Deliberated on by our team of writers, we’ve ranked the top albums of 2018 that we loved. If you’re familiar with the way we review songs/albums, then you know that “97” is our top score. We love every album on this list, ranked them according to how much, and weighed in with a few thoughts about each. Please feel free to comment with your thoughts, as well! We’d love to hear from you and engage in any discussion. Now, without any further ado…

19. Joyride, Tinashe

To say this album was anticipated would be an understatement. After three years of teasing, false starts, shelved first singles and “coming soon” we finally received Tinashe’s Joyride. Mostly gone were the poppier elements teased with tracks like “Player” and “Flame,” in favor of a more alternative R&B sound. The 13 track set had some Tinashe’s greatest work, from the brazen first single “No Drama” (featuring Offset) to the sultry and moody “Salt” at the tail-end of the album. It’s when Tinashe lets loose that her greatness shines, “No Drama” still stands as one of the years best hype tracks and the summer anthem “Me So Bad” (featuring Ty Dolla $ign & French Montana) is reminiscent of the Fifth Harmony sound. Joyride goes a long way in showing Tinashe’s versatility, let’s just hope she can get the recognition she deserves. –Reece

Highlights: “No Drama,” “Salt,” “Ain’t Good For Ya”

18. beerbongs & bentleys, Post Malone

Becoming a pivotal year in his career with his now Platinum-certified sophomore album, beerbongs & bentleys clenched a total of three Top 5 hits on the Billboard Hot 100. Two of which peaked at number 1 and gave fellow collaborators their first number 1 hit singles too (2017’s “Rockstar” with 21 Savage, this year “Psycho” with Ty Dolla $ign). With four GRAMMY nominations, including the coveted Album and Record of the Year categories, it’s clear Post avoided the dreaded sophomore slump. –Keenan

17. Life After Love Pt. 1 & 2, Victoria Monét

You may not have heard of Victoria Monét but she actually has the #1 song in the U.S. right now. A frequent collaborator of Ariana Grande, Monet co-wrote “thank u, next” as well as a slew of other hits for Fifth Harmony, Travis Scott and Chris Brown. This year she released her two part EP Life After Love, chronicling her break up and rediscovery of love and self love. It’s a story we know all too well but Monét makes the material fresh. From the absolutely heartbreaking and brutal “Water Fall Out of Love” (“you should cry until you make a river deep enough to motherf*cking drown in”) to the masturbatory anthem “Ten New Friends,” Monét is as strong at the forefront as she is behind the scenes. Here’s hoping to more great music from her. –Reece

Highlights: “Freak,” “Love You Better,” “Ready”
Click here for Life After Love, Pt. 2.

16. Ella Mai,Ella Mai

With the success of her breakout hit single “Boo’d Up” transforming her into a star and becoming her first Billboard Hot 100 Top 5 hit, Ella Mai made it known that R&B is still a contender for the pop charts and radio.

On her debut self titled album, Ella Mai manages to create classic R&B records while remaining relevant, youthful and true to the genre’s core: being real, emotive and relatable. Cuts like “Good Bad” and “Sauce” help showcase fun modern vibes while Mai gets her grown and sexy classic R&B on with “Everything” alongside John Legend, and “Naked.” Altogether easily making the set one of the most solid debuts from an R&B act in quite some time. Ella was even nominated for two GRAMMY Awards! –Keenan

15. MIH-TY, Jeremih & Ty Dolla $ign

From Ty crooning the opening line (“let’s have sex…” on “The Light,” you know what you’re in for with MIH-TY. The Hitmaka produced collaborative album sees Ty & Jeremih trade off on some of the best baby-making anthems of the year. The year has been a controversial one for both stars but you couldn’t tell listening to MIH-TY. Vocally, Ty continues to showcase his pipes with riffs and runs that easily make him a contender for the King of R&B title lessers are so quick to claim. After the stellar Beach House 3 it’s great to see that Ty has no intention of slowing down his work output, especially if the material is this good. Together, both Ty & Jeremih create R&B magic and this project easily stands as a genre highlight. –Reece

Highlights: FYT, These Days, Perfect Timing

14. Palo Santo, Years and Years

There’s something about Years & Years: musically, they know how to hit all the right spots. Their mix of synth-pop, disco, electronic, and soul is impeccable. On songs like “Sanctify” they talk about sex- with closeted men, while others tackle deteriorating relationships and love. It’s a solid record end to end. –Andrew

13. Love Yourself: Answer, BTS

In 2018, K-Pop officially infiltrated American pop culture via the domination of BTS and their latest album, Love Yourself: Answer. The culmination of a three part series, Answer follows two EPs (Tear and Her) and combines songs from those sets with more new music. Debuting at #1 on the Billboard 200, BTS became the first K-Pop act to achieve such a feat twice in 2018 with Tear and Answer. Meanwhile, Answer has become the first K-Pop album to be certified Gold by the RIAA. Success aside, BTS is a stellar act with catchy, quality K-Pop jams. It’s only a matter of time before they (or at least Rap Monster) attempt domination fully in English with a K-Pop sound. Look out. –-Vincent

Highlights: “Airplanes, Pt. 2,” “Singularity,” “Fake Love”

12. Scorpion, Drake

A relentless Drake returned to form with Scorpion, his first true album in 2 years after a series of mixtapes and side projects (that were full blown albums nonetheless). The samples are the shining points of this album, from Mariah Carey to Lauryn Hill to Aaliyah and even a posthumous Michael Jackson collaboration, but as always the tracks wouldn’t be the same without Aubrey’s smooth flow and the lyrics that set him apart. —Mario

Highlights: “Emotionless,” “That’s How You Feel,” “After Dark”

11. Voicenotes, Charlie Puth

For some reason, Charlie Puth is not getting the respect he deserves on most lists. His sophomore LP Voicenotes is exceptional, to say the least. Song after song, his perfect pitch allows him to craft these tracks that are catchy and clever. His album goes from soft-rock anthems written with Hall & Oates, to gorgeous synth-pop, all the way to strange yet brilliant deviations like an acapella track with Boyz-II-Men and a call for change with James Taylor. —Andrew

10. A Star is Born, Lady Gaga & Bradley Cooper

Lady Gaga took 2018 as the year when she would prove ALL of her haters wrong. She put her heart and soul into her first acting performance, but she also delivered some of her best work on the soundtrack. The epic ballads are the true gems of this album, something that Gaga had not exactly focused on early in her career. As well, Bradley Cooper’s performance as a singer is truly an unexpected, but very pleasant, surprise. —Mario

Highlights: “Shallow,” “Heal Me,” “Always Remember Us This Way”

9. Golden, Kylie Minogue

30 years into her music career, Kylie Minogue is still embarking on new ground. On her latest, Golden, she gives you pop, with a country twist. While it’s a far cry from “Can’t Get You Out Of My Head”, there’s something about this musical deviation that works. Her voice suits the records, and still sounds magnificent as she crosses beyond 50. –Andrew

8. Sex & Cigarettes, Toni Braxton

A bit disappointing that she only gave us eight new songs, but the album is tight and nice. Toni’s voice has held up amazingly over the years and it still retain the buttery sultriness we fell in love with in the early 90s. Toni definitely knows how to give us that sexy yearning, but also the scorned woman emotions. Definitely one of the best R&B releases of the year. —Mario

Highlights: “Deadwood,” “Long As I Live,” “Sorry”

7. KOD, J. Cole

KOD will always hold a special place in my heart because of having been one of the first 500 people to hear it at Cole’s surprise release event in New York City, but regardless of that, it is a phenomenal album. Thought-provoking and hard-hitting at the same time, KOD only further cements J. Cole’s status as a hip-hop legend in the making who makes his own rules. Indifferent to having hits or doing big numbers, Cole is more concerned with making music that can affect his listeners. Dealing with the themes of vices, addiction and mental health, KOD is an album for life, not for a moment. –Vincent

Highlights: “KOD,” “Photograph,” “BRACKETS”

6. Phoenix, Rita Ora

Like a true Phoenix, Rita Ora rose from the ashes of drama to release a beautiful Pop album filled with passion, hard work and catchy tunes. The songs range from the typical 2018 Pop productions to some experiments with retro vibes and harder EDM, focusing on Rita’s vocal ability which can’t and shouldn’t be overlooked. —Mario

Highlights: “Only Want You,” “Cashmere,” “Anywhere”

5. EVERYTHING IS LOVE, The Carters

On The Run II reignited rumors (did they ever really die) of a joint Beyoncé and Jay-Z album. Although what we got was short, it was still a nice addition to each’s discography. “APESHIT” is a perfect example of the power of The Carters. Though quintessentially a Migos track, the energy brought to the track by both Bey & Jay elevate it to that superstar level, the implied double entendre of “can’t believe we made it” and Bey’s rapid fire flow during the song’s middle 8 are sure to make it a staple on fans’ hype playlists. The album is more interesting on the introspective tracks like “Friends,” where the pair seem more subdued yet as fascinating as ever. Finally, let us not forget Beyoncé dragging Jay on “LOVEHAPPY” by “keeping it real with these people.” —Reece

Highlights: “LOVEHAPPY,” “Summer,” “APESHIT”

4. Boy in Jeans, Ryan Beatty

After years in limbo and developing himself and his sound, Ryan Beatty unleashed one of the best albums of the year in the form of Boy In Jeans. A far cry from the Cali surf-pop and Bieber-esque image he emerged with as a teen, Ryan Beatty in his twenties is someone with a clear sense of his musical aspirations. With hooks like “god is real, he was sleeping in my bed last night, we were naked with the radio on, I played him my favorite song”, he’s hitting his stride. —Andrew

3. Dirty Computer, Janelle Monáe

Janelle Monáe has been in the game for over ten years, but in 2018 she finally got her due shine. Before even garnering the coveted Album of the Year GRAMMY nomination, Dirty Computer changed the game for Janelle. In the five years since her last album Electric Lady, Monáe furthered her brand by acting in Academy Award nominated films, Moonlight and Hidden Figures. This steady rise in notoriety gave a lot of attention to Dirty Computer and its “Emotion Picture”. More blatantly personal than any of her previous work, on Computer Janelle Monáe celebrates her Blackness, her sexuality, and her womanhood. Whether on the “highly melanated” rap track “Django Jane,” the sexual and suggestive “Pynk” or the defiant “Americans,” Dirty Computer is the album that American needed in 2018. —Vincent

Highlight: “Americans,” “Make Me Feel,” “Django Jane”

2. Invasion of Privacy, Cardi B

It’s the story no one expected from the most unlikely of circumstances. From stripper, to social media star, to reality television star, to worldwide superstar… who else could we be talking about but Cardi B? And, she did it all on the basis good music, indifferent to scandals and publicity ploys. We’ve heard many a story from an upcoming female rapper that labels have tried to pit them against Nicki Minaj. Although a beef with Minaj would eventually become a part of the narrative, Invasion of Privacy stands on its own two feet as the best rap album of 2018.

Braggado, sensitivity and enough mainstream appeal without seeming like it’s pandering allowed Privacy to flourish on the charts, housing two Billboard Hot 100 #1 singles with “Bodak Yellow” and “I Like It” (not everybody has that). The mixing of trap, R&B and Latin music create Cardi’s own brand of musical magic that allow her to experiment without stretching herself too thin. Invasion of Privacy showcases her versatility and potential for longevity in this business. Not only is Cardi smart and savvy, but she’s actually likable too. In an age where a flash in the pan is literally a viral moment for a week, it’s great to see Cardi and her music still flourishing almost a year after being released. –Reece & Vincent

Highlights: “Get Up 10,” “I Like It,” “Be Careful”

1. Caution, Mariah Carey

THE album of 2018. No one except for Mariah can make this kind of fresh and sleek album 28 years into her career with such nonchalance. Truly effortless. –Mario

The ten track all-killer-no-filler affair may have been one of the last releases of the year but it’s still one of the strongest. Mariah doesn’t sound like she’s chasing a modern sound, nor does she sound dated. Caution stands as the perfect blend of Mariah Carey and 2018; beautifully crafted R&B where there is more than meets the eye. –Reece

It’s almost as if the warning that we must heed with Caution is that Mariah Carey will no longer accept being underrated and disrespected; she has returned to claim the notoriety and respect that she had been denied for so long. She has done so by releasing an album that will stand the test of time as one of her best albums because it is both timely and timeless. Mariah has long held a reputation of being fashionably late, in “Diva” fashion, but Caution proves she is just in time, and ever present. —Vincent

Highlights: “Caution,” “Giving Me Life,” “8th Grade,” “The Distance”

The post The 19 “97” Albums of 2018 appeared first on THE 97.

At EST. 1997, we chose the 19 “97” albums of 2015, which simply means the 19 best albums of 2015. If you’re familiar with the way we review songs/albums, then you know that “97” is our top score. We love every album on this list, ranked them according to how much, and weighed in with a few thoughts about each. Please feel free to comment with your thoughts, as well! We’d love to hear from you and engage in any discussion. Now, without any further adieu…

The 19 “97” Albums of 2015

19. How Big, How Blue, How Beautiful by Florence + the Machine (May 29th)

You don’t just break Florence Welch’s heart; you put her in the throes of the belly of the beast. How Big, How Blue, How Beautiful is full of similarly grand declarations of hurt, longing and despair which doesn’t sound like the kind of album that you would want to listen to for days. But, as with most works of art steeped in subject matter that requires the artist to burst a blood vessel every line or so (see: “Various Storms and Saints”), Florence + The Machine’s third album serves as a marvelous vessel for all these grandiloquent proclamations of heartaches with majestic aplomb. Too much? Well, as mentioned in this review, Florence and company’s largeness of sound and feeling is hard to shake off and the infectiousness carries on. —Patrick

18. Woman by Jill Scott (July 24th)

While her last album, The Light of the Sun, was a bit subpar in comparison to her first three, with one word: Woman, she proved that she’s still got it. Jill is a respected and revered name in the world of R&B/Soul for many reasons: for her poetry, her storytelling, her no-holds-barred topics of song and revelations, and for that phenomenal voice. While she is certainly not innocent, her music is simply pure; honest. There’s nothing she won’t say – if she feels it, she says it – and she uses her fair share of sonic experimentation and vocal acrobatics to accentuate her fearless words. Woman is no different. It begins with an engaging, spoken word poem-intro, “Wild Cookie,” and is followed by the introspective “Prepared,” about making herself a better self. Meanwhile, songs like “Run Run Run,” “You Don’t Know,” and “Coming to You” showcase a ferocious, old school sound, and are as energetic as they are emotional. Of course, it wouldn’t be a Jill Scott album without a little unabashed sexuality; here it is found on the lustful “Can’t Wait.” Other highlights include slow jams “Fools Gold,” “Cruisin'” and “Lighthouse,” as well as the touching dedication to her son, “Back Together.” However, the album’s standout, for sure, is “Closure,” which placed at #15 on our singles list. With Woman, Jill Scott reclaimed her throne and reminded everyone why Jilly from Philly should always has a place in our hearts. –Vincent

17. All American Boy by Steve Grand (March 23rd)

Steve Grand got his fair share of press over the past year for a few reasons: Being mislabeled as an openly gay country artist (his music blends together elements of rock, pop, and country), being less-than-clothed in his pre-music career to raise funds for his music career (he looks pretty damned good in his underwear, okay?), and most importantly, for being the third-highest funded Kickstarter music campaigns to date. His debut album is a breath of fresh air, unapologetically using gender pronouns to express his feelings and address his love interests. Songs like “Say You Love Me” and the title track “All American Boy” perfectly tackle and capture the essence of the gay guy who falls in love with his straight best friend (been there). Not limiting himself lyrically by any stretch, there’s also the charming country love song “Stay”, the Gaga-inspired LGBT anthem “We Are The Night”, and a moment of channeling his inner Springsteen on “Run” and “Red, White, and Blue”. His diverse blend of musical styles, combined with trailblazing lyricism and catchy melodies make All American Boy a must listen. –Andrew

16. Right Here, Right Now by Jordin Sparks (August 21st)

After falling off the map as an aspiring Pop star post-American Idol (“No Air,” her duet with Chris Brown, is still a notable moment from that era, though), Jordin Sparks picked up her pen and a pad and went into the studio to craft her best material to date: Right Here, Right Now. She may have had to give up the top 10 hit “The Way” to Ariana Grande because of label politics, but Right Here Right Now is worth it nonetheless. While it could use a bit less of the forced ratchetness on the midtempos, the ballads are its best moments. Current production and a little something for the throwback lovers, including an Aaliyah hommage on the ethereal “100 Years,” make the album a notable progression in her career. Jordin’s vocals are clear and crisp, and she’s never sounded as confident as she does on this album. Highlights: “They Don’t Give,” “Tell Him That I Love Him,” “Silhouette.” –Mario

15. Confident by Demi Lovato (October 16th)

The transition from Disney star to respected musical artist is never an easy or seamless transition. It’s a true display of artist development when executed successfully, and that is exactly what Demi Lovato accomplished with Confident. From the breezy yet seasonal “Cool For The Summer” to the Gary Glitter “Rock’N’Roll Parts 1 & 2” recalling title track, Lovato proves that she has the upbeat pop chops for the charts. However, it’s when she tackles the ballads, most notably “Stone Cold” and “Father,” with full soul and voice that she solidifies her place as a major player in today’s pop stratosphere. –Andrew

14. Tetsuo & Youth by Lupe Fiasco (January 20th)

The curious case of Lupe Fiasco… upon his debut, he was seemingly free to do as he pleased: he had his deal, and he made great, quality hip-hop that he genuinely loved and was proud of. Then, he made the mistake of having an actual hit single that crossed over (“Superstar”). From then on, his label’s goal was to repeat that success and forced Lupe into some questionable predicaments as far as his reputation was concerned. While he was seemingly given freedom for Food & Liquor II, the road to Tetsuo & Youth was yet another battle against label-propagated crossover tracks. As a result, Lupe recorded a bunch of overtly edgy tracks to counterbalance the label fluff he was strongly encouraged (read: forced) to record (“Old School Love” with Ed Sheeran, anyone?). Eventually, with a little help from Anonymous, the label subsided and Lupe was able to craft Tetsuo & Youth, an album the way he liked it… and thankfully, it is as good as you’d hope. The one flaw in Lupe’s music has always been the lack of a hook: on Tetsuo, he met that challenge with one of the album’s highlights: “Mural,” a 9 minute long flow – with no breaks, and no hook. Meanwhile, on “Chopper,” a 10 minute long trap track featuring a jukebox of verses from 6 of Lupe’s favorite rappers, the hook takes a backseat to the realness of the featured artists’ bars. In typical Lupe fashion, the album is filled with metaphors (“The Adoration of the Magi”), social commentary (“Deliver”), and an alternative, rock inspired jam featuring a male vocalist (“Blur My Hands”), among other quality moments. It is a quintessential Lupe Fiasco album that any fan of his, or lover of hip-hop, would enjoy. –Vincent

13. Unbreakable Smile by Tori Kelly (June 23rd)

2016 Grammy nominee for Best New Artist, Tori Kelly, gained notoriety this year thanks to a moderate hit (“Nobody Love”), a Pepsi commercial, a lot of good word of mouth, and most importantly: a phenomenal voice. Truly, if anyone deserves to be compared to Mariah Carey, it’s not Ariana Grande – it’s Tori Kelly. Also from a mixed race background, Tori, like Mariah, is a talented not only as a singer but also as a songwriter (and guitarist), who crosses the boundaries of race and genre: her sound is R&B, pop, and hip-hop. She can riff up, down, and all around, leaving the listener blown away… and yet, in the same song, she can drop a 16 that’ll make you wonder if there’s a featured artist on the track. With a little less label pressure, more creative freedom, and a little bit more life experience, Tori Kelly could turn out the next Miseducation, ala Lauryn Hill. It’s an album that deserves a listen, and your undivided attention. Highlights include a live performance of “Funny,” on which her vocals will leave you hollering “YASSSS!”, the undeniable bop of a title track, the sassy “Bottled Up,” and ballads “Falling Slow” and “First Heartbreak.” So, do yourself a favor and get your life by letting Miss Tori Kelly into your life. –Vincent

12. If You’re Reading This It’s Too Late by Drake (February 13th)

Released as a digital surprise, If You’re Reading This It’s Too Late was originally intended by Drake as a mixtape more than an album. It bears, however, the coherence we’re used to find in a Drake album: all the songs have a sonic cohesiveness and deal with the themes that are most true to Drizzy’s artistry. Such themes include fame, success, relationships and Toronto, the city that’s still so dear to the rapper even as a superstar. The melodic sadness the beats bring, even to the songs about being victorious against the enemies, is a typical Drake trait. The catchphrases the album spurred are now essential online lingo. The 6 God can literally do no wrong, even in the trying times such as when he’s accused of not writing his bars, he still wins because he essentially remains his true self. Highlights: “Know Yourself,” “Energy,” “Jungle.” –Mario

11. Blue Neighbourhood by Troye Sivan (December 4th)

What is a day in the life of a 20-year-old gay boy? Listen to Troye Sivan’s Blue Neighbourhood and get a generally realistic perspective on the day-to-day, with an electro/alt-pop backdrop. The reincorporated songs that originated on the WILD EP (released earlier this year as a pre-cursor to the LP) provide a good introduction to the new songs which solidify that his pen is mighty and his voice a force to be reckoned with. From catchy alt-pop bops like “YOUTH” to the sincerely beautiful “for him.” (“You don’t have to say ‘I love you’ to say ‘I love you'”), all the way to the tragically beautiful “LOST BOY” (“I’m just some dumb kid tryna kid myself that I’ve got my shit together”) and the pensive “HEAVEN” (“Without losing a piece of me, how do I get to heaven?”), Troye proves song after song to be important new voice in pop. –Andrew

10. Badlands by Halsey (August 28th)

A newcomer on the scene, Halsey has certainly made some noise, and a promising name for herself. Her debut album, Badlands, is one of this year’s most interesting releases that has generated a great amount of buzz. It begins with the cinematic “Castle” that will leave you with the same feels you’d expect from a Lana Del Rey track, yet sounds nothing like her; aside from having a similarly cinematic quality (and it’s perfectly featured in the trailer for Huntsman: Winter’s War). Badlands is a journey through the curious young mind of Halsey that drops off an anthem or two: “New Americana” for the rebellious youth, “Hurricane” if you’re just a bad bitch, and “Castle” if you’re simply a QUEEN. Other tracks, like “Drive,” show off her creative and compelling storytelling skills. On songs like “Ghost,” she makes her hip-hop influence clear with a rapid-fire delivery and a hard-hitting bassline. You may see Halsey defined as Electronic, or Alternative, but she is a hard one to pigeonhole. Certainly, her sound was influenced by a multitude of genres and that makes her Badlands undeniable, captivating, and, frankly, genius. –Vincent

09. Purpose by Justin Bieber (November 13th)

Who would have thought that 2015 would be the year of the Bieber? After a string of public mishaps and the messiness surrounding Journals, Justin reemerged triumphant. This year brought a string of hot singles (“Where Are U Now?,” “What Do You Mean?,” “Sorry,” and “Love Yourself,” so far) and a bevy of music videos (see Purpose: The Movement) showing that Justin Bieber’s return was one that everyone wanted to see come to fruition, positively. As a child star in his teens, Bieber was beloved and cherished until the fame got to him and he became a bit of a disappointment. As he’s stated, he felt as though he lost his purpose, but with this album, he reclaimed it – and wanted to offer “hope and light” to others who might feel the same as he once did. Songs like “Mark My Words,” “I’ll Show You,” “All In It” and the title track show that this is a new confident man who’s successfully matured his sense of self, and image. Not only is it more mature in lyrical content, but in sound, too; he has transcended the confines of teen pop and has become a formidable, respectable, adult artist. A rekindled collaboration with Big Sean (“No Pressure”), an embrace of newcomer Halsey (“The Feeling”), and the cosign of hip-hop veteran Nas (“We Are”) add to his credibility. With a world tour beginning in 2016, it’s clear that Team Bieber has no intentions of slowing down, and with an album this good they don’t have any need to. –Reece & Vincent

08. Calling All Lovers by Tamar Braxton (October 2nd)

Tamar Braxton released her 3rd album at a time when she couldn’t really give music all her attention, busy as she’s been with her other ventures. The lack of commercial success for Calling All Lovers wasn’t, however, due to the quality of its tracks. The album is the result of careful work, with which Tamar ditched everything that made her breakthrough two years ago sound a tad bit silly and dated. She focused instead on a more mature and classic R&B sound and on making her musical influences shine. The album is cohesive, maybe a bit too much for some, but it shares a story, Tamar’s story, and it feels honest and heartfelt. Highlights: “Circles,” “Angels & Demons,” “I Love You.” –Mario

07. Wildheart by Miguel (June 29th)

If you don’t pay attention to the words, you’d think Miguel is simply singing about wanting to fornicate in some valley in “The Valley”. You’d think the song is nothing but a minimally produced anthem for perversity which it is of course not. Themes of lust-sickness, being simultaneously ‘immoral for the Christians and moral for the cut-throat’, and falling back to The Only One all mesh perfectly in Wildheart. Not that playing close attention is key to enjoying Miguel’s discovery of a sound that just about puts him ahead of his peers, the tight group of falsettoing R&B men. Wildheart is a patchwork of organic sounds that separate him from the Chris Browns and the Jason Derulos (whose Everything is 4, is, to be fair, quite excellent). Twisty vocal arrangements cocooned in melodic crooning (“waves”), understated sexiness (“FLESH”), brilliant wordplay (“Coffee [Fucking]”), and going back to one’s true love (“Face the Sun”) are the sort of tracks that Miguel, if we’re lucky, would sing in his legacy concert tours 15-20 years from now. Can’t wait. –Patrick

06. Beauty Behind the Madness by The Weeknd (August 28th)

The biggest breakout star from 2015, seemingly new to many, isn’t new at the very least. 2015 just so happens to be the year the mainstream public decided to take notice when The Weeknd released his sophomore album, Beauty Behind The Madness. The Weeknd retains his dark, moody, experimental, electronic R&B vibe on the album. Songs like “Can’t Feel My Face,” and “The Hills,” both of which became Billboard Hot 100 number 1 hits, still feature themes like drugs and sex. The mid-tempo standout “Acquainted,” leaked as “Girls In The 90s,” features The Weeknd serenading a lover he’s glad to put time in with. The Album of The Year, Grammy nominated LP even sees The Weeknd collaborate with a diverse group of artists. Ed Sheeran duets with The Weeknd on “Dark Times,” about continuing bad habits and always “going back to the street,” again and again. Fellow moody, experimental, pop/electronic act Lana Del Rey joins for “Prisoner,” which speaks to the struggles of addiction. Beauty Behind The Madness is the album you’re looking for if you want a unique spin to that classic, usual R&B album. There are elements of Pop, Dance, and Electronic music, but at its core its a soulful, honest record. Fair warning listeners, get ready to hear the beauty and the madness! The Weeknd explores real topics that make the world and this thing called life enjoyable, harsh, and painful. Like the opening track says, “thats real life.” –Keenan

05. Love Life by Tamia (June 9th)

Tamia’s return was far from the spectacle it should have been. Her first body of work in 3 years is easily one of the most cohesive and memorable R&B albums of the year. From the enchanting opening progressions of “Love Falls Over Me” to the slinky perfection that is “Sandwich and a Soda”, all the way to the soaring cover of “Black Butterfly” that closes things out, Tamia excels in sharing the happiness and love of in life. It’s an inspiration, and a motivation, down to the breathtakingly beautiful marriage ballad “Day One”. –Andrew

04. Reality Show by Jazmine Sullivan (January 13th)

Thank God Jazmine decided her hiatus had to be brief, because the R&B world needed more of her soulful touch. Reality Show, Sullivan’s 3rd album, is her best effort yet. Bringing some contemporary themes and sounds into her classic R&B/Soul repertoire, it shows that her pen game is still sharp and her beautiful voice is still able to touch its listeners’ hearts with its unique grit. The honesty of Jazmine’s approach to music makes her one of the best R&B artists out right now and one who will continue to make great music for as long as she’ll be able to. Her talent is undeniable. Highlights: “Mascara,” “Let It Burn,” “Brand New.” –Mario

03. 25 by Adele (November 20th)

It’s not the year’s best-selling album for no reason. While 25 is by no means a groundbreaking work, it is simply damn good. There is a simple formula to Adele’s success, really: honesty, and soul. She is not afraid to unabashedly share her feelings with us, and sing wholeheartedly. The carefree nature of her music makes it have such mass appeal. There is a certain undefinable quality to Adele that makes her all the more accessible to the masses. Perhaps its her transparency; her celebrity is not one shrouded in extraneous fanfare: she makes music, she sometimes tours, she has a son, a boyfriend, and not a single fuck to give about what anyone thinks about her or her life. What is most important, though, is that she indeed makes great music. Such examples on 25 are a six minutes long song of yearning that drips in sensuality (“I Miss You”), yet another hometown ode (“River Lea”), a perhaps-Mariah-inspired Spanish guitar ballad (“Million Years Ago”), next single “When We Were Young,” and should-be single “Water Under the Bridge.” Many will tell you that 25 is no 21, and that’s true. Lyrically, it is more mature; happier, and a bit more reflective rather than reactive. Sonically, she has delved in some sounds that are new, but, again, nothing shocking and nothing that doesn’t still feel like her old self. It probably won’t become her best selling album (21 will be hard to topple), nor is it her best (for me, 19 still reigns), but there is a progression that makes one thing very clear: her best is yet to come. —Vincent

02. To Pimp a Butterfly by Kendrick Lamar (March 15)

Funky. Jazzy. Important. If there are three words to accurately describe Kendrick Lamar’s heavily anticipated To Pimp A Butterfly, those are the best ones without overstating, or underestimating what kind of staying power it may have. He scat-raps “this dick ain’t free” and “you really think we could make a baby named Mercedes without a Mercedes Benz?” over a jazzy upright bass, promotes self-love on the superior mock-live version of “i,” falls apart on the dark, anxious, introverted “u,” provides the timely and necessary chant of “we gon be alright” to the Black Lives Matter movement on “Alright,” embraces the funk on “King Kunta,” and gets aggressive on “The Blacker the Berry.” It’s entertaining to watch as people debate and try to diminish the value, musicality, and relevance of this album as 2015 comes to a close, but listening to it for the first time in a few months, it is as powerful and thought-provoking as it was when released in March. –Andrew

01. Unbreakable by Janet Jackson (October 2nd)

When deciding what the year’s best album is, it is important to not only consider the quality of the album and its success among fans and the general public, but also the relevance of its content, to society and culture. We won’t pretend that Janet Jackson’s Unbreakable was a cultural phenomenon that sold 5 million copies in a month; no, that was Adele. We won’t pretend it was the most critically lauded album of 2015; that was probably Kendrick Lamar. However, if any album released in 2015 best represents the year’s events, on a global scale, it is indeed Unbreakable.

The foundation of the album, its concept and namesake, is the notion that love’s bonds are unbreakable in all forms, whether it be romantic, familial, friendship, or something greater. Unbreakable was Janet’s way of starting a conversation about the state of the world today, like she did back in 1989 with Rhythm Nation. The album’s title track introduced its theme, and “Dammn Baby” speaks of said conversation. Naturally, most of the album was likely recorded prior to 2015, however, its themes and sentiments rang all too true. The year, it seemed, was more troubled than others, but there were also some notable highs. One of said highs, in the United States, was the Supreme Court ruling on marriage equality. Janet’s “The Great Forever” is not only a defense of her own marriage to a Muslim man, but of marriage equality in general. On the track, she questions why anyone else should be concerned with the object of others’ affections. It is subtle, yet perhaps one of the best (and not forced in our face; looking at you, Gaga) anthems that exists for the LGBT community in regards to marriage equality.

Such socially conscious sentiments are continued on “Shoulda Known Better,” a reflective song about the way history seems to repeat itself. It is a general song that could be applied to multiple situations, but she refers to casualties of war, racism, and the need to cure social ills and abuses that exist in the world today. On the song, she encourages us all to have open minds to help make the world a better place. Later in the album, she reflects on her travels and displays her own openmindedness, singing about the beauty of all the different cultures and races around the world (“Well Travelled”).

One of the songs that became particularly relevant in light of the terror attacks in Paris, and the world’s reaction to Muslims and Syrians following it, is “Black Eagle.” It is a song about racism and inequality, and its message of acceptance and compassion is a much needed lesson for many. Other songs, like “Promise of You” speak of the value of self-worth and judgment; a message that the gunmen of the year’s many shootings might’ve needed to hear. With so many victims of hate this year a song of love and loss like Janet’s dedication to her brother Michael, “Broken Hearts Heal,” is another anthem that the family and friends of such victims might relate to. Meanwhile, on “Take Me Away,” Janet yearns to escape to a peaceful place, no doubt a yearning we all can relate to after so many saddening events this year. However, the album does end on a positive, hopeful note with “Gon’ B Alright,” ala Kendrick Lamar.

Janet may have decided to remain silent even after the album was released, but that’s because she let the songs she put together be the topic of discussion. Unbreakable is her way to reconnect with a fanbase that felt the need to hear from their idol again and she chose to do it in the most precious way, by giving them herself on record. Reuniting with Jimmy Jam and Terry Lewis also made the experience even more special, because it brought back the team behind the classic music she’s delivered in a career spanning almost three decades.

She may have not gotten into the Rock & Roll Hall of Fame, but Janet’s worth this year has been cemented and her contribution to Pop music is very much evident.

–Vincent & Mario

The Best of the 19 “97” Albums Playlist:

For your listening pleasure, we’ve compiled a playlist of our favorite tracks mentioned within our reviews of the above listed albums. Enjoy!

The post The 19 “97” Albums of 2015! appeared first on THE 97.

At EST. 1997, we chose the 19 “97” albums of 2014, which simply means the 19 best albums of 2014. If you’re familiar with the way we review songs/albums, then you know that “97” is our top score. We love every album on this list, ranked them according to how much, and weighed in with a few thoughts about each. Please feel free to comment with your thoughts, as well! We’d love to hear from you and engage in any discussion.

The 19 “97” Albums of 2014

19. X by Ed Sheeran (June 20th)

The fiery haired crooner doesn’t disappoint with his sophomore effort. With an acoustic guitar still at it’s core, X (pronounced as “Multiply”), does an incredible job at expanding Sheeran’s sound from his typical folk/acoustic tunes with its infusion of hip hop elements. From the quintessential wedding track “Thinking Out Loud”, Pharrell Williams-assisted jam “Sing”, to ode to self-sabotage, “I’m A Mess”, X plays on every one of your heart strings. —Charneil

18. The Pinkprint by Nicki Minaj (December 15th)

After releasing and promoting singles like the minimalistically somber “Pills N Potions,” the heavily “Baby Got Back” sampled Hip Pop “Anaconda,” and the candid feature heavy Hip-Hop number “Only,” the overall sound of Nicki Minaj’s third album was still up in the air.  The Pinkprint (a nod to Jay-Z’s The Blueprint trilogy) ends up being a serious R&B influenced sit down with Minaj’s emotional heartbreak and life struggles front and center.  Not even a Katy Perry co-penned Ariana Grande track or a Beyoncé feature could bring the much needed high octane Dance Pop to the album which fans have grown accustom to from Minaj (see “Super Bass,” “Starships”).  Surprisingly deluxe cuts like “Shanghai” help to at least end the album on a more exciting note. Go to tracks: “The Night Is Still Young,” “Shanghai,” “Win Again” –Keenan

17. The Lyricist’s Opus by Chrisette Michele (November 24th)

Following the release of 2013’s Better, Chrisette Michele embarked on a new career path with the launch of her own website, RichHipster.biz and the release of this EP in November, titled The Lyricists’ Opus. While her path toward artistic and creative freedom truly began with her 2012 mixtape, Audrey Hepburn, this EP marked her first commercially independent release. The Lyricsts’ Opus fits right in with her catalog, yet it is different. Mainly because it really does feel like one, unified… well, opus. Or, as Chrisette describes on the intro, “one long piece, with 5 movements.” The EP flows, one track into the next, with lush orchestration guiding each track along.  “Make Us One,” especially, is quite the fitting anthem for our world today.  The standout track, however, is “Together,” but every song is truly great. Hopefully, 2015 brings a full length album from Chrisette… no doubt it’ll be on par, or better. –Vincent

16. Platinum by Miranda Lambert (June 3rd)

Miranda Lambert released her fifth album Platinum this past year. It’s an album that manages to make Western swing, 80s arena rock, and honky tonk sound reasonable together. The emotional terrain covered on the album is just as impressive. With a through line about the meaninglessness of going platinum (both in terms of sales and hair color), the album shows Lambert isn’t content to rest on her laurels. Lambert is one of the very few females who can make a real dent on the Country charts, and she’s the Country artist adding the most artistic heft to the industry. –Jason

15. Aquarius by Tinashe (October 7th)

Tinashe’s debut album, Aquarius, was a surprisingly cohesive collection of R&B tunes. It’s equally commercial as it is artistic: you’ve got the sexy and club-ready tracks and the more introspective ones reflecting on love and relationships, all tied together by aptly placed interludes that recall the iconic Janet Jackson, interesting production and solid writing. The album is a mix of new ethereal sounds and past influences reworked to make them relevant in 2014’s musical landscape. Tinashe is someone whose career is going to be interesting to follow. Highlights: “How Many Times,” “Cold Sweat,” “2 On.” –Mario

14. 1989 by Taylor Swift (October 27th)

Following the massive Pop success Taylor Swift’s 2012 album Red achieved (including her first Billboard Hot 100 #1 hit) it was no surprise that her followup album would continue its Pop exploration.  1989 is a departure from her Country Pop roots, and sees Swift attempt to create an 80s influenced Pop album in 2014.  Despite being released in October, 1989 became 2014’s biggest selling album, impressive!  While not nearly as experimental as the dub step/Pop “I Knew You Were Trouble.” the mid tempo heavy album is certainly adequate music for your Muzak shopping experiences.  Expect to hear cuts from the album overplayed on radio well into 2015, because, well, it’s Taylor Swift. Go to tracks: “New Romantics,” “Bad Blood,” “Style” –Keenan

13. Xscape by Michael Jackson (May 13th)

After the disappointing handling of the last posthumous Michael Jackson album, expectations for Xscape were low. Fortunately, things were different for this project and finally we were given “new” Michael Jackson worthy of the hype. The remixes at times were questionably overproduced, and the choice to feature Justin Timberlake was, well, uncomfortable… but the album’s saving grace was Michael himself. L.A. Reid made the wise choice to release the original demos alongside his commissioned remixes. With these demos, we were able to hear the songs in the state that Michael had left them. After all, the only person who can truly bring a Michael Jackson song to completion is Michael Jackson. While his fans undoubtedly will never pass up hearing more unreleased music, it will never be the same as the King of Pop crafting and releasing a truly new album. Regardless, an album of 8 Michael Jackson demos still bests most albums released in the last year… and that’s saying something. Standout tracks include “Blue Gangsta” and of course the lead single, “Love Never Felt So Good,” a posthumous swing-laden disco jam that wouldn’t sound out of place on his landmark Off the Wall album, yet didn’t sound of place in disco-inflected 2014 either. “Love Never Felt So Good” featured a majestic guitar line and is the kind of carefree pop jam the greats make sound effortless. –Vincent and Jason

12. Turn Blue by The Black Keys (May 12th)

The Black Keys’ 2014 release Turn Blue doesn’t rank among their very best albums. It’s still a solid release, though, and that it manages to be one of the best Rock records of 2014 is saying something. It showcases a band in full command of its talent. On Turn Blue the band incorporated elements of 70s psychedelia, Disco, and even Funk into their sound. It also managed to add a few stadium anthems (“Gotta Get Away” in particular) to their already impressive repertoire. –Jason

11. In the Lonely Hour by Sam Smith (May 26th)

If 2014 brought us any album that seemingly had a clear path for Grammy nominations surely it was Sam Smiths debut album In The Lonely Hour.  Featuring heartfelt lyrics, vocals and range, and immaculate musical arrangements that may easily stand the test of time -don’t be surprised if February 2015 sees Smith snatch a few of his impressive six nominations!-  With radio ready cuts including “Like I Can,” and “Make It To Me,” singer-songwriter-producer Smith is here to stay with us well past his undeniable 2015 Grammy wins. Go to tracks: “Stay With Me,” “Life Support,” “Like I Can” –Keenan

10. Anybody Wanna Buy a Heart? by K. Michelle (December 9th)

On her second album K. Michelle lets her life experiences take the center stage. Reportedly inspired at large by her affair with Idris Elba, Anybody Wanna Buy a Heart? displays a more sensitive and mature side of K. Michelle. Her lyrics and her melodies have become stronger, her vocals have acquired the art of subtlety and the production features a number of old school R&B influences that never feel out of place. A consistent body of work from start to finish that clearly represents an evolution in her discography. Highlights: “Love ‘Em All,” “Maybe I Should Call,” “Something About the Night.”  –Mario

09. Ultraviolence by Lana Del Rey (June 13th)

There was a lot of pressure on Lana Del Rey to deliver with the follow up to her 2012 breakthrough album, Born to Die, and she did not disappoint. Her music isn’t for everyone, nor is it for every mood. Her music is slow, deep, conceptual and moody. It requires your full attention to be fully appreciated; or it can just be played in the background to set a mood. Fittingly so, as Lana’s music often feels cinematic with it’s involved and often dramatic production. With Ultraviolence, though, she experimented a bit sonically by enlisting Dan Auerbach of The Black Keys to produce the bulk of the album, which gave it a certain cohesiveness, and also a bit more of a rock feel than her last set. However, both have one thing in common: they seem impersonal. Hopefully, Lana is less theatrical and more personal on her next album. Don’t get me wrong though, it’s a great album. Aside from the flawless lead single, “West Coast,” be sure to check out “Brooklyn Baby,” “Ultraviolence,” “Shades of Cool,” “Pretty When You Cry,” and “The Other Woman.” –Vincent

08. rose ave. by You+Me (October 14th)

Fans of P!nk and City and Colour were pleasantly surprised this year with an unexpected new musical pairing: You+Me. The duo released their debut album, rose ave., in October and it was near perfection. P!nk is famed for her hit pop/rock singles, but on each album, she always had a folksy song or two. With You+Me, she joins Dallas Green to craft this entire album of folksy, bluesy, soulful bliss. While at times it does get a bit same-y, if listened to independently, each song stands out for its individual beauty. The beauty of the songs lies not only in the music and lyrics, but most especially the fantastic vocal performances from both. Their voices blend together is such perfect and complimentary harmonies. No word on whether this album is a one-off collaboration or if the duo will continue to collaborate, but hopefully there is more to come. Standout tracks: “Break the Cycle,” “Capsized,” “You and Me,” “Love Gone Wrong,” and the fantastic cover of Sade’s “No Ordinary Love.”–Vincent

07. Journey to Freedom by Michelle Williams (September 9th)

With Journey to Freedom, Michelle Williams fearlessly delivered. It is an album comprised of uplifting messages, soaring vocals, and impeccable production. The wait indeed was long, but so worth it. The album flows wonderfully both sonically and thematically.  For example, “Need Your Help” is the perfect opener, and flows wonderfully into “Yes.”  Or, when “Believe In Me” is followed by the optimistic and uplifting “In the Morning” that almost reaffirms the final message of “Believe In Me,” it’s magical.  The reflective “If We Had Your Eyes” follows, and “Say Yes” closes the album with a final moment of celebration and praise.  With her Destiny’s Child sisters by her side, Michelle comes full circle on the album closer.  By ending the album with “Say Yes,” it’s almost as though she’s letting the haters know that Jesus already said yes to this masterpiece – so any hate, any negativity, any no’s, are moot points. However, calling this album anything but a masterful body of work would be a challenge.  So, get slain in the spirit as you experience Michelle Williams’ Journey to Freedom. –Vincent

06. Broke With Expensive Taste by Azealia Banks (November 6th)

A long period of struggle with major labels and their politics probably inspired Azealia to make this record as perfect as possible and the mission was definitely accomplished. Broke With Expensive Taste is the proof that perseverance and faith in your own work will pay off. It’s an unconventional Hip-Hop record, built like an extensive DJ set where the songs have no clear structure and the genres (Rap, House, even Salsa) mix effortlessly under Azealia’s sharp flow and lyrical confidence. She carries the entire album by herself, sung portions included, and she doesn’t fail in keeping the listener’s attention level high. Azealia’s not worried with trends and commercial success, all she wants is her music to speak for itself and in that sense she’s won. Highlights: “Gimme a Chance,” “Ice Princess,” “Chasing Time.”  –Mario

05. Love, Marriage & Divorce by Toni Braxton and Babyface (February 4th)

We’ll forever have to be grateful for Babyface talking Toni Braxton out of retirement, because otherwise we’d have never got this album. This is the reunion R&B fans had been waiting for and it finally happened. Both coming from divorces, Toni and Kenny decided to put their own experiences into music and wrote an album that chronicles a couple’s journey throughout marital issues, the realization that the love is gone, separation and finally the hope of reuniting again after all the hurt and pain. Their voices blend incredibly well and it’s just a pleasure to listen to them together because there’s a real connection and a palpable chemistry to be felt. This album being rewarded with a Grammy in February would be the icing on the cake to seal this magical collaboration. Highlights: “Sweat,” “I Wish,” “Take It Back.” –Mario

04. Black Messiah by D’Angelo and the Vanguard (December 15th)

Rush released in accordance with protests related to the deaths of black men at the hands of police, D’Angelo’s Black Messiah was 14 years in the making. D’Angelo said he speaks through his music, and with its chaotic instrumentation and socially conscious lyrics, boy did we all get the message. At the same time, Black Messiah is an album that simmers and reveals itself with continued listening; we’ll still be dissecting this album 10 years from now. It’s what we need now, though, and it can easily sit alongside the seminal works of Marvin Gaye and Sly Stone. –Jason

03. 2014 Forest Hills Drive by J. Cole (December 9th)

In speaking of the album, J. Cole said that 2014 Forest Hills Drive had to come out this year. It’s a damn good thing that it did, because this year in music would have indeed been incomplete without. Or, at least, quite lacking. With 22 days to spare, Cole dropped an album with no singles or promotion but a whole a lot of quality.  As I mentioned in my review of the album, the album is at this point, his defining album. Not the peak, because his career has only just begun, but a defining turning point. Sonically, lyrically, mentally – Cole feels like he has truly found himself. Or at least, is on the right path. He is an inspiring leader in hip-hop, and while he and the rest of the world may not realize it yet… he very well may be the savior not only of the music, but of the culture it inspires via his mission to send positive, uplifting messages to his listeners. –-Vincent

02. BEYONCÉ by Beyoncé (December 13, 2013; November 25, 2014)

Yes, technically it came out in 2013… but, oh well. It came, but it never went anywhere. BEYONCÉ, the album and the woman, was an ever present force throughout 2014 with the success of singles like “Drunk In Love,” “Partition,” “***Flawless” and “7/11.” Then of course there was the On the Run Tour and HBO specials. “Yoncé” was indeed “all on our mouths like liquor” in 2014. Beyoncé’s self-titled 5th LP dropped on the world unannounced, like a bomb. Each song is accompanied by its own music video that matches its audio counterpart and boosts the overall listening experience. However, BEYONCÉ was more than just a cultural phenomenon. It’s actually a phenomenal album as well. The album represents the growth of Beyoncé as an artist, showing that she is able to challenge herself with each release and improve her work.

While it may seem more commercially viable in sound than its predecessor 4, BEYONCÉ is an unconventional album. The songs have no definite structure, the beats and melodies change midway through. Beyoncé holds back vocally as well, she opts for a subtler and raw approach on most of the tracks and even showcasing her rapping skills. The big vocal performances of her previous work are nowhere to be found, but the arrangements are still tight and enriched by harmonies and layers of background vocals. Musically, as well, she explored landscapes that were completely new to her catalog. Each song on BEYONCÉ is impeccably produced, and often to the credit of Beyoncé’s ingenious decision to collaborate with multiple producers on most of the tracks. By combining some of the best names in contemporary R&B, Hip-Hop and Pop, Beyoncé crafted stunning and unique sounds for each song. She reinvented herself and her sound, subtly and without seeming desperate like some other “rebel hearts” these days.

Lyrically, the album is cocky, vulnerable, mysterious, empowering and socially conscious all at the same time. With its personal lyrics, Beyoncé has never shared so much, so introspectively. She was deep, reflective, and inspiring. She said things of significance with the feminist messages of “***Flawless,” the empowering “Superpower,” the motivational “Pretty Hurts” and the thought-provoking “Ghost.” She chronicled her love for her husband and daughter on “Blue.” Listening to each song is like entering a whole new world, fittingly accentuated by their equally impressive music videos.

It has been said the album draws from Janet Jackson’s 90s work: twenty years ago Miss Jackson similarly declared her sexual liberation on her own iconic self-titled album, but BEYONCÉ has more of The Velvet Rope‘s darker tones, and her “partition” is like her own “velvet rope”. Overall the album is a win artistically and commercially, as well as a much welcomed focus on the album as a body of work instead of a collection of individual tracks. BEYONCÉ is unforgettable, lyrically, sonically and visually. The only thing more exciting than experiencing it over and over again is the anticipation of what she’s going to do next. –Vincent and Mario

01. Me. I Am Mariah… The Elusive Chanteuse by Mariah Carey (May 27th )

Mariah Carey’s 14th studio album inserted itself alongside her best work at a time when most thought she was in a creative rut. It is a collection of songs skillfully put together to create a journey through the past 4 years of her life. Me. I Am Mariah is the craft of a woman going through a dissolving relationship, using her writing to tell the story of her disappointment and her reflections, to reminisce on the good moments of the past and to express the anger and resentment towards what the love she felt has now become. The lyrics on this album are Mariah’s most personal and introspective since Charmbracelet (2002) and that’s what makes it all the more special.

This album is also sort of a journey through different eras of R&B music: from the Motown/Stax era of the 60s, through the late 70s and early 80s with Disco and finally the early 90s Hip-Hop and contemporary Urban sounds. Mariah effortlessly mixed the different nuances of the music she’s always loved and nurtured. It’s her own declaration of love and loyalty to a genre that’s been struggling to remain relevant in the mainstream culture.

And finally, 24 years into her career, the Elusive Chanteuse still continues to deliver a masterclass in vocal ability. Her glorious voice carries the entire album with its different registers and textures, from the husky low notes to the shrill highest ones, maintaining incredible power and clarity throughout. Mariah has always been the master of vocal arrangements and this album does not contradict that: layers of harmonies and background vocals embellish each song while keeping a coherence to the melodies and leaving behind new little elements to be found on each listen. After all, she did essentially delay the album a year with endless “finishing touches.”

However, one must never question a musical genius. Her delays made the album what it is. Had she released it when originally planned it would be lacking its features from Stevie Wonder (playing harmonica on “Make It Look Good”), Nas (“Dedicated”), Wale (“You Don’t Know What to Do”) and no doubt probably some of the cutest, more matured vocal contributions from Ms. Monroe and Rocky on “Supernatural,” an ode to her twins. Not to mention the album’s final three songs, including the infectious “Money” (and two covers, “One More Try” and “Heavenly”) would have never been crafted.

Chanteuse shines on nearly every track, though. From our #2 song, “Dedicated,” which perfectly encapsulates the notions of nostalgia we love here at EST. 1997, to the emotionally raw ballads like “Cry.” and “Camouflage” (which, in hindsight, are undoubtedly about her marriage) to the more contemporary Hip-Hop inspired tracks, the album has it all. Cuts like “Thirsty” and “Faded” flawlessly fit in with current trends while also boasting personal, honest and witty lyrics. The shade is ever-present on Me. I  Am Mariah, and peaks on the disco-inspired “Meteorite” on which MC likens overly “turnt up” pop starlets to quickly-fading shooting stars. However, she does embrace new talent, notably on the 2013 hit single “#Beautiful” featuring Miguel, one of the album’s highlights because it embodies all that makes Carey great. With “#Beautiful” she proved that not only could she still craft a quality song, but a commercially successful one, too.

Me. I Am Mariah… The Elusive Chanteuse was a return to form all around for Mariah, a balanced mix of all of the elements that have contributed to her legacy: relatable writing, strong melodies, incredible vocals. A trifecta that represents the strength of this veteran diva who still continues to amaze fans all over the globe.  –Mario and Vincent

The post The 19 “97” Albums of 2014! appeared first on THE 97.