did similar interpolations, such as “Still In Love (Kissing You),” “Resentment,” and frequently live, mashing “Sweet Dreams” with Anita Baker’s “Sweet Love” and “Dangerously In Love” with Jill Scott’s “He Loves Me.”

Daddy Lessons

Before the blogs gave us the tea on Mathew Knowles, all we knew was that he was Bey’s and DC’s manager and “hero.” On “Daddy,” a grateful Beyonce tells us how Mathew pushed and supported her through her rise to stardom, inspiring her drive and ambition to always better herself. It is interesting to look back on this track in light of two other tracks in her discography: one is “Ring Off” in which Beyoncé commends her mom, miss Tina Lawson, for getting herself together after the divorce; the other is “Daddy Lessons” from “LEMONADE,” which while not explicitly about Mathew, is a track about the relationship between father and daughter from a more mature perspective. On “Daddy,” Beyoncé sang “I want my husband to be like my daddy.” Sadly, that became all too true. Elsewhere, in the “LEMONADE” poetry, she incants, “you remind me of my father, a magician, able to be in two places at once.”  Though, unlike her daddy, her husband redeemed himself in the end.

“Dangerously In Love,” The Blueprint

In short, “Dangerously In Love” was a defining debut for both artistic and commercial reasons. It’s hard to believe that Beyoncé was just 21 years old when it was released; it’s hard to imagine a time when the now undisputed Queen still had to prove herself. Before she became the most awarded woman in GRAMMY history, before she “renamed Coachella, to BEYCHELLA,” before she graced the Super Bowl stage not once but twice, before she redefined the way in which albums were released… she was a young woman who was “Dangerously In Love.” Now, she’s a grown woman for whom “Everything Is Love.”

Listen to Beyoncé’s “Dangerously In Love”

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written by Andrew & Vincent

We didn’t rank Cardi B’s “Bodak Yellow” number one on our top singles of 2017 for no reason. When “Bodak Yellow” hit number one on the Billboard Hot 100, Cardi B made history. “Bodak” became the longest running #1 for a female rapper. She was also the first solo female rapper to reach the chart’s summit since Lauryn Hill in 1998. Guest spots on G-Eazy’s “No Limit” and Migos’ “MotorSport” proved her record streak at #1 was just the start. She further became the first female rapper to land 3 tracks in the Hot 100’s top 10. Cardi’s rise to fame culminates with the release of her stellar debut album Invasion of Privacy.

Cardi announced the album’s release less than two weeks before the release. It’s a non-traditional album release strategy, to say the least. It begged the question, why? Was the album rushed? Was it to beat the pregnancy rumors before the reveal? Whatever the reason, Invasion of Privacy indicates that Cardi possesses the potential for longevity in music.

Clocking in at just 13 tracks, Invasion of Privacy proves to be an optimal length for Cardi B’s debut album. The album allows Cardi to flex her ability to craft clever lyrics and captivate using powerful flows and deliveries. There are no fillers. Cardi covers all her bases and proves that she has no intention of being a flash in the pan.

“They gave a bitch two options: Strippin’ or lose”

There’s magic in a strong opening track on a hip hop album. It’s even something of a tradition. They set the tone for each album as a body of work. Cardi continues the tradition and comes out of the gate swinging on her opener “Get Up 10”. From the instant the track starts she professes that her options were “strippin or lose”, and she was not about to do the latter. “Get money, go hard” is her motto, and she lays all of her struggles and obstacles as she raps non-stop for 3 minutes with no hook (which she already excelled at on “Red Barz“). There’s only a quasi-hook that appears in the last minute. She’s succeeded in turning her struggle into a rap about rags to riches.

On “Drip”, Cardi reunites with fiancé Offset and Migos after victories on “Lick” and “MotorSport”. However, she demonstrates that Migos are there solely to back her up. Cardi opens the song and leads the charge. She delivers the strongest and hardest verse of the pack, boasting, “won MVP and I’m still the rookie” and “run through your hood like bitch I’m the mayor”. Cardi’s one verse indicates that she could have bodied 3 verses of “Drip” on her own. Next time, relegate the Migos to a remix.

Pulling A Lil’ Kim

Cardi’s skills impress on every track on Invasion of Privacy. On “Bickenhead” she boasts her ability to pull a Lil’ Kim and turn misogyny into female empowerment. She transforms Project Pat’s ode to mindless women, “Chickenhead”, into a no-fucks-given get-money female anthem. It’s significant that she updated the original, but the effortless makeover of misogyny into female empowerment is magnanimous. Plus, she delivers “guap guap, get some chicken, guap guap, get some bread” with such authority that it’s an instant earworm.

Heartbreak Bardi

While she flexes and boasts throughout much of Invasion of Privacy, Cardi doesn’t shy away from being vulnerable. On the magnificent “Thru Your Phone”, Cardi unleashes a seething attack on a cheating man. She goes through his phone and finds naked photos of another chick. Cardi threatens to throw his side chick’s “boobs on the gram”, and that he’s going to turn her into Left Eye. She’s mad but heartbroken, evidenced by referencing “Beyoncé on my stereo, ‘Resentment’ on repeat.” Her pain is real, flow is impeccable, and lyrics are razor sharp. As if that wasn’t enough she’s the one singing the soft, high alto hook. It’s a mind-boggling juxtaposition next to her deep-voiced, gruff verses.

“Thru Your Phone” is significantly stronger than precursor “Be Careful”. Both have strong beats, and strong lyrics, but their difference lies in the delivery. Cardi’s delivery on “Be Careful” sounds like she’s looking for places to catch a breath. With another take or two or multiple takes spliced together, it could have been stellar. This is further evidenced by her powerful vocal delivery of “Be Careful” during Saturday Night Live.

https://youtu.be/o7f2YSz-y_8

B is for Best Life

Perhaps the album’s most surprising feature comes from Chance the Rapper, on the impeccable “Best Life.” The two hip-hop newcomers unite to celebrate how much they’re loving living their best lives (and stan for Beyoncé, who is mentioned by both). Cardi further celebrates herself on self-appreciating bops “She Bad,” “Money Bag“ and second single “Bartier Cardi,” energized and ready for the club or the cookout. Meanwhile, Cardi continues to unite with her equally up-and-coming peers, joining forces with Kehlani on the laid back “Ring,” which is another highlight.

Claiming Her Crown

There is something special about Cardi B that we’ve not yet seen in female rap: she is a Latina. Cardi is a Dominican hailing from the Bronx, NYC, and the Latin music community has swiftly embraced her. Case in point: “I Like It.” The song features Latin superstars Bad Bunny and J Balvin, and a masterfully utilized sample of the  classic “I Like It Like That.” The song is infectious and the perfect combination of Hip-Hop, Latin music and crossover potential. Apparently, she’s already shot a video. The song is bound to be a hit in Latin America, but it definitely has the potential to takeover US airwaves ala “Despacito” – no Bieber necessary.

Victory Lap

“I Do” featuring SZA closes the album on a stellar note. It’s essentially a victory lap of the last 12 songs. Cardi continues to unapologetically flex. She flexes about sex: “pussy so good I say my own name during sex” She flexes about her success, “for the record, I set record, record sales”, “my little 15 minutes lasted long as hell”. And, one of her best, she flexes about being a lady with “only time I’m a lady’s when I lay these hoes to rest”. It’s the perfect ending to an amazing debut album. All hail Cardi B.

Stream Cardi B’s Invasion of Privacy

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