Ever since the world collectively decided to coronate Mariah Carey as the Queen of Christmas, as usual with women in pop culture, the talk of which hopeful Christmas Princesses could replace her almost immediately followed. However, she’s only grown in her festive ferocity over the decade since embracing her Christmas royal status.

This year marks the 30th anniversary of her Queen-making song, “All I Want For Christmas is You,” and it’s clear that Carey’s Christmas confection has inspired many of her musical daughters to follow in her stiletto steps. In their sonic choices, lyrical themes, or festive holiday promotional campaigns, all of pop’s princesses want a piece of Carey’s Christmas monarchy. While she won’t be relinquishing the throne any time this century, she has blessed a few of these Christmas princesses with her coveted stamp of approval.

In this playlist, I’m ranking Carey’s Christmas princesses holistically based on several factors: the quality of their original songs, how genuine and committed they are to the genre, their cultural impact, and their reverence for the Queen.

12. Sabrina Carpenter, “Santa doesn’t know you like I do”

Fresh off of a breakout year as pop’s latest it-girl, Sabrina Carpenter wasted no time entering the Christmas conversation. In the Best New Artist nominee‘s Christmas variety special on Netflix, “A Nonsense Christmas,” she repackaged her 2023 holiday EP, “fruitcake,” for mass consumption. As sassy and sexy as her latest hits, the set is heavy on humorous innuendo that would make even the sweet-as-“Honey” Queen of Christmas Mariah Carey blush. However, on “santa doesn’t know you like i do” Carpenter tones down the innuendo in favor of cutesy Christmas tidings that make it perfect for holiday playlisting.

11. Katy Perry, “Cozy Little Christmas”

Always good for a throwback, this 2010s hitmaker released her first and only Christmas song, “Cozy Little Christmas,” in 2018. Perry put her pop songwriting sensibilities to good use for this bubbly bop that gives a modern twist to the classic Christmas uptempo sound. While there is nothing particularly fresh about its plodding piano and sleigh bell-adorned production, that’s what makes it so, well… cozy. Considering how tritely unremarkable her latest album was, she might want to go full-throwback and consider a Christmas album.

10. Ava Max, “1 Wish.”

Ava Max made her second Christmas contribution this year with the release of “1 Wish,” a supercharged pop confection that is as catchy as it is cheerful. Wholly wholesome, she opts to celebrate the Christmas season by rattling off as many items on her list of must-haves to say that her “1 Wish” is for every day to be like Christmas. Refreshingly, it is not another rewrite of the “All I Want For Christmas is You” theme in different words. Ava Max could certainly deliver a solid Christmas album one day, perhaps that’s her fans’ “1 Wish.”

9. Leona Lewis, “One More Sleep”

Since her debut as the British X-Factor winner, Leona Lewis has been compared to Mariah Carey due to her immense vocal talent and style. Like Carey, Lewis recorded a Christmas album as her fourth set in 2013. Unlike Carey, her career peaked there. Regardless, “One More Sleep” has endured over the decade-plus since its release as a minor but beloved bop inside and outside her fanbase. She reissued the album in 2021 and toured the UK for Christmas in 2023, slowly and wisely nurturing a Christmas legacy.

8. Tamar Braxton, “No Gift”

Tamar Braxton might have a very famous sibling, but she’s a self-proclaimed Lamb. She’s always shown reverence for the Queen. You can hear the influence all over her work. So, it’s no wonder that Braxton would go on to record a Christmas album… and that it’s heavily Mariah-spired. “No Gift” has the same theme as Carey’s quintessential classic, but is on the opposite end of the sonic spectrum. Braxton serves drama on this slow-building ballad that works in several classic Christmas piano interpolations.

7. Jennifer Hudson, “Santa For Someone”

In 2020, Jennifer Hudson joined the Queen of Christmas on a special “Oh Santa!” remix alongside Ariana Grande for Carey’s Apple TV+ Christmas special. In 2023, the trio had a surprise reunion at Carey’s Madison Square Garden Christmas show. Hudson released her first Christmas album this season, “The Gift of Love.” On one of its original tracks, “Santa For Someone,” Hudson masterfully executes a high-energy, horn-driven groove that’s as bombastic as it is festive. While her non-holiday music hasn’t made much of an impact, she stands a chance to make quite the name for herself in the genre. The Queen of tributes, Hudson at covering songs and making them her own. With a successful daytime talk show and Carey’s co-sign, in time, she’ll find her way.

6. Kelly Rowland, “Love You More at Christmas Time”

Kelly Rowland began her Christmas story in 2000 when Destiny’s Child recorded their first-ever Christmas song for a Rosie O’Donnell Christmas album. For you post-Millennial generation folks, I can’t even explain that for you right now. But it was a thing. Anyway, the trio released a full-length Christmas set the following year, on which Rowland had a solo cover of “Do You Hear What I Hear” heavily inspired by Whitney Houston’s rendition.

Through the years Rowland has continued to flirt with her festive side, recording several more Christmas tracks, the highlight of which is “Love You More at Christmas Time.” This original was recorded for her first Lifetime Christmas film, “Merry Liddle Christmas.” The film went on to have two sequels. With “Love You More at Christmas Time,” Rowland, like Carey, masters the pop crossover sound while maintaining her R&B sensibilities for the upbeat, romantic track. It’s been over a decade since Rowland’s last full-length album, and once she finally follows that up, it’d be nice if she recorded a solo Christmas album one day.

5. Ariana Grande, “Santa Tell Me”

In true Lamb fashion, Ariana Grande wasted no time releasing Christmas music. In 2013 and 2015, she dropped Christmas EPs; in 2014, she released her biggest holiday hit: “Santa Tell Me.” The sweet sing-a-long checks all the boxes that we’ve come to expect from a modern pop Christmas carol – thanks to Ms. Carey. Year after year, “Santa Tell Me” has become more popular, partly due to Grande’s own growing popularity, and just the simple fact that Christmas songs thrive on nostalgia. Her Christmas profile has also been aided by popular duets with the Queen of Christmas (on “Oh Santa!”) and Kelly Clarkson.

Still, it’s been 10 years since “Santa Tell Me” dropped, and nearly that for “Christmas & Chill.” While Grande’s artistry has grown over the years, her Christmas music is stuck in her less interesting musical past. With her improved vocal skills and matured sound, she could be higher on this list if she released a full-length Christmas set now– one that’s a little more Broadway and a little less “chill.”

4. Tori Kelly, “25th”

Severely underrated songstress Tori Kelly took advantage of all that pandemic free time and dropped one of her generation’s best Christmas albums. She worked closely with R&B legend Babyface to produce the album, and it does not disappoint. Kelly was even nominated for the Best Traditional Pop Vocal Album GRAMMY for the set. While all three of her original tracks are quite good, “25th” is the album’s shiniest, stickiest moment. It combines all the expected, Christmasy, sonic elements – a horn section, cheerful piano, jingling sleigh bells, a saxophone solo – with cutesy but not too cliched lyrics and a sing-a-long melody that’re ready for caroling. Of course, then there’s those signature Tori Kelly vocal acrobatics. 

Another thematic daughter of Carey’s “All I Want,” Kelly manages to pull it off without it sounding reductive. Similarly, she’s also done the only commendable cover of Carey’s classic – an acoustic rendition that was included as a bonus track on the deluxe edition of A Tori Kelly Christmas – as a tribute to Carey according to a 2020 interview. Only a top tier heiress could pull of that challenge.

3. JoJo, “December Baby”

The second December Baby on our list, Joanna “JoJo” Levesque lands just above her Sagitarrius sister Tori Kelly because when it comes to Christmas, JoJo has been down. Her first foray into the festive season was in 2004 – months after her debut album dropped, she performed at the annual Christmas in Washington special. Throughout the years, she’s done several live and recorded covers. She even recorded a masterful cover of Carey’s “Miss You Most (At Christmas Time)” in 2018, to “pay homage to the QUEEN Mariah Carey. Imagine being so dope that you single handedly own an entire holiday season!!!?! Her voice and writing has enchanted and inspired me since I was a little girl.” JoJo’s faithful rendition was emotive and expertly executed. 

In 2020, like Tori Kelly, she dropped her first full-length Christmas album, “December Baby.” Of the original tracks, the title track is the most upbeat and festive, a younger, more groovy sibling of “All I Want.” Though another original, “Wishlist” with PJ Morton, is actually the superior song – and a sibling to “Miss You Most” – I wanted to keep this playlist on the happier side. The infectious “December Baby” is an excellent entry into the Christmas canon that’ll have you grooving all December long.

2. Kelly Clarkson, “Christmas Eve”

Of all of the Princesses on this list, nobody is working harder or more actively to secure her place as Christmas royalty than Kelly Clarkson. Having released two Christmas albums and entered the top 10 of the Billboard Hot 100 this week with her first original, “Underneath the Tree,” Clarkson has made a name for herself in the holiday genre. While that song is her most well-known and fits the cookie-cutter mold of what’s expected of an uptempo, pop Christmas song, my favorite Clarkson uptempo original is “Christmas Eve.”

Originally released as a standalone single in 2017, “Christmas Eve” ditches the romantic trope, popularized by “All I Want” and later emulated in Clarkson’s own “Underneath the Tree,” and instead celebrates the holiday itself. Clarkson delivers it superbly, lyrically, vocally, and production-wise. It’s high-energy and festive to the max. Penned by Clarkson and her musical director Jason Halbert, it shows that she has a knack writing for this sort of song. The only thing keeping Clarkson from the top of my list is that it does feel like she’s going almost too hard to earn her crown, rather than let it gracefully come to her. I respect the hustle, but nostalgia takes time. In the case of “Underneath the Tree,” it had a ten-year crawl to the top 10. It’s too bad that song is too cookie-cutter to be truly magical.

1. Britney Spears, “My Only Wish (This Year)”

On the polar opposite end of the spectrum is the Princess of Pop, Britney Spears, who reigns this list. My favorite Christmas original, out of all the songs by all of Mariah’s daughters, is her only holiday offering: “My Only Wish (This Year).” Unlike Clarkson, Spears has ignored the song’s existence since its release in 2000. There are no live performances, no music videos, and Spears doesn’t do anything to promote it during the holidays. In 2020, her label issued a vinyl single, and it was featured in the 2021 Netflix film, “Single All the Way.”

Released in 2000, just six years after Carey’s “All I Want,” it is perhaps the first to emulate its stylistic sensibilities. Perhaps being the first is why it’s also done the best. It’s Britney at her peak: pop perfection. She also delivers one of her best, most genuine vocal performances. Overall, what makes the song so good is that it’s so innocent. She was a young, new, but hugely successful star hungry to give her all to every song she sang. At the same time, she wasn’t trying to lay down the next Christmas classic, land a hit single, or become the Queen of Christmas. That expectation wasn’t there in 2000. She just had a damn good time, and made a damn good song. Just like Mariah Carey did in 1994, with “All I Want for Christmas is You.” But Britney if you hear me… it’s time to claim your crown.

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On July 28th, the superstar singer-songwriter, inaugural American Idol, and daytime talk queen kicked off her first, long-awaited Las Vegas residency, “Chemistry: An Intimate Night With Kelly Clarkson” at Planet Hollywood’s Bakkt Theater. Across the ten-night run, Clarkson promises fans each night will be different, rotating certain songs in the setlist to perform a variety of fan-favorite deep cuts.

With ten studio albums under her belt, Clarkson has a vast catalog to choose from — and enough hits to fill a setlist. So, it’s commendable that she has committed to offering some variety in the hits, and non-hits, she chooses to perform. She also is rotating the songs from her new album “chemistry” but my commentary will be focused on her back catalog.

In celebration of that, I decided to keep this running playlist of Kelly Clarkson deep cuts that she performs throughout the residency, of course, with some commentary. When it’s over, I’ll add on what I wished she would have performed. Until then, I’ll be monitoring the setlist from New York, wishing I was there to experience Ms. Brianne the Chemist in person.

Night One: July 28th

“Broken & Beautiful” from “UglyDolls” (2019)

This P!nk-penned bit of bouncy, dance-pop is as adorable as Moxy, the lead UglyDoll voiced by Clarkson in the film. Generally, In comparison to P!nk’s, Clarkson’s music is fairly family-friendly, but “Broken & Beautiful” is essentially the extra-squeaky-clean-version of “Fuckin’ Perfect.” While it’s cool to hear her sing this very P!nk-sounding composition, it’s certainly not the most remarkable song she’s ever done. Nevertheless, she surely killed those vocals live. Watch it live.

“Meaning of Life” from “Meaning of Life” (2017)

With soaring, soulful vocals and dramatic lyrics and production to match, “Meaning of Life” is a highlight from Clarkson’s 2017, R&B-leaning album of the same name. While she won American Idol by singing mostly R&B classics, throughout most of her career she found success with pop/rock sound. The album found putting her powerful pipes to use in the name of soul, and “Meaning of Life” is the perfect song to showcase that. Watch it live.

“Tightrope” from “Piece By Piece” (2015)

This gorgeous piano ballad is classic Clarkson and a highlight from its album, “Piece by Piece.” With a haunting melody and impeccably delivered vocals, its further stripped-down “tour version” only amplifies its beauty. Clarkson doesn’t co-write every song she sings, but when she does, it’s sure to deliver an emotional gut punch (or a healthy dose of attitude) – and “Tightrope,” which she penned with frequent collaborator Greg Kurstin, is no exception. Frankly, it should be a setlist staple.

i am so glad i was there the night kelly clarkson sang tightrope pic.twitter.com/0mLZ92I0wj

— Film School Dropout (@SheisChuckie) July 29, 2023

Night Two: July 29th

“Medicine” from “Meaning of Life” (2017)

If every song on “Meaning of Life” had a muse, then the “Medicine” muse would certainly be Mariah Carey. Echoing “Emotions”-era Carey, the high-energy, high-note laden uptempo is a fan-favorite for good reason. Clarkson delivers a no holds barred showcase of her vocal range and versatility. If anyone ever needed a reminder of why she won a singing competition… look no further. Infectiously fun, it’s such an energizing setlist addition that there’s no way she won’t repeat it. Watch it live.

“The Trouble With Love Is” from “Thankful” (2003)

On her debut album, Clarkson experimented with pop/rock, and what’s known as blue-eyed soul. “The Trouble With Love Is,” perhaps most famous for its inclusion in “Love, Actually,” is the latter. The bluesy ballad, co-written by Clarkson, proved she could also originate a soulful track, too. Though it had moderate success in 2003, Clarkson has only performed it a handful of times in the last decade and hasn’t been a setlist staple since 2012. Watch it live.

“Can I Have a Kiss” from “My December” (2007)

Clarkson’s first post-break-up-opus received some much-deserved shine on night two with a performance of one of its highlights. “Can I Have a Kiss” is one of the more vulnerable, pretty songs from “My December.” Subtle yet guitar-driven, Clarkson’s soft, tender vocals and its warm melody make for a brand of pop/rock that only an artist of her caliber can deliver. I’d quite literally have had an out-of-body experience watching it performed live, in person, as I, unfortunately, missed 2007’s My December Tour (which was the last time she performed it (!!!)).

Kelly Clarkson bringing justice + attention to “My December” = World Peace
Kelly singing “Can I Have a Kiss” pic.twitter.com/oWKcHkArAP

— Zoe (@ClearClarkson) July 31, 2023

Night Three: August 2nd

“I Do Not Hook Up” from “All I Ever Wanted” (2009)

While sure, it peaked at #20 on the Hot 100 as the follow-up to “My Life Would Suck Without You,” this Kara DioGuardi and Katy Perry-penned pop confection is hardly one of Clarkson’s most memorable, beloved hits by the masses. Frankly, it doesn’t deserve to be… it is rather generic, but nevertheless, a spin of this very of-the-time pop anthem is always fun to sing a long to. Even better, surely, with Clarkson in front of you belting it out. Still, I don’t blame her for not performing it in nearly a decade. Watch it live.

“Dance With Me” from “Piece By Piece” (2015)

Another “Piece By Piece” deep cut, “Dance With Me” is as its title suggests: a fun, encouraging dance-pop number. Frequently performed during its parent album’s tour, the song definitely translates well live, improving what is an energized but uneventful album track. Watch it live.

“Someone” from “Piece By Piece” (2015)

For what seems to be becoming the “Piece By Piece” tour part two, night three of the “chemistry” residency sees a much-deserved performance of another deep cut from Clarkson’s seventh studio album. She surprised fans with the first-ever live performance of this gorgeous, underrated album track. The emotive ballad is quintessential Clarkson, and it’s a wonder she’s never performed it before last night.

Kelly’s first time performing Someone @kellyclarkson #KellyClarkson #piecebypiece pic.twitter.com/j0QKGDJwQS

— Jeremy Davis (@JeremyD7) August 3, 2023

Night Four: August 4th

“Gone” from “Breakaway” (2004)

Essentially a time capsule in song form, “Gone” has all the best elements of any angsty pop/rock track from the early 00s. Clarkson is ferocious with her impeccably staccato delivery that embodies the impatience she sings about. If feisty had a theme song, it would be “Gone.” Performing it for the first time since 2012, no doubt her divorce put some extra fire behind her while performing it in 2023. See for yourself.

“Just Missed the Train” from “Thankful” (2003)

While her debut only really yielded one smash single and didn’t forge any inventive new ground, it sure has some stellar tracks. “Just Missed the Train” is definitely one of those. Originally sung by child actress turned singer Danielle Brisebois in 1994, Clarkson’s version is a beautifully breezy update that preserves that nostalgic 90s feel, with much better vocals. It actually would fit perfectly on “chemistry.”

Night Five: August 5th

“Low” from “Thankful” (2003)

The second single from Clarkson’s debut, “Low,” definitely underperformed in the US in the shadow of the very successful “Miss Independent.” That doesn’t mean it’s not a great song, though. This country-tinged pop/rock jam was the first signal of her eventual shift into the pop/rock lane for 2004’s “Breakaway.” Watch it live.

“Beautiful Disaster” from “Breakaway” (2004)

“I liked this song so much that I put it on two of my albums,” Clarkson told the crowd on Saturday night. She wanted it to be more stripped down, and got her way for its 2004 installment on the “Breakaway” album, which she performed for the Vegas crowd. Gorgeous as ever, with a voice that’s only gotten better, “Beautiful” is certainly the word, because when Clarkson takes the mic it’s never a “Disaster.”

Multiple Nights

“Whole Lotta Woman” from “Meaning of Life” (2017)

It’s a shame that this song was not a single or a hit, because it really should be Clarkson’s signature song. If there’s any song that embodies how fun, bubbly, sassy, soulful, talented, and hilarious she is, it’s “Whole Lotta Woman.” It won’t ever eclipse her biggest hits in notoriety or numbers, but “Whole Lotta Woman” has seemingly become her personal anthem, and hopefully, secured a permanent place on all future setlists. It’s one of her best songs.

“Invincible” from “Piece By Piece” (2015)*

While this motivational pop ballad is very much on-brand for both Clarkson and its writer, Sia, it marks the pair’s first collaboration, and… Clarkson singing Sia is exactly what you’d hope it to be. Except for a hit, that is. Surprisingly, the song failed to make waves when it was released as a single in 20154. Still, with vocals big enough to match its empowering message, Clarkson proves that her voice is certainly “Invincible.” Post-divorce, the song has likely taken on new meaning for her, earning what appears to be a steady spot on the setlist (so far).

*Performed July 28 and 29, only (so far).

Listen to “What Happened in Vegas? Kelly Clarkson Deep Cuts!”

on Apple Music, Spotify, or elsewhere.

Stock up on some Kelly Clarkson vinyl

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The beauty and warmth a summertime magic hour sunset is hard to put into words; even harder to put into sound. Kelly Clarkson’s “chemistry,” the title track off her 10th studio album that dropped on June 23rd, is a successful feat of sonic imagery that conjures the magic of that moment, and of falling in love. The acoustic guitar, lush production, and romantic lyrics alongside Clarkson’s soulful, sensual vocal are the formula for pop perfection. Clocking in at just two-and-a-half minutes, “chemistry” will have you begging for more, and longing for whatever love potion she’s brewed up.

Listen to “chemistry,” stream the full album or grab the vinyl.

In celebration of summer, the staff at THE 97 has compiled a playlist containing some of our favorite summer songs, from then and now. Each day we will reveal one song, rotating daily between past and present with pairings from 1998 and 2023, for a total of 97 days/songs. Since we love nostalgia, we’re celebrating summer songs from 1998 as they turn 25, alongside new songs that we feel deserve some shine. Pairings could be thematic, sonic, or based connections between the artists.

Check out our full “THE SUMMER 97 (1998 x 2023)” playlist here.

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Stream “i hate love,” watch the live performance video, or preorder the album, chemistry,” on vinyl.

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Stream “favorite kind of high,” watch the live performance video, or preorder the album, “chemistry,” on vinyl.

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Kelly Clarkson’s new single “me” arrives after a tumultuous few years for the singer. According to Clarkson, the song represents one of the many emotions she’s experienced since separating from her ex-husband, Brandon Blackstock, in 2020.

Clarkson became a household name as the inaugural winner of American Idol’s first season, from which she ascended to superstardom via a string of hit singles and multi-platinum albums. In 2018, she made her return to TV on The Voice, and in 2019, made herself into a household staple as the host of her hugely successful daytime talk show.

However, Clarkson is still an artist – and “me,” from her forthcoming album “chemistry,” serves as an evocative reminder. It seems as though the song is the third installment in a trilogy preempted by two similarly introspective singles, her most recent top 10 hit, 2015’s “Piece By Piece,” the sequel to 2004’s “Because of You.”

Written by Clarkson at age 16 in reaction to her parents’ divorce, the young Idol had to fight for permission to include “Because of You” on her sophomore album “Breakaway.” She won, and it became the first truly personal song she had ever released – and one of her most memorable hits. The struggle to release “Because of You” marked the beginning of a decade-long battle for creative control between Clarkson and her former labels, RCA Records and 19 Recordings. Despite their reluctance to allow Clarkson creative freedom, most of her biggest singles were, in fact, songs she co-wrote. She has writing credits on 8 of her 15 biggest hits on the Billboard Hot 100.

“Because of You” remains one of her best songs because of how personally and emotionally connected she is to the lyric, and garnered Clarkson respect as an artist. The song also offers insight into her fraught relationship with her estranged father. With lyrics like “Because of you/ I find it hard to trust not only me, but everyone around me,” it established Clarkson as a young woman shattered by her broken home, and, though released 19 years ago, foreshadows “me.” It’s taken her nearly two decades to trust “me.”

However, there is one more piece to the puzzle. In 2015, Clarkson released “Piece By Piece” and referred to it as a sequel to “Because of You.” Released after the birth of her first child, Clarkson contrasts her father with her then-husband, singing, “Piece by piece, he collected me up/ Off the ground, where you abandoned things … Piece by piece, he restored my faith/ That a man can be kind and a father could stay.” The song was ripe with emotion even then, catapulting to the top 10 of the Billboard Hot 100 after she performed a tear-inducing, stripped-down version on American Idol. In 2023, listening to it post-“me” is even more emotional – but for different reasons.

On “me,” Clarkson sings, “Don’t need somebody to pick these pieces up/ I put together my broken/ Let go of the pain I’vе been holdin’/ Don’t need to need somebody/ When I got me.” It’s as though she’s alluding to both of those songs. She’s “letting go of the pain” she sings about in “Because of You.” Meanwhile, not needing “somebody to pick these pieces up” is an apparent reference to “Piece by Piece.” The latest installment is a 180 from the theme and message of its predecessors. On the first, she sounds like a damsel in distress, and on the second, she sounds swept away. With the third and perhaps final, she is finally whole.

Only one part of “Piece by Piece” still holds up today, and was always the most touching moment in the song. It’s when Clarkson abandons the co-dependent narrative, instead centering herself, singing, “I fell far from the tree/ I will never leave her like you left me/ And she will never have to wonder her worth/ ‘Cause unlike you, I’m gonna put her first,” before quickly regressing. Within the current context of Clarkson’s bitter financial battle with her ex, hearing her sing, “He never walks away/ He never asks for money/ He takes care of me/ ‘Cause he loves me,” is heartbreaking in hindsight.

Listening to both back-to-back gives “me” so much more weight. As the track crescendos, leveling up its intensity with musical and vocal layers, its message becomes more and more compelling. Singing with soulful conviction, it’s almost as if Clarkson is trying to persuade herself. Her vocals are truly better than ever – just listen to those high notes in the climax. Musically, she has the freedom to explore genres she’d previously been steered away from. For “me,” she collaborated with Atlantic labelmate and new hitmaker GAYLE (“abcdefu”) for what can best be described as a soulful, gospel-inspired pop ballad. Though “me” isn’t the best song in this nearly two-decade-spanning trilogy overall, it elevates the trio by delivering closure and inspiration.

While her last pop album, 2017’s “Meaning of Life,” was an overdue foray into R&B and soul-infused pop, it was more of an exercise in appreciation than artistic maturation. On “me” (and its A-side, “mine”), it’s clear Kelly Clarkson’s new era will be one of both personal and artistic evolution. The proof is right in the song: listen to how it builds from suppressed sadness at its start, to soaring strength in the end. Or, note the slight change of lyric for the final chorus: “Let go of the pain your hand I’ve been holdin’” – shedding the pain and dependency, because, as a wise woman (and/or Nietzche) once said, “in the end, what doesn’t kill you makes you stronger.”

Kelly Clarkson’s new single “me” is part of a pair of lead singles released from her tenth studio album, “chemistry,” in stores June 23rd. 

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This year, Kelly reasserts her place in the Christmas canon with the release of When Christmas Comes Around…, her second Christmas album. The follow up to 2013’s classic-in-waiting Wrapped In Red, the new set is perhaps Red’s antithesis. In 2013, Clarkson was a newlywed and even dedicated one of the album’s songs to her new groom. This year, her tone has changed: “Christmas Isn’t Canceled (Just You),” she sings to her ex on its lead single. When Christmas Comes Around… is certainly a Christmas album, and it for sure has its festive, cheerful moments. However, it’s also Kelly’s first post-divorce album, and it shows on several of the album’s original compositions.

There’s the aforementioned lead single, “Christmas Isn’t Canceled (Just You)” which is one of those uber-up-beat sort of Christmas songs moulded in the image of Mariah Carey’s “All I Want for Christmas Is You.” Clarkson is no stranger to this type of track; she has quite a few, but this one sits at the bottom of the pile, frankly. Melodically, it’s catchy; musically, it’s fun. Lyrically, though, it just doesn’t match. She would’ve been better off saving her break-up angst for her next proper album. Well, at least when it comes to this track.

Her pair of “Merry Christmas” songs, however, are both much better Christmas takes on heartbreak. “I’ll let my absence show you/ What I got you for Christmas/ Is losing me/ Merry Christmas, baby,” she sings, stingingly. An effortless drag, and it works splendidly. Sure, the song ain’t filled with Christmas cheer, but, hey, it’s real, and many of the lyrics are clever as can be.

Meanwhile, on “Merry Christmas (To the One I Used to Know)” is utterly heartbreaking. It sort of sounds like something that could’ve been sung by Idina Menzel’s Elsa in Frozen; not lyrically, but in every other way. I had to check the writing credits for the Lopez pair, but in fact the song was penned by Clarkson, her musical director Jason Halbert, and songwriter Aben Eubanks. Adele might be famed for her ability to send listeners scrambling for tissues and wine, but Kelly Clarkson is no stranger to such power, and this track is more than proof enough.

The album is not entirely a cause for seasonal depression awareness though. Clarkson covers standards such as “It’s Beginning to Look A Lot Like Christmas,” “Santa Baby,” “Jingle Bell Rock” (ended The Plastics, to be honest) and “Rockin’ Around the Christmas Tree” (Brenda Lee has reason to be shook) all with ease to be expected from the original American Idol winner and Queen of Kellyoke. The best among the covers, though, is Kelly’s reworking of the George Michael classic “Last Christmas.” She slows the song down, giving it a gorgeous new spin.

Another standout is one of the album’s duets: “Glow,” featuring Chris Stapleton. The two sound so good together, and the song is another clever one, lyrically. It’s a love song and not overtly festive, but still just enough to evoke those lovey-dovey Christmas feels. On the other hand, “Santa, Can’t You Hear Me,” Clarkson’s duet with fellow Voice coach Ariana Grade, falls flat. Vocally, there’s just a little too much going on, and in every other area… the song is just sort of lacking, and a bit trite. I deleted it from my library.

Closing out the new album proper are “Blessed” and “Christmas Come Early.” The former is a gorgeous ballad of gratitude that is reminiscent of something Lin-Manuel Miranda might’ve written (but it’s not). The latter is another one to put you in your feels, touching and heart-warming. Understandably, Kelly begs, “Christmas Come Early” – she’s had quite the year, and probably in need of some good cheer.

Fortunately, the album doesn’t end there — Ms. Clarkson included the three one-off Christmas singles she released over the last few years, which includes two more originals, “Under the Mistletoe” and “Christmas Eve,” as well as a cover of the other “All I Want For Christmas is You.” Of the three, the standout by far is “Christmas Eve,” which is just… immaculate. Honestly, it should become another modern classic; the song is just perfection. It has everything one expects from a Christmas classic, the one thing lacking is time. As the years go by, I can definitely see this sitting among the most beloved Christmas songs.

In short, Kelly Clarkson’s second Christmas album is a welcomed addition both to her catalog, and to the Christmas music canon. With plenty of originals and a handful of covers, Clarkson ensures her place as a holiday hitmaker. She’s set herself up perfectly to become one of the season’s most prominent figures. Only time will tell, When Christmas Comes Around… 

Listen to Kelly Clarkson’s When Christmas Comes Around…

The post Review: When Christmas Comes Around… by Kelly Clarkson appeared first on THE 97.

VOLUME 2, CURATED BY VINCENT

Trimming my personal Christmas vibes playlist down to just 97 minutes proved to be a more difficult task than I expected. You mean, I won’t be able to include every Mariah Christmas song, plus my other favorites? Blasphemy!

In the end, the Queen of Christmas still managed to occupy six slots on my playlist, the most of any artist that I included. Runners up include Destiny’s Child (2 group songs, 2 solo songs), Kelly Clarkson (3 songs), and The Jackson 5 (2 songs). DC3’s “Winter Paradise,” an original penned by Beyoncé, has always been one of my favorite, along with their haunting rendition of “Carol of the Bells,” entitled “Opera of the Bells.” Michelle Williams’ take on “O’ Holy Night” is one of my favorites, and Kelly Rowland’s “Love You More at Christmas Time” is an original worthy of future canonical status. Kelly Clarkson, the budding Princess in Mariah’s Queendom of Christmas has a slew of worthy songs herself. It was hard to narrow down which to include, so I opted for a few less obvious choices (surely you know her biggest Christmas hit, “Underneath the Tree”). “Just For Now” is a favorite of mine, as well as two other impeccable uptempo, “Christmas Eve” and “Wrapped in Red.”

Rounding out the playlist are appearances by Nat King Cole (“The Christmas Song” of course, but really, you need his whole album), The Carpenters (I love their Christmas album), Tori Kelly, JoJo, TLC, Joe, Stevie Wonder, Monica, Boyz II Men, Britney Spears, Toni Braxton, and one of my favorite, but not so well known, oldies, “Dónde Está Santa Claus” by Augie Rios. I always loved that song as a kid, it’s just adorable. I hope you enjoy the playlist, if you do, you can also take a listen to my extended “Christmas Vibes” playlist here. Also, shout out to my baby girl Bones in the playlist cover photo.

LISTEN TO VINCENT’S 97 MINUTES OF CHRISTMAS PLAYLIST

Also available on: Spotify – Tidal 

The post Playlist: 97 Minutes of Christmas, Vol. 2 appeared first on THE 97.

Whether your thing is Hip-Hop, R&B, Pop, or something else, the music world delivered several albums that we found to be worthy of being called the top albums of 2017, or as we like to call them, “97s.” We saw the long-awaited return of several of our favorites, and debut albums from a number of notable new talents, such as SZA, AlanMichael, and Declan McKenna. But, how did they all rank in our list?

Deliberated by our team of writers, we’ve ranked the top albums of 2017 that we loved. If you’re familiar with the way we review songs/albums then you know that “97” is our top score. We love every album on this list, ranked them according to how much and weighed in with a few thoughts about each. Please feel free to comment with your thoughts, as well! We’d love to hear from you and engage in any discussion. Now, without any further ado…

THE 97’s Top Albums of 2017:
The 19 “97” Albums

19. Entrancing, AlanMichael

AlanMichael is an up-and-coming independent artist that you need to know. Our readers might recall his 1997 mix of Beyoncé’s “Pray You Catch Me” with Janet and Mariah. He’s a multi-threat: singer-songwriter-rapper-producer-dancer … and probably more. Entrancing is his first official release after a series of EPs and mixtapes. The set is short, but striking nonetheless — striking enough to stand worthily alongside a list of his big-named, mainstreamed, soon-to-be peers. On Entrancing, AlanMichael showcases his versatility, vanity and vulnerabilities. The album is an introductory journey that takes the listener through this captivating new artist. Not only that, it is also a journey through a multitude of fresh and varied musical landscapes, innovative vocal intricacies and subtleties, and dynamic lyrical themes. However, the Entrancing experience doesn’t stop at your ears: it has a visual component available now on YouTube. Highlights: “Vanity,” “The Lux” and “Is This Where We Are?” -Vincent

18. DROGAS Light, Lupe Fiasco

A mix of new material and refined older recordings, Lupe Fiasco‘s sixth studio album DROGAS Light is a prequel to the coming DROGAS Wave. While not his most profound or innovative work, DROGAS Light is a solid set packed with several bops and that signature Lupe flow. The unique storytelling is there (“Jump”), alongside a heartfelt dedication to his mom (“More Than My Heart”), thought-provoking moments (“NGL”), and even a little romance (“Pick Up the Phone”). One of my favorites, though, is “Promise,” where Lupe cleverly makes a very simple, sing-songy rap track to show, “yeah I could do that too… but I’m above it.” When I first heard the song, I thought it was a guest artist rapping. But it’s Lupe being messy, as per usual. Highlights: “Promise,” “It’s Not Design,” “Wild Child” -Vincent

17. ?VOLVE, Imagine Dragons

16. El Dorado, Shakira

Shakira’s El Dorado is almost like a greatest hits compilation of her year prior to its release. Of the album’s 12 tracks, 5 had been released prior to the album. Three of those were duets with other artists, while the other two were her own promotional singles. It was an interesting but effective strategy. The album’s highlights are in fact its duets, notably the new additions “Chantaje” and “Trap” with Maluma and “Perro Fiel” with Nicky Jam. On El Dorado, the 40-year-old Shakira proved she can still hang with los jovenes and churn out the hits. Highlights: “Chantaje,” “Trap,” “Me Enamoré,” “Perro Fiel” -Vincent

15. What Do You Think About The Car?, Declan McKenna

There was a LOT of hype around Declan McKenna and his debut album. Multiple times, by multiple outlets, he’s been called ‘the voice of his/a generation’. While he may not have proven (or accepted) that title, his debut alum is a solid body of work. He showcases his covers a unique group of topics such as LGBT teen suicide and corruption in FIFA. He accomplishes this over a surprisingly welcoming indie-rock-themed body of work (with some clear inspiration from Bowie and Dylan). Highlights: “Why Do You Feel So Down?”, “Humungous”, “Brazil”, “Paracetamol” -Andrew

14. More Life, Drake

Many people probably don’t really consider this a Drake album, but why not? It has all the elements that make a Drake album: the mellow R&B-ish undertones, the ear to the streets to know what’s hot and the tropical bops. And speaking of bops, More Life gave us a couple of Pop crossovers that rank up there with the likes of “Hotling Bling” and “Hold On, We’re Going Home.” Drake is maybe still trying to find a balance between the street cred and the Pop superstar life, and he may get a little repetitive, but since this isn’t really an album, maybe he will explore new ground on the next chapter. Hopefully. Highlights: “Passionfruit,” “Blem,” “Glow.” -Mario

13. Double Dutchess, Fergie

12. The Autobiography (As Told By), Vic Mensa

I saw Vic Mensa live twice this year. First, at the Tidal charity concert, and most recently at Jay-Z’s 4:44 Tour. His live performances left me so impressed that I decided to listen to his album. I was even more impressed. The set is aptly titled. Autobiography plays like a confessional. Mensa is no-holds-barred in his honesty and emotional delivery. He cascades subject matters, ranging from relationships to race in America. It’s not perfect, but its imperfections add to its character. He is a raw, unfiltered artist whose voice and artistry are only going to become more refined and defining. Highlights: “Say I Didn’t,” “Homewrecker,” “We Could Be Free” -Vincent

11. Ctrl, SZA

The plight of black women and the pursuit of love and happiness is something that I’ve written about extensively, and the narrative is often one of despair and heartache. In Ctrl, SZA not only changes that narrative, she completely turns it on its head, leaving little to the imagination, and changes the conventions entirely. In songs like “Supermodel”, “Love Galore”, the Kendrick Lamar assisted track “Doves in the Wind”, and most notably, “The Weekend”, SZA frankly discusses her need for unattached, no strings, relationships, matters of the heart, and one’s almost self-destructive need for sex.

There have been people I’ve discussed album’s subject matter in great detail, and some find her messages unappealing, for it is “unladylike” for a woman to speak so candidly about sex in such a “vulgar” manner. However, SZA does nothing more than speaking to the same things that have been the status quo for men for centuries. Feminist teas for the win! In reality, the album’s content is what for the most part, represents our generation’s attitude towards love and sex, and truthfully, unabashedly takes full ownership of that attitude. Highlights: “The Weekend” “Love Galore” “Doves in the Wind” “Go Gina” “20 Something” -Jordan

10. CollXtion II, Allie X

Allie X affected me this year. This album captivated me from the very first listen. Allie already demonstrated her songwriting abilities contributing to Troye Sivan‘s stellar Blue Neighbourhood. Now she showcases the full picture on her debut LP. CollXtion II combines dark, synth-driven pop with clever lyrics, catchy melodies with Allie’s haunting vocals. At times it’s dreamy and effervescent. Other times it’s nightmarish and downtrodden. One thing’s for sure: This isn’t the picture-perfect love created in a Disney cartoon. Highlights: “Old Habits Die Hard”, “Casanova”, “True Love Is Violent”, “Vintage” – Andrew

9. Bluebird of Happiness, Tamar Braxton

On her fourth album, Tamar Braxton decided that she was not going to highlight the cons of a relationship, but instead, she focused primarily on what made her feel happy. This was probably just an effort to mask the difficulties and the struggle she was going through while making this record: just after the release of the album she and Vince decided to announce their separation. Nonetheless, Bluebird of Happiness showcases Tamar’s qualities as an R&B songstress and her ability to put emotions on wax-like very few can do in the current music landscape. Highlights: “Wanna Love You Boy,” “The Makings of You” “Pick Me Up.” -Mario

8. Evolution, Anastacia

Anastacia is a veteran in the industry, with hits under her belt, in Europe that is. In her native USA though, she’s fairly unknown beyond “I’m Outta Love”. This year’s Evolution was her 7th studio effort, and one of her best to date. More than a decade after she discovered her Sprock (soul-pop-rock) sound, she grows beyond it to a unique mix of pop and rock. She’s not chasing trends here, nor is she going retro. Despite a tragic lack of push from her label, Evolution sounds fresh, expansive, and contemporary. Highlights: “Redlight”, “Before”, “Higher Livin'” -Andrew

7. Grateful, DJ Khaled

I’ll be the first one to admit that I’ve never been a huge fan of DJ Khaled. While I’ve always respected his hustle, some of his productions never really caught my eye. Amidst his massively popular social media presence and his involvement with one of last summer’s anthems, “All The Way Up”, Khaled absolutely won with this year’s LP, Grateful. Enlisting the help of Drake, Rihanna, Migos, Alicia Keys, Nicki Minaj, and of course, Beyoncé and JAY-Z, Khaled really crafted a work that full of simple good vibes. Not every album needs to evoke deep thought; sometimes, especially in this day and age, it helps to just bop. His inclusion of his son Asahd on the final track “Asahd Talk (Thank You Asahd), as well as on the album cover, is icing on the cake. Highlights: “I’m The One”, “Shining”, “Wild Thoughts”, “Billy Ocean” -Jordan

6. Beautiful Trauma, P!NK

It’s been five long years since P!NK released her last solo effort, The Truth About Love, and she returned this fall with Beautiful Trauma. A pensive collection of reflections, the album is an emotional rollercoaster that plays like the lyrics might have just fallen out of P!NK, in a stream-of-consciousness style. Never one to hold back, she once again does not disappoint in that regard. Whether it’s by delivering a subtle political message (“What About Us”), an honest take on her relationship (“Beautiful Trauma”), vindictive hurling of insults (“Revenge”), or a battle with her own insecurities (“Better Life”) she always takes it there.

There are more touching moments, too, such as the nostalgic ballad “Barbies,” emotionally and vocally raw “You Get My Love,” and the anthemic “I Am Here.” The title perfectly encapsulates the album, indeed it is beautiful, yet slightly traumatic. Highlights: “Secret,” “But We Lost It,” “Barbies,” “I Am Here” -Vincent

5. Strength of a Woman, Mary J. Blige

The Queen of Hip-Hop/Soul‘s 13th studio album comes at a time in her life when she’s facing the struggle of a failed marriage. The name of the record, however, shows that Mary’s not about to let this drama sink her heart. Instead, she’s taking the opportunity to remind us that she’s a survivor. Strength of a Woman is the work of a scorned woman who’s found her inner light to shine, an artist who’s adding one more block to an already solidified legacy. This album is ultimately also a reminder that Mary’s ability to bare her soul to us is something that’s always set her apart. Highlights: “U + Me (Love Lesson),” “Set Me Free,” “Love Yourself.” -Mario

4. Meaning of Life, Kelly Clarkson

I have wanted Kelly Clarkson to release an R&B album since I heard her half-baked, directionless debut set. From there, as we all know, she rebelled with pop-rock via Breakaway, My December and other solid, but predictably pop cuts. Along the way, there were hints of soul, such as “What’s Up Lonely” from Thankful, “Why Don’t You Try?” from Stronger, and “Bad Reputation” from Piece By Piece. However, on Meaning of Life, Clarkson went full-throttle. Sure, the album still has pop sensibilities, but there’s no rock flair or country twang on any of these songs. There’s slinky R&B (“A Minute”), supersonic throwback soul moments (“Love So Soft”), and even some clear Mariah inspiration (“Medicine”). Then, of course, there is “Whole Lotta Woman,” on which Kelly must’ve been channeling Beyoncé’s role as Foxxy Cleopatra as she announces: “You ain’t know!? Texas women do it bigger!”

The vocals are glorious. The album is full of life. I don’t know that I know the Meaning of Life after hearing it (I don’t) but Ms. Clarkson certainly solidified her status among the New School of Divas and gave me my whole life in the process. Highlights: “Whole Lotta Woman,” “Would You Call That Love,” “Cruel,” “Medicine” -Vincent

3. DAMN., Kendrick Lamar

The mumble-rap sub-genre continues to dominate mainstream culture. However, Kendrick Lamar compiled his third solid body of work in a row, relying on strong lyrics backed by strong beats. Kendrick isn’t afraid to take risks, speak his mind, and do so in a manner that’s digestible and prophetic to the masses. DAMN. was a cultural phenomenon: the album cover meme, its ubiquitous lead single, and the viral moments that followed with “DNA.” and “LOYALTY.” Highlights: “DNA.,” “PRIDE.,” “FEAR.” -Andrew

2. War & Leisure, Miguel

Highlights: “Pineapple Skies”, “Banana Clip” “Told You So”, “Anointed”, “Come Through and Chill”

Of all the albums on our countdown, this one is among the newest. After a shaky third album, Miguel came back this year with War & Leisure and dare we say it, it’s a return to form. It’s not like Wildheart was a bad effort, but it was at points too daring and too much – and sometimes less is more.

In his fourth studio effort, Miguel created what is in my opinion, the most consistent work of his catalog, as he really strove to mix the sounds that he is most well known for, as well as those more aligned with his Mexican heritage, which all blend to create a really full-bodied album. With this album, Miguel was able to capture the essence of what we’ve come to expect from him as an artist: the writing is great, the melodies are punching and the productions are stellar.

What can be found across all of Miguel’s albums is his endless adoration of love. The album’s content is as carefree, (“Pineapple Skies”) as it is lovestruck, (“Banana Clip”), and seductive (“Come Through and Chill”). The work’s instrumentation is at a lot of points very reminiscent of some of Prince’s mid-1990’s catalog, and with some appearances from Rick Ross, J. Cole, Travis Scott, and Kali Uchis, the result is an extremely solid, albeit quirky album. He’s once again managed to create an atmosphere with his music that just wraps your ears and never lets you go until the music’s over.

Finally, Miguel is perhaps the voice of our generation that we didn’t know we needed, and might not even realize that we have. With the embodiment of the millennial penchant for Netflix and Chill (because we can’t afford to go out), the self-love party anthem that is “Pineapple Skies,” the culture melding Spanglish of “Caramelo Duro,” or his critical letter-in-song to the “CEO of the Free World” on “Now,” Miguel speaks for our generation whether we asked him to or not – whether he realized it or not. -Jordan, Mario & Vincent

1. 4:44, Jay-Z

Highlights: “The Story of OJ”, “Smile,” “Caught Their Eyes,” “4:44,” “Family Feud,” “Moonlight”

Ohhhhhhhhh Jay. We was waitin’ on you at da doe! You found a magical way to make your epic fuck up a learning moment. The world waited in utter anticipation for a response to all of the allegations of his supposed infidelities, and those were all but confirmed in the track of the same name. 4:44 references the time he wrote the title track. “4:44” is about doing the unthinkable: cheating on Beyoncé. But to merely write this work off as a response to LEMONADE would not only discredit this album but Bey’s as well.

4:44 is our album of the year this year, and LEMONADE was just that for 2016. The two are companions not just for their marriage-related subject matter, but for much more. Jay-Z’s 4:44 is for Black men what LEMONADE was for Black women. Both delve into subject matters related to the Black experience in America and try to make sense of it all. In the case of 4:44, Jay explores why and how he got to where he is today in many facets. And all of it is glorious.

The album is probably the most socially conscious of Hov’s career, as it touches on a wealth of topics, such as embracing his mother’s homosexuality (a rarity in the hip hop community), capitalism, greed, race relations, and of course, fidelity. In a long and storied career that at times has fixated on the superficial and materialistic, it’s really dope to see the full breadth of Jay’s creativity in full force.

What is equally important, is the actual musicality it the album. The production value is insane, as Chicago’s very own No I.D. skillfully samples varied artists such as the pioneering Nina Simone, (“The Story of O.J.”), Stevie Wonder (“Smile”), and Hannah Willams & The Affirmations (“4:44”). Then, of course, there is the epic freestyle from Miss Blue Ivy Carter herself. -Jordan, Vincent & Andrew.

The post The 19 “97” Albums of 2017 appeared first on THE 97.

Whether it be one of many iconic remixes, a scathing diss track, a bonafide money making anthem, or a one off song… our list this year feels rather random, but full of bops all the same. Scroll down to delve into our favorite singles of 2017.

At EST. 1997, we chose the 19 “97” singles of 2017, which simply means the 19 best singles of 2017. If you’re familiar with the way we review singles/albums, then you know that “97” is our top score. We love every song on this list, ranked them according to how much, and weighed in with a few thoughts about each. Please feel free to comment with your thoughts, as well! We’d love to hear from you and engage in any discussion.

EST. 1997’s Top Singles of 2017: The 19 “97” Singles

19. “Caught In The Middle” Anastacia

After years of building a solid catalog, Anastacia finally came through with something progressive. “Caught In The Middle” takes a touch of the influence of “Sick And Tired”, but keeps it fresh. -Andrew

18. “Love So Soft,” Kelly Clarkson

It was the Kelly Clarkson single we’d all been waiting for. Not since her debut on American Idol had Kelly Clarkson released a single so soulful, so R&B. “Love So Soft” is a soul bop of mighty proportions with soaring vocals, just vague enough innuendo and pristine production (Earth Wind & Fire play in the band! C’mon!). While it’s still poppy, treading dangerously close to Meghan Trainor territory, Kelly’s genuine love for the genre and her undeniable vocal talent makes “Love So Soft” an authentic reading of 1960s soul. It is respectable blue-eyed soul. Oh, and the video is glorious. -Vincent

17. “Love Galore,” SZA

In “Love Galore”, R&B songstress SZA basically says what a lot of single black women like myself want to say, but are probably afraid to… at least publicly. In the Travis Scott assisted track, SZA lyrically takes a “love ‘em and leave ‘em” stance towards love and relationships, opting for casual liaisons with her lovers, as opposed to full blown romantic attachments. At the surface, it seems like a very narcissistic take on matters of the heart, but in a world where Issa Rae’s hit show reins supreme, this song is one where many young women may find common ground. On top of all of that, the song is an absolute vibe. Mood for this year, next year, and the next decade. -Jordan

16. “SHEther” Remy Ma

Call it the diss track that shook a million teenagers. Remy Ma released one of the most seething, aggressive, and lengthy attacks in recent memory. Opening with Nicki Minaj yelling “fuck you! Free Remy!”, Remy unloads round after round after round after round of attacks on Nicki, over the unparalleled beat of Nas’ “Ether”. From her relationship with Meek Mill and the authenticity of her body, to attacks on Nick’s spars with pop stars and the child molestation accusations against Nicki’s brother Jelani, Remy lets it all hang out. It’s unprecedented. Crown achieved. -Andrew

15. “LOYALTY,” Kendrick Lamar ft. Rihanna

14. “Slow Hands” Niall Horan

The black sheep rides ahead of the pack as One Direction’s left fielder comes through with the strongest post-1D single to date. Who expected Niall Horan had this in him? This song is absolutely irresistible, and arguably the best solo single post-One Direction from any member of the band. -Andrew

13. “U + Me (Love Lesson),” Mary J. Blige

This was the second single released from Strength of a Woman and the moment I knew the album would be amazing. The production is contemporary, but still has that throwback gusto and Mary took us through what was going on in her mind after the divorce. It’s a reflection on her relationship with Kendu and all the feelings separation brings to the surface. -Mario

12. “Mi Gente,” J Balvin, Willy William and Beyoncé

After each and every national or worldwide tragedy, a group of musicians usually gathers to record a charity single to benefit relief efforts. Usually, these songs are some sort of overwrought yet heartfelt ballad. Unfortunately, that more often than not results in a song you probably won’t want to stream, listen to on the radio or even buy. Not in this case. In reaction to the devastating hurricanes that hit Puerto Rico, Houston, Texas and other areas of the Caribbean, Beyoncé teamed up with Colombian artist J Balvin and French DJ Willy William to remix their hit single “Mi Gente.”

The result reminded us of Bilingualoncé, who has been hiding since 2008. She flawlessly rides the song’s Reggaeton beat while singing in Spanglish before dropping a new few bars of her own in English. The remix catapulted the song to #3 on the Hot 100. That makes it J Balvin his biggest hit to date. It’s also Beyoncé’s biggest hit since “Drunk In Love” in early 2014 (until, of course, that other duet came out…). –Vincent

11. “Unforgettable (Mariah Carey Remix),” French Montana, Mariah Carey & Swae Lee

“Unforgettable” was already a certified summer hit in its original form, but the addition of Mariah Carey took it up a notch. This was what people want a Mariah single to sound in 2017 and she gave us what we wanted. Her echo-y vocals slide smooth over the beat and elevate the already infectious track. The “Mariah Carey Remix” package also came with an acoustic version of the song. That version is only has piano, guitar and a minimalistic drum beat that showcase the Queen’s contribution. Too bad the label chose the wrong week to release it and never properly pushed the remixes. This collabo would and should have been a smash. Know that. -Mario

10. “What About Us,” P!nk

P!nk really put her foot down as one of the Pop greats this year when she came back with her new album, Beautiful Trauma. The lead single, “What About Us,” was an unusual choice from what we were expecting from her. Instead of being the classic rocker single, full of attitude, the song is an anthem for love, equality and unity. P!nk sounds as great as ever on the track and it rightfully became a hit on the charts as well. It was also really good to see her finally getting recognition for her consistent achievements in music. -Mario

9. “The Star,” Mariah Carey

With her eyes clearly set on Oscar gold, Mariah Carey fulfilled her latest calling as the Queen of Christmas by delivering this impeccable new ballad about the birth of Jesus for the animated Nativity story film, The Star. No stranger to penning her own classics, whether they be for Christmas or in general, the legendary diva does not disappoint with “The Star.” She teamed up once again with the extraordinary Marc Shaiman to co-pen and co-produce this gorgeous ballad, featuring guest vocals from her children. Already nominated for a Golden Globe for Best Original Song, “The Star” is a welcomed addition to Carey’s iconic Christmas catalog. -Vincent

8. “Took Us a Break,” Lil’ Kim

The buzzing of the introduction creates the buzz, and then that voice! On the warm up single to an album more than a decade in the making, Lil’ Kim makes it clear: She’s back. Marrying mumble rap with her own flow, she doesn’t mince words. She fires off everything from “bitter bitches, got em mad now” to “givin y’all my old clothes, my old flows, like hand me downs (y’all can have that!)” 21 years later, Kim still has No Time for the haters, and still knows how to turn heads with her lyrics (case and point: “Bomb pussy, that’s a boom box”). -Andrew

7. “Wild Thoughts,” DJ Khaled ft. Rihanna and Bryson Tiller

Sometimes all it takes is a simple 808 to take you back. When I first heard the opening seconds of “Wild Thoughts”, I was taken back to third grade, and the little girl who sang “Maria Maria” by Carlos Santana and Wyclef Jean. In this updated track, Khaled masterfully blends a classic hit with very some contemporary vibes, accented with the partnership between Rihanna and Bryson Tiller (though it remains questionable if Tiller’s involvement was really needed). The lyrics, which speak to seduction, and lust, mixed with Santana’s patented guitar riff, and Rihanna’s sex appeal, made for one of the hottest songs of the summer, and one of the best of the year, hands down. -Jordan

6. “Skywalker,” Miguel ft. Travis Scott

Miguel glided into Star Wars season on the Millennium Falcon alongside Luke Skywalker with his latest single. Not really, but that’s how metaphorically fly this new song is. It won’t hit you in the face right away, but “Skywalker,” featuring Travis Scott, is an infectious mid tempo house party jam. It’s no wonder its walking toward sky-high levels on Billboard’s R&B charts. -Vincent

5. “The Cure,” Lady Gaga

https://www.youtube.com/watch?v=RP3UsFrDJfY

Nobody expected Gaga to debut a Pop single at Coachella this year because she had just wrapped her Joanne era with the Superbowl. And yet, she came with one of her strongest bops in a long time. Supposedly written during the Artpop era and then scrapped for the album, “The Cure” is dedicated to one of Gaga’s closest friends who was, at the time, battling cancer. Its personal nature is probably why it never got the promotional push that it deserved or a music video, but she finally decided to give a live performance at the AMAs, live from her tour. If this is what it feels to have a focused Lady Gaga then we can’t wait for the next album because she sure hasn’t lost her touch! -Mario

4. “That’s What I Like,” Bruno Mars

3. “HUMBLE,” Kendrick Lamar

Hip-hop and “HUMBLE” are oxymorons. They rarely fit together in a literal sense, and Kendrick’s “HUMBLE” is no exception. He relentlessly berates his peers on “HUMBLE.” He embodied a swag that was anything but humble and ordered everyone else to sit down. And they did… because they had no choice. King Kendrick reigned in 2017, and it all started with “HUMBLE.” -Vincent

2. “The Story of OJ,” Jay-Z

2017 saw the re-emergence/rebirth of the Jigga Man himself, Jay-Z. After a whirlwind three year period, which included the infamous 2014 MET Gala elevator incident, and Beyoncé’s revelatory album, LEMONADE, the world had long-awaited a musical response from the rap legend. The subsequent album, 4:44, resulted in a conglomeration of some of his most detail oriented, thematic, and introspective works yet. In the single, “The Ballad of O.J.”, Jay uses the plight of disgraced former football star O.J. Simpson as a metaphor for capitalism, and the financial status of blacks in America.

In the song, he muses about financial responsibility among black people, and more so the need for blacks to work more towards investing in a financial legacy, and in black commerce, as opposed to the instant gratification of purchasing materialistic things, all while saying true to one’s roots, and refusing to sell out. The track masterfully samples the Nina Simone classic, “Four Women”, in which the phrase, “my skin is black” hauntingly echoes all throughout, and the accompanying video, which was shot in the style of a classic Looney Toons short, is one of the best visuals I’ve seen in a really long time. -Jordan

1. “Bodak Yellow” Cardi B

Everyone loves a a come up, and Cardi B fulfilled that story line fully and effortlessly. “Bodak Yellow” is catchy and motivational, simple as that. She says it all, “I don’t dance now, I make money moves.” With the first #1 by a solo female rapper in 19 years and 2 Grammy nominations, it’s safe to say she makes a lot of money move. -Andrew

What makes “Bodak Yellow” a special song is not about the song itself but its performance. The fact that a Rap single by a female was able to dethrone a powerful Pop star like Taylor Swift and her lead single on the charts in 2017 is a victory for the genre. And it was definitely needed. -Mario

At some point in 2017, I found myself hearing about Cardi B incessantly but not knowing who the hell she was. And then I heard “Bodak Yellow.” And then I knew why. Unfortunately, it’s rare that a worthy female rap star comes along and has success. Fortunately, Cardi B came to see that changed. -Vincent

I have never wanted to see someone win so badly as I did for Cardi B. From stripper, to Love and Hip Hop star, to a genuine rap powerhouse in only a few years; Cardi reminds me of that friend that you watch struggle until they find their glo’ up. Should Bodak Yellow be praised for it’s lyrical prowess? Is Cardi a very technically sound rapper? No. But there’s a undeniable charisma that this Bronx bred artist has that is simply infectious. Make ya money moves, sis! I stan. -Jordan

Talk about a come up, glo up, #Goals, which ever way you see it, Cardi B is the 2017 definition of all that. Without featuring any other artists, her crossover smash hit “Bodak Yellow (Money Moves)” became an anthem that managed to make her the first female rapper to top the Billboard Hot 100 since Lauryn Hill’s ’98 hit “Doo Wop (That Thing).” If thats not a money move, just think Cardi’s rise to the top saw previous stints like being a cast member of Love & Hip Hop: New York. Cardi B’s music career has quite easily become the biggest success story of any member from all incarnations of Mona Scott-Young’s Love & Hip Hop franchise. No wonder why Cardi gave Scott an epic shoutout, alongside her own bragging rights on her debut single. -Keenan

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